Here are 100 books that The Measure fans have personally recommended if you like
The Measure.
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My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I read this book when it came out in the ‘70s, and I was in my mid-twenties, with only the most abstract, hypothetical awareness of my own mortality. It opened my eyes to the fact that our avoidance of thinking about our own deaths is not just an individual quirk of cowardice but a foundation of human culture and individual action.
To me, the latest popular manifestation of this avoidance is the current popular obsession with longevity, and this remains as current as the day it was published 50 years ago.
Winner of the Pulitzer prize in 1974 and the culmination of a life's work,The Denial of Death is Ernest Becker's brilliant and impassioned answer to the "why" of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie -- man's refusal to acknowledge his own mortality. In doing so, he sheds new light on the nature of humanity and issues a call to life and its living that still resonates more than twenty years after its writing.
I have been writing fantasy professionally for more than twenty-five years, and have published novels of epic fantasy, contemporary urban fantasy, supernatural thriller, and (as D.B. Jackson) historical fantasy. I have devoted my professional life to the genre because I love writing about magic and the people who wield it. I believe fantasy novels should thrill and intrigue, but also touch our emotions, and carry us through narratives with beautiful writing. That is what I try to do with my books, and that is what draws me to the novels I have listed here. I hope you enjoy them as much as I have.
Chances are many of you have heard of this one, or at least of its author.
Neverwhereis not Gaiman’s best-known or best-selling book. Not by a long shot on either score. But it is my personal favorite, in part because it is less flashy than his other books, while managing to be just as exciting and suspenseful.
Like all of Gaiman’s work, it is at once humorous and dark, fanciful and brutally believable. Our hero, Richard Mayhew, is hapless but ultimately lovable. Our villains, a pair of killers named Croup and Vandemar, are terrifying.
And the characters we discover in the world below the streets of London, are charming and worth fighting for.
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.
Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I stumbled across this book, written by a Nobel prize winner I had never heard of, when I was researching “comps” for my new novel. Both turn on the premise that suddenly death ceases to happen to people after a certain point in time; in Saramago’s novel, this is because Death is a female deity who gets really tired of her job.
It’s utterly fanciful but scathingly satirical in portraying humankind’s reactions to what they always thought would be a boon but soon realize is a catastrophe. It made me change some aspects of my book to try to emulate Saramago’s level of sophistication—and sense of humor—about human nature.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I’ve loved portal fantasies since childhood—after all, who has never imagined being swept away to another world, particularly one in which magic is more than mere illusion? (The trick, of course, is then finding your way back…) Since the wardrobes in my life have thus far refused to open onto snowy forests, however, I write my own stories these days.
The Magicians is what happens when a kid who’s obsessed with a series like The Chronicles of Narnia grows up, is accepted into a magical university, and discovers along the way that the fantasy world he so loved reading about is real…but not quitewhat he imagined. This novel, the first in a trilogy, offers a more jaded look at some of the beloved aspects of children’s fantasy and how they might play out with young adults discovering themselves and seeking purpose.
When I was eleven, I immigrated to a new country and was bullied at school. I retreated into books where I could visit secret worlds filled with ghosts, magicians, and dark power. I needed a place to hide and dream up my revenge. It seems I was destined to write scary novels. My books and various short stories are a blend of mystery, psychological thriller, romance, paranormal, and the supernatural. I still love to visit new worlds but am content to live near an official Halloween town with my young family. If you haven’t read these books yet, I envy you for the mind-bending journey you’re about to embark upon. Bon Voyage.
You know that frightening jolt when a painting reaches out and grabs you? Duma Keyis your own private gallery you might never (want to) escape from.
I love this book not only because it was written by one of my all-time favorite writers but it’s about an artist and the act of creating art, which is King’s specialty (think Lisey’s Story, The Shining, or Bag of Bones).
The protagonist Edgar Freemantle is a successful contractor in Minnesota until he suffers a terrible accident. He flees to Duma Key, a lush, oppressive island packed with mystery and malevolence, and unwillingly begins to paint these amazing terrifying works with life-altering results.
