Here are 100 books that Cat's Eye fans have personally recommended if you like
Cat's Eye.
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I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Who knew a book about sleeping could be so funny and engaging?
As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.
Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.
Named a Best Book of the Year by The Washington Post, Time, NPR, Amazon,Vice, Bustle, The New York Times, The Guardian, Kirkus Reviews, Entertainment Weekly, The AV Club, & Audible
A New York Times Bestseller
"One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed b*tcheries somehow wend their way through sad and funny and strange toward something genuinely profound." - Entertainment Weekly
"Darkly hilarious . . . [Moshfegh's] the kind of provocateur who makes you laugh out loud while drawing blood." -Vogue
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Okay, you've almost certainly heard of this one. You might even be thinking that The Husband's Secret is a more obvious choice for this list. But I'm including BLL anyway because I couldn't believe how enthralling it was (even though I've been a Liane Moriarty fan since The Hypnotist's Love Story).
Many of the entries on this list have depicted a marriage that looks perfect from the outside but is rotten within. This book inverts this formula, or