88 books like The Aspern Papers

I love a clever sociopath. I felt myself strangely rooting for the main character, hoping that he would continue to evade the law and get away with his crimes. I liked the way the author built up this person, showing how smart, adaptive to changing circumstances, and manipulative he could be. I liked the backstory of social deprivation breathing life into his mysterious persona.

Ripley’s constant need for a new identity, desperate to escape from his past and humble origins, as well as grappling with his sexual identity, sustained my interest throughout the novel. It made me wonder what percent of the population would do anything to become someone else.

Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.

While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice. 

Whether trying to finish an email or a book, I feel Dorothy Parker’s words deeply: “I hate writing,” she is purported to have said, but “I love having written.” 

In this book, protagonist Jacob Finch Bonner does Parker one better. Stuck after his well-received first novel, he takes someone else’s story and passes it off as his own. Korelitz unravels the dire consequences, though with fizzy, suspenseful glee rather than scared-straight preachiness.

Bonner may not be, as he tells himself, “a great writer,” but Korelitz certainly is. It made me want to try to write again: hate, love, and all other feelings welcome. 

To say I love this book is to say I love torture, which may not be accurate. It’s better to say it burrowed into my brain and stayed there for far too long. I don’t get scared easily. But this novel caught me differently.

This one freaked me out on a level I’d never experienced before. Why? Because it’s the kind of story that could happen to anyone, especially to dingbats like me. And make no mistake: Nick, the “hero” of this story, is a complete dingbat. I mean, he’s smart. But he makes so many believably bad decisions in the face of a ruinous situation to preserve his own interests that we’re reminded how no one is immune to situations that conspire at every level to defeat us.

This book just gets under your skin and stays there. It did mine.

This is a history of the decade that was published in 1973. What it lacks in the perspective of greater hindsight, it gains in the energy and immediacy that Cockburn brings to the subject. It feels vivid and urgent, and conveys the sense of fear and alarm of that time very well. Parts are almost an eyewitness account. In my reading of history books that deal with the time, this stood out as being accessible and lively. 

Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book! 

I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.

The Girls Are All So Nice Here uses one of my favorite literary devices: dual timelines.

We bounce back and forth between Ambrosia (Amb) Wellington’s freshman year of college and her ten-year college reunion, where she is confronted by the secrets she has been keeping for the last decade. I’m a sucker for dark academia, and this book’s setting felt so real, it could have been my own alma mater.

I can’t tell you how many times I consulted Jonathan Mayo’s Titanic: Minute By Minute book, checking that the Titanic’s timeline fit in with what my characters were doing at any given time. It’s non-fiction, and it’s nail-bitingly intense. The book is written in present tense, giving you a sense of urgency as Mayo tells you where everyone is, and what is happening at varying parts of the ship at that exact moment. It helps ground you in reality: The truth was, many of Titanic’s crew and passengers didn’t know the ship was sinking. And many of those who did genuinely believed another ship would arrive long before anything serious could actually happen. Mayo uses both accounts from passengers who survived the sinking, as well as the crew member’s testimony from the British and American Titanic inquiries. 

If you’ve ever wanted to know exactly what happened the night… show more.

In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.

Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.

Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.

The shout line on the jacket is “This will overturn everything you thought you knew about…The First World War”, and it certainly delivers. No other conflict has been so misrepresented, and for most people, their idea of it comes straight from Blackadder Goes Forth. But men did not spend months at a time in the trenches; a whole generation did not die; the generals were not cowardly, incompetent fools.

When I first began to write about WW1 for my Morland Dynasty series, I knew as little as anyone, and what I thought I knew was all wrong! By the time I was researching for War At Home, I knew a lot more, but Corrigan opens my eyes to many more subjects. Informative, well-researched, but above all wonderfully readable, this book should be required reading for anyone who is interested in what really happened, not just the made-for-tv version.