100 books like The Only Woman in the Room

What I loved about this book is that it is the true story of an American woman living in Nazi-occupied France, where she organised and ran resistance groups and led them in action.

The book, though factual, reads like a fictional novel, and her exploits and shear "daring do" almost beggar belief. She only had one leg, a fact that many who met her were completely unaware of, yet she crossed the Pyrenees on foot in winter!

It didn’t surprise me to find out that the men who "ran" the operations from London and Washington denigrated her achievements and consigned her to obscurity, describing her in the words of the book’s title. But she was a truly amazing heroine, and I would have loved to have met her.

I've always been inspired by the story of the Black women mathematicians at NASA — the "human computers" who calculated the formulas to launch rockets and astronauts into space. Shetterly's book brings them to life, making their feats even more remarkable, especially given their tools (adding machines, pencils, and slide rules) and challenges (they worked in the Jim Crow South).

The four amazing women the book focuses on—Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden—deserved to be brought to light. There's a movie version that conveys their brilliance in a dramatized way, but the book gets into depth in ways the movie can't. It's a great narrative about what it takes to be an innovator, no matter if you're a woman or a man.

This book by Markus Zusak is frequently named one of the best WW2 books. I like it because it’s a tribute to the resilience of the human spirit and the importance of hope in dark times. It’s a haunting and beautifully written novel set in Nazi Germany.

Narrated by Death, the story follows Liesel, a young girl sent to live with a foster family. As she navigates a tumultuous world filled with fear and cruelty, Liesel finds comfort in books and words. I loved the premise of stealing forbidden books and sharing their stories with others. Through Liesel’s experiences, I explored the themes of love, loss, and the power of storytelling in the face of adversity.

I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.

I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.

And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.

I fell in love with Katniss from the very beginning. I was the oldest daughter in a single-parent family and had to take over and care for my younger sisters a lot of times because my father was dysfunctional. So I get it. The whole concept is horrifying to me—children forced to kill each other—but following along as Katniss manages to defeat the fate waiting for her inspired me.

I related to how she did most of it on her own, seeing as she had been let down by her mother, her country, and, later, those she thought were friends. Trust is so important and valuable for young people to have, and so easy to destroy.

A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops. 

The success of the D-Day invasion of German-occupied France was highly dependent upon spy-gathered information. The stories of three young women, unlikely heroes, are set against a complicated historical backdrop of spy networks in Nazi-occupied France leading up to the Allied invasion. These are the stories of Andree Borrel, Odette Sansom, and Lise de Baissac. The British spy organization, Special Operations Executive (SOE) hired, trained, and utilized these and other women as field operatives. Without the covert work they accomplished, the Allied invasion could have been disastrous. Although the work is non-fiction, it flows like a novel with quotes and personal anecdotes of the real agents. The courage and valor of these everyday women turned heroines are inspiring.  

What an amazing time to grow up in America as a pioneer settling into life on the prairie. This is the true story of Laura Ingalls Wilder’s resilient and loving family as they built their own home, hunted for their own food, and farmed the land. I read this book and others from the series to my daughters who were mesmerized by the life Laura led and the courage she displayed. The story depicts the challenges and the joys her family found in forging their own path and living life the way they wanted. The fact that the author captured all the ups, downs, and lessons learned and became a writer during that time period is another remarkable pioneering effort.

I like the fact that Out of Africa is about a strong woman who was also an entrepreneur and an enlightened leader. Karen Blixen, a Danish countess, took up residence in Kenya and actually ran a coffee plantation—who doesn’t love a brave businesswoman? She built successful relationships with the Masai, Kikuyu, and Somali natives who worked on her plantation. A woman of many talents, Blixen’s poetic style of writing led to a profession as author Isak Dineson after she left her beloved Africa.  

Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did. 

This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).

It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want… show more.