Paintings that might possess you, islands with dark pasts, curses coming true?
Master storyteller Stephen King’s classic, terrifying #1 New York Times bestseller of what happens when the barrier between our world and that of the supernatural is breached.
After a terrible construction site accident severs Edgar Freemantle’s right arm, scrambles his mind, and implodes his marriage, the wealthy Minnesota builder faces the ordeal of rehabilitation, all alone and full of rage. Renting a house on Duma Key—a stunningly beautiful and eerily undeveloped splinter off the Florida coast—Edgar slowly emerges from his prison of pain to bond with Elizabeth Eastlake, a sick, elderly woman whose roots are tangled deep in this place.…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
The title itself is a consolation to me, and it turns out there really are several strong arguments for why we should be glad we don’t live forever, no matter how appealing that may seem. I found Stark’s whimsical tone throughout the book to be a pleasant departure from the leaden prose of most academic philosophers.
This book didn’t completely convince me that worrying about death is a waste of time, but it did get me part of the way there, and that was and is an enormous comfort to me.
A penetrating and provocative exploration of human mortality, from Epicurus to Joan Didion
For those who don't believe in an afterlife, the wisdom of the ages offers four great consolations for mortality: that death is benign and good; that mortal life provides its own kind of immortality; that true immortality would be awful; and that we experience the kinds of losses in life that we will eventually face in death. Can any of these consolations honestly reconcile us to our inevitable demise?
In this timely book, Andrew Stark tests the psychological truth of these consolations and searches our collective literary,…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I first read this book not long after my mother passed away, and its argument against the over-medicalization of death and dying resonated powerfully with me since she died after spending her last weeks in a hospital. It revisits Ernest Becker's insight in a different way, that rather than treating death and dying as something that can be “fixed,” we need to acknowledge and embrace the end to give greater meaning to what leads up to it.
A Columbia University physician comes across a popular medieval text on dying well written after the horror of the Black Plague and discovers ancient wisdom for rethinking death and gaining insight today on how we can learn the lost art of dying well in this wise, clear-eyed book that is as compelling and soulful as Being Mortal, When Breath Becomes Air, and Smoke Gets in Your Eyes.
As a specialist in both medical ethics and the treatment of older patients, Dr. L. S. Dugdale knows a great deal about the end of life. Far too many of us die poorly,…
I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!
I was a huge fan of the original The Parent Trap movie as a kid, and this adult book version is absolutely addicting.
With a coastal Florida setting, it was perfect to read on a beach vacation. The main characters are loads of fun, and the two book boyfriends are charming in very different ways.
Two best friends torn apart by a life-altering secret. One summer to set the record straight.
When twelve-year-olds Kat Steiner and Blake O’Neill meet at Camp Chickawah, they have an instant connection. But everything falls apart when they learn they’re not just best friends—they’re also half sisters. Confused and betrayed, the girls break off all contact.
Fifteen years later, when their father dies suddenly, Kat and Blake discover he’s left them a joint inheritance: the family beach house in Destin, Florida. The two sisters are immediately at odds. Blake, who has recently been demoted from regular nanny to dog nanny,…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
Thirsty for more buff orc lesbians? Legends & Lattes serves up a mug of warm, cozy queer fulfillment. Viv was an adventurer, but she no longer wants to be. Despite her battle scars and intimidating looks, she longs to open her own quiet coffee shop.
The journey to small-business success has challenges, but her determination to live on her own terms brews up a staff of misfits that become a queer-found family. This quiet, low-stakes novel is as sweet as an almond croissant and will leave you hungry for more.
High fantasy, low stakes - with a double-shot of coffee.
After decades of adventuring, Viv the orc barbarian is finally hanging up her sword for good. Now she sets her sights on a new dream - for she plans to open the first coffee shop in the city of Thune. Even though no one there knows what coffee actually is.
If Viv wants to put the past behind her, she can't go it alone. And help might arrive from unexpected quarters. Yet old rivals and new stand in the way of success. And Thune's shady underbelly could make it all…
