Here are 83 books that The Ippos King fans have personally recommended if you like
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My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
Oscar Wilde gave us a genuinely chilling gothic tale in The Picture of Dorian Gray, but in this short story, the supernatural is a source of fun.
The Otis family, pleasant, sensible, and up-to-date Americans, move into a haunted English manor and immediately antagonize Sir Simon de Canterville, the house’s resident spectre. Sir Simon has a theatrical flair for haunting, pulling out all the stops to terrify his victims into gibbering wrecks, but it’s all wasted on the Otis family, who are hilariously unbothered by the spookiness.
If you’re staying in a haunted house, I highly recommend channeling your inner Otis.
Despite warnings from Lord Canterville that their new home is haunted and that several family have fled form it in the middle of the night the Otis family chooses to go forward with their relocation. Almost immediately the Otis Family discovers that the stories are true and that their house is haunted by the ghost of Sir Simon. It is Sir Simon's intent not to share the house with anyone, but the Otis family is not like previous families that Sir Simon has scared off in the past. Narrated by the ghost himself, this Gothic ghost story takes the reader…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
I really love this book because I have been known to go on a “haunted” history tour now and again and I love a good ghost story. However, I realize that sometimes the true stories from our past are more scary than the fantastic ones.
This book particularly hit home because it covers quite a few ghost stories from New Orleans that I am very familiar with. However, those “spooky” ghost stories become truly frightening when contextualized by Miles.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and…
I often refer to myself as a haunted body. Death is something that has fascinated and alarmed me since I can remember. I’ve even had a spooky experience or five that I can’t explain. But to write a ghost story is akin to making someone fall in love with you, or lean in close to hear a secret. I love the intrigue and power of that kind of tale. Our oldest stories are ghost stories and the biggest and most enduring mystery for the entirety of humanity is: Is there life after death?
Helen has been haunting the English classroom for 130 years and has never, not once, been seen. And then she feels his eyes on her. Seeing her, reallyseeing her like she hasn’t been seen in decades. Without wanting to be, Helen is drawn to him. That he has a body and she doesn’t is nothing in the face of their growing love, and the two form a bond that defies death. Let me tell you this book had me in tears. I read it years ago and still think of it with deep affection. I even wrote a song about it when I was far younger and far less self-conscious than I am now!
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is the only graphic novel/comic book on my list and it goes above and beyond in art and story.
I have enjoyed reading the Harrow County stories many times. I prefer the collected edition where you can take your time and read comic issues 1-16 of Darkhorse Comics Harrow County. The artwork pulls you in, and the story is filled with zippy turns and good dialogue.
It pulls from many of the books I've mentioned in building an early American horror story that heads off in multiple directions. I can smell the grass and trees, hear the click-clack of the horse-pulled carts, and taste autumn in the air while reading these books.
A topic for another time would be examining the different experiences when reading a graphic novel compared to a novel. The strengths and weaknesses, what exactly the illustrations add, but for a horror fan who has never…
The first half of the highly acclaimed, Eisner-nominated horror fantasy tale, collected in a value-priced omnibus.
Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures--and to the land itself--in a way she never imagined.
I spent all my teenage years daydreaming about being magical (cue a handful of sparkling glitter). Even as an adult, those daydreams haven’t stopped. Magic promises the ability to change the story. I revisit those teen years when I can because ultimately, what each of these stories of magic offer is a coming-of-age story. The struggle of being pulled between two different worlds has always felt familiar to me, whether those worlds are literally different worlds (magical vs non-magical) or figurative (childhood vs adulthood). I’ve felt some version of that struggle my whole life, and I think I always will, which is why these stories will always feel like home.
Suze Simon might be one of my favorite characters of all time.
She’s a mediator (which means she speaks to the dead, and sometimes kicks their butts too). She grew up in New York, which made her tough and edgy. Our story starts when her mom remarries and they move to sunny California to live with Suze’s new stepdad and step-brothers (who are all varying degrees of hilarious, annoying, and down right adorable). Suze has to figure out how to navigate going from life as an only child to life as one of four kids kind of overnight.
I love how Meg Cabot plays with what it’s like to be the new kid, particularly the new kid with a BIG secret.
