Fans pick 92 books like The Girls Are All So Nice Here

There were a lot of juicy secrets to unravel in this gothic thriller. Murder, feral twins, a devastating fire, an abandoned baby, and a ghost child.

Vida Winter, old and ill, has been safeguarding the family’s secrets, but she doesn’t want to take them with her to the grave. She hires biographer Margaret Lea to write her life story. But Vida isn’t the most reliable narrator, forcing Margaret to conduct her own investigation to uncover the truth. Eventually, the secrets are laid bare, but one question remains open at the end...

I had fun trying to figure out the answer myself. 

Most of the other books I’ve recommended have had a dark, gloomy atmosphere or a sense of bleak isolation, but the community in Moriarty’s book is sunny and bright. Set on an affluent peninsula in Sydney’s Northern Beaches, it depicts a world of huge houses, school gate gossip, and competitive parents–the perfect setting for a controversial death at a school trivia night.

In particular, I loved the brilliantly aggravating cliques and the characters who drove me mad but had me caring deeply about them by the end. Moriarty is great at knotty plots, too–by the climax of the story, everybody’s lives have become irreversibly entwined. She dials up the toxicity of the community to murderous levels but then shows us the good underneath it all, and that’s what stayed with me.

Ninth House is a bit of a departure from my normal choice of genre. This is a fantasy novel, but it takes place at Yale.

Focusing on the well-known “secret” societies that have been an institution at Yale for generations, Bardugo asks the question, what if there was more to these groups than just influence? What if they actually trafficked in black magic? Narrated by Galaxy (Alex) Stern, we see the school through the eyes of an outsider - Alex, a high school dropout, who was recruited by Yale because she has a very special gift.

The way Bardugo writes, you can feel the cold, gray winter of New Haven as though you are living it. No spoilers, but if you haven’t read this novel because it falls into the fantasy genre, read it immediately.

Before reaching middle school, I pretty much believed that my friends—who they were and how many I had—determined my value. But my circle could be fickle; girls were ostracized for minor infractions (you bought the same coat as me!) I lived with daily fear of being dropped.

So Cat’s Eye captivated me with its lack of sentimentality in depicting (some) girls’ friendships. Elaine, a middle-aged artist, returns alone to Toronto, the city where she grew up,  for a retrospective of her work. The trip gives Elaine space to reflect on her life in that city, and Cordelia, her childhood “friend”, is central to her memories.

Cordelia tormented and humiliated Elaine, even putting her life in danger, yet Elaine remained loyal to her for years. It felt very real to me that this toxic relationship would continue to preoccupy Elaine into her functional adulthood. Girlhood friendships are often fraught, and Atwood… show more.

Shiver is one of the best books I read last year. Essentially it’s a locked room mystery set in the world of professional snowboarding. Milla gets an invitation to reunite with friends from her snowboarding days, but they’ve not been together since their friend, Saskia, went missing. And then, as is the way with edge-of-your-seat thrillers, they can’t get off the mountain, the storm’s closing in and someone is watching them. The truth about Saskia will come out one way or another. Milla and Saskia had been competitors, rivals, and then friends. It’s a complicated friendship and a fascinating look at professional sport and women at the top of their game, what they will sacrifice, and what they’ll do to win.

I can’t list thrillers that shine the spotlight on female relationships without featuring siblings. In this book, four sisters go to spend the summer with their aunt and uncle who haven’t recovered from their daughter’s disappearance five years previously. The main driver of the story is to uncover what really happened to Audrey Wilde but I was drawn in by the special relationship between the four sisters. Perhaps it’s because I don’t have any siblings that the bond intrigues me.

Skip this one if masterful suspense and paranoia aren’t your thing. In this book, a woman is facing life in prison, and the story is told through letters she writes to a lawyer, pleading with him to help her with her defense.

Ware sucks you in with writing that feels effortless, then she ratchets up the tension, again and again, until you can’t stand it, and then just when you think you’re going to get some relief, it gets turned up to eleven. 

If We Were Villains centers around seven students enrolled in the elite Shakespeare program at Dellecher Classical Conservatory.

The fictional college is housed on the grounds of an old country estate in rural Illinois, and the novel unfolds in the autumn and winter. The way Rio weaves Shakespearean passages into the book to reflect what the students are experiencing at the time is flawless. But this book isn’t just for Shakespeare fans (though it helps a little if you don’t hate it); it provides enough twists and turns to make even the most sophisticated thriller reader’s head spin.

Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book! 

I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.

One night, decades after I first read James’s suspenseful gem of a novel, the book suddenly came to mind.

For years, I’d been struggling with how to fit together two women whose voices had been haunting my head. Now, in a flash, I saw the parallels they offered to the characters in Aspern. A determined, none-too-scrupulous scholar (male, in James’s book), an elderly woman who’d had a secret affair with a celebrated man, the two living together in the ruins of a once-elegant home, and a cache of hoarded papers the scholar desperately wants…

I dissected Aspern chapter by chapter, then gently fitted my characters onto its skeleton. Voilà: Must Read Well. “We stand on the shoulders of giants,” writers sometimes say. Also, “Steal from the best.”