88 books like The Aspern Papers

I could probably have picked any novel by Patricia Highsmith, but this one checks several boxes for me personally. I love novels that explore the minds of anti-heroes and aren’t afraid of going into their deepest, darkest thoughts. Of course, there are others who do this particularly well. Jim Thompson is outstanding for his portrayal of actual psychopaths who are unlikely protagonists.

Highsmith walks a fine line between creeping me out completely and tapping into my most disturbing fears without losing my compassion altogether. As an author myself, I know how hard that is to achieve, and Highsmith remains a masterclass in writing the psychological thriller. 

Getting a reader engaged with an unlikeable protagonist is a challenge to any novelist.

Moshfegh succeeds brilliantly here. Eileen is as unlikeable as they come, an angry, friendless young woman who hates herself and everyone else. She works in a reprehensible, small-town prison for juvenile offenders and shares a squalid house with her nasty father.

Suddenly, though, a lovely young woman joins the prison staff. To Eileen’s amazement, she befriends her. Within days, she also involves her in a violent crime. Does this sound grim? Repellant? It’s not.

Granted, Eileen isn’t a book to be read over lunch. But the protagonist is like no woman I’ve ever met in fiction (or, thankfully, anywhere else). Her voice is fresh, her anger invigorating, and the book gripping from top to tail.

Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.” 

In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.

Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome. 

First, I found the writing in this book phenomenal, especially the dialogue. I feel like each bit of dialogue revealed something new about the character or pulled me deeper into the plot. It’s witty and dark. Honest would be a good word to describe it.

The characters felt so human to me–simultaneously loveable and deplorable, true to human nature. But it was the twist midway through the novel that really drew me in—the shift in reality. It changed the book for me, molding it into something unique, something I’d never read before.

It’s a novel I come back to time and time again, especially when I need inspiration.

This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively. 

Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book! 

I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.

The Girls Are All So Nice Here uses one of my favorite literary devices: dual timelines.

We bounce back and forth between Ambrosia (Amb) Wellington’s freshman year of college and her ten-year college reunion, where she is confronted by the secrets she has been keeping for the last decade. I’m a sucker for dark academia, and this book’s setting felt so real, it could have been my own alma mater.

I can’t tell you how many times I consulted Jonathan Mayo’s Titanic: Minute By Minute book, checking that the Titanic’s timeline fit in with what my characters were doing at any given time. It’s non-fiction, and it’s nail-bitingly intense. The book is written in present tense, giving you a sense of urgency as Mayo tells you where everyone is, and what is happening at varying parts of the ship at that exact moment. It helps ground you in reality: The truth was, many of Titanic’s crew and passengers didn’t know the ship was sinking. And many of those who did genuinely believed another ship would arrive long before anything serious could actually happen. Mayo uses both accounts from passengers who survived the sinking, as well as the crew member’s testimony from the British and American Titanic inquiries. 

If you’ve ever wanted to know exactly what happened the night… show more.

In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.

Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.

Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.

The shout line on the jacket is “This will overturn everything you thought you knew about…The First World War”, and it certainly delivers. No other conflict has been so misrepresented, and for most people, their idea of it comes straight from Blackadder Goes Forth. But men did not spend months at a time in the trenches; a whole generation did not die; the generals were not cowardly, incompetent fools.

When I first began to write about WW1 for my Morland Dynasty series, I knew as little as anyone, and what I thought I knew was all wrong! By the time I was researching for War At Home, I knew a lot more, but Corrigan opens my eyes to many more subjects. Informative, well-researched, but above all wonderfully readable, this book should be required reading for anyone who is interested in what really happened, not just the made-for-tv version.