Here are 100 books that Little House on the Prairie fans have personally recommended if you like
Little House on the Prairie.
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I have had a long, fruitful career as a business leader, entrepreneur, and inventor in the energy and chemicals industry with seven scientific patents. I'm the founder/CEO of Chem Systems, Inc., lectured at MIT about entrepreneurship and innovation, and recently wrote a book exploring industrial inventions tracing back to the Industrial Revolution. All inventors share the same qualities: they see opportunities, stay persistent, and maintain their faith in the value of their innovation. The books on this list celebrate those qualities and honor the innovators who embody them. The authors highlight the common threads binding past, present, and future together, showing how humanity's progress depends on innovation.
I've always been inspired by the story of the Black women mathematicians at NASA — the "human computers" who calculated the formulas to launch rockets and astronauts into space. Shetterly's book brings them to life, making their feats even more remarkable, especially given their tools (adding machines, pencils, and slide rules) and challenges (they worked in the Jim Crow South).
The four amazing women the book focuses on—Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden—deserved to be brought to light. There's a movie version that conveys their brilliance in a dramatized way, but the book gets into depth in ways the movie can't. It's a great narrative about what it takes to be an innovator, no matter if you're a woman or a man.
Soon to be a major motion picture starring Golden Globe-winner Taraji P. Henson and Academy Award-winners Octavia Spencer and Kevin Costner Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA's African-American female mathematicians who played a crucial role in America's space program-and whose contributions have been unheralded, until now. Before John Glenn orbited the Earth or Neil Armstrong walked on the moon, a group of professionals worked as "Human Computers," calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American…
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.
I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.
And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship.
This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.
Prairie Lotus is a powerful, touching, multilayered novel about a girl determined to fit in and realize her dreams: getting an education, becoming a dressmaker in her father’s shop, and making at least one friend.
Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America’s heartland, in 1880. Hanna’s adjustment to her new surroundings, which primarily means negotiating the townspeople’s almost unanimous prejudice against Asians, is at the heart of the story.
Narrated by Hanna, the novel has poignant moments yet sparkles with humor, introducing a captivating heroine whose wry, observant…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I first read and fell in love with Jane Austen's novels at the age of thirteen, and thus began a lifelong enthusiasm for nineteenth-century and early twentieth-century literature. Though I studied English Literature and Art History at university, I embarked on a professional career working in an entirely unrelated field. I never lost my childhood desire to write fiction. Inspiration came, as it will, unexpectedly. I sat down one day in the grand Reading Room of the New York Public Library, pad and pen in hand, and began to write. I happened to be suffering a spell of insomnia at the time, and before I knew it, I had a draft of my first novel.
It is impossible to separate Cather’s heroine Alexandra Bergson from the Nebraska prairie she farms.
Alexandra’s character mirrors the land she, as the eldest child, inherited from her father and which she devotes her life to working. When other families give up, sell off, and move on, she doggedly remains through harsh winters and, against all likelihood, prospers as an unmarried woman managing a vast expanse of land.
Like the land, she remains both knowable and unknowable, at once harsh and majestic.
Possessing an external manner that is reticent, internally hers is an indomitable spirit. She is among the most inimitable of women to have ever appeared in print.
At the turn of the twentieth century. When their father dies young, exhausted by the failure of his attempts at agriculture, it is left to the visionary Alexandra to guide the family to prosperity and safeguard the fortune of her brothers. Strong-willed and fiercely independent, she succeeds against all odds, but only at the cost of her own fulfilment as a woman. Central to the novel's action is the Nebraskan landscape it describes, by turns unyielding and fruitful, bitter and ecstatic.O Pioneers! joins Cather's My Antonia in Everyman's Library.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.
From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.
Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Mollie was 18 years old and a new bride in 1860 when she and her husband left eastern Nebraska for the gold diggings of Colorado.
The 7-week journey across the plains tested her strength and endurance, but Mollie battled the hardships and isolation of pioneer life with humor, intelligence, and honesty. She never intended her journal to be published, but it was, and I found it inspirational.