Shadowland is the first book in the thrilling, romantic Mediator series, from the New York Times bestselling author of the Princess Diaries, Meg Cabot.
Suze is a mediator—a liaison between the living and the dead. In other words, she sees dead people. And they won't leave her alone until she helps them resolve their unfinished business with the living.
But Jesse, the hot ghost haunting her bedroom, doesn't seem to need her help. Which is a relief, because Suze has just moved to sunny California and plans to start fresh, with trips to the mall instead of the cemetery, and…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
I heard this one on audiobook first. The first book is amazing.
What drew me to this one was the character of Cal James. She’s got an unenviable gift of being able to see recent ghosts and interact with them. Her personal life’s a hot mess, but she has a heart of gold, and doesn’t mind punching ghosts.
In Red River, the Wild West is alive and well. When Calamity James reluctantly returns to her hometown for a funeral, she wants answers that no one will give her. Soon, the local sheriff blackmails Cal into helping him solve a missing persons case. Though no one knows it, Cal is uniquely qualified to find homicide victims—she can see the dead. Of course, the dead don’t always cooperate. As the mystery unfolds, Cal falls deeper into her troublesome past, navigates burdensome family matters, and digs up new mischief with old rivals, both dead and alive.
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Stephen King has arguably perfected creating stories in which supernatural things happen to ordinary people. This set-up—what I loved so much about Rod Serling’s The Twilight Zone TV series—is irresistible. Across fourteen tales, King delivers mind-bending tales that draw you in. “1408” a story about a ghost skeptic/writer who stays in a haunted New York hotel room is especially gripping. King was a big, early influence on me and though I didn’t keep up with his work much past Misery, whenever I do dive into his later work, I invariably find him as good as ever.
A spine-tingling collection of stories from the No. 1 bestselling master of horror - now with a stunning new cover look.
Nothing is quite as it seems.
Expect the unexpected in this veritable treasure trove of enthralling, witty, dark tales that could only come from the imagination of the greatest storyteller of our time.
In this eerie, enchanting compilation, Stephen King takes readers down a road less travelled (for good reason) in the blockbuster e-book 'Riding the Bullet'. Terror becomes deja vu all over again when you get 'That Feeling, You Can Only Say What It Is in French'. 'LT's…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage.
When single mother Vanessa Mitchell moved into a historic cottage in Essex, she had no idea that a paranormal nightmare was about to unfold. The cottage, known as the Cage, used to imprison those accused of witchcraft back in the 1500s. From her first day living there, Vanessa saw apparitions walk through her room, heard ghostly growls, and was even slapped and pushed by invisible hands. Unable to handle the dark phenomena after three years, Vanessa moved out and paranormal investigator Richard Estep moved in. Spirits of the Cage chronicles the years that Vanessa and Richard spent in the Cage,…
I've been fascinated by cultures shrouded in secrets and mystery since childhood, a fascination that intensified when efforts to unravel the mystery and expose the truth were stonewalled, leading to frustrating dead-ends. I spent decades trying to uncover the truth history obscures through research that included travel to the lands of secrets, mystery, and sometimes outright lies. As a writer, I draw from experience, education, and imagination because I know it's sometimes necessary to wrap truth in fiction to protect it. The books I've selected speak to that reality.
I've had a fascination with small New England towns since childhood, intrigued by how they are portrayed as romantic yet forbidding if not outright hostile to outsiders.
Comes the Blind Fury beautifully satisfies this fascination as John masterfully weaves a tale of secrets small-town residents collude - willingly or not - to hide, uncovering a motivation that proves even one bad apple can destroy a crop and burying your head in the sand does not release you from guilt.
A riveting tale that leaves you guessing who is friend and who is foe right to the dramatic end.
A century ago, a gentle blind girl walked the cliffs of Paradise Point. Then the children came -- taunting, teasing -- until she lost her footing and fell, shrieking her rage to the drowning sea... Now Michelle has come from Boston to live in the big house on Paradise Point. She is excited about her new life, ready to make new friends... until a hand reaches out of the swirling mists -- the hand of blind child. She is asking for friendship... seeking revenge... whispering her name...
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.
Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."