Mollie is a vivid, high-spirited, and intensely feminine account of city people homesteading in the raw, new land west of the Missouri. More particularly, it is the story of Mollie herself - just turned eighteen when the Dorseys left Indianapolis for Nebraska Territory - of her reaction to the transplantation and to her new life which included rattlesnakes, blizzards, Indians, and the hardships of pioneer life. Mollie describes her nearly three-year engagement to Byron Sanford, during which time she worked as a seamstress, teacher, and cook. Following her wedding Mollie's life took a new turn. Catching "Pike's Peak Fever," the…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
I was born in a little shipbuilding town in Scotland but, like everyone else in the world back then, I grew up in the American West. These were the stories we all grew up with – burned into our imaginations along with stories from the Bible or the Greek myths. Nowadays, the West is still important to me – but today it is the personal accounts of the West that interest me most – the personal diaries and eye-witness accounts of the brides, the doctors, teachers, mothers, children, who experienced the West first-hand.
The hard-drinking, cigar-smoking, cross-dressing heroine of the American West continues to keep a python grip on the imagination.“I’m a howling coyote from Bitter Creek, the further up you go the worse it gets and I’m from the headwaters,” she used to rap. Calamity fascinates because she is a self-made myth and Linda Jucovy’s biography is an informed and insightful exploration of that myth.
“Who in the world would think that Calamity Jane would get to be such a famous person?” one of the pallbearers at her funeral asked an interviewer many years later. It seemed like a reasonable question. Who else has accomplished so little by conventional standards and yet achieved such enduring fame?
But conventional standards do not apply. Calamity was poor, uneducated, and an alcoholic. For decades, she wandered through the small towns and empty spaces of the Dakotas, Wyoming, and Montana. But she also had a natural talent for self-invention. She created a story about herself and promoted it tirelessly…
I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.
I fell for this book because of the main character’s voice, which is earthy, believable, and funny. “Hard times are a penny for plenty,” Abilene says after hopping off the train in dusty Manifest, Kansas in 1936. “They call it a Depression, but I’d say it’s a downright rut and the whole country’s in it.” Carrying her daddy’s compass and not much else, Abilene boards with a preacher with a “jigsaw life” and seeks to discover her missing daddy’s past. Following her quest, I learned about things like bootlegging, the flu epidemic of 1918, the Great Depression, xenophobia—and a bit about magic elixirs.
The movement of the train rocked me like a lullaby. I closed my eyes to the dusty countryside and imagined the sign I’d seen only in Gideon’s stories: Manifest—A Town with a rich past and a bright future.
Abilene Tucker feels abandoned. Her father has put her on a train, sending her off to live with an old friend for the summer while he works a railroad job. Armed only with a few possessions and her list of universals, Abilene jumps off the train in Manifest, Kansas, aiming to learn about the boy her…
I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.
Apparently I’m not the only kidlit author who loves both the American prairie and all things British. When her Pa is accused of thieving, young Louisa is taken in by his accusers, the appropriately named Smirch family. Sour, mean-spirited Mrs. Smirch looks forward to seeing Pa hang. Louisa solves the mystery of the stolen items when she meets a gruff but sensitive... well, I won’t say, but he’s one of the Wee Folk from the Auld Country, far from home on the Colorado plains. A cute and lively read with a satisfying conclusion.
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and…
I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.
This historical novel in verse brings the Kansas prairie alive in all its beauty and harshness. The story is tense with few light moments as young May B is stranded alone in a sod house as blizzards rage outside. She’s a realistic heroine, tempted to despair but ultimately finding hidden sources of strength. Oh, and she suffers from dyslexia. Sometimes I think novels in verse will be too artsy or literary, but they’re actually easy to read, right? Perfect for a struggling reader, perhaps one with dyslexia.
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"If May is a brave, stubborn fighter, the short, free-verse lines are one-two punches in this Laura Ingalls Wilder-inspired ode to the human spirit." — Kirkus Reviews, Starred
I've known it since last night: It's been too long to expect them to return. Something's happened.
May is helping out on a neighbor's Kansas prairie homestead—just until Christmas, says Pa. She wants to contribute, but it's hard to be separated from her family by 15 long, unfamiliar miles. Then the unthinkable happens: May is abandoned. Trapped in a tiny snow-covered sod house, isolated from family and neighbors, May must prepare for…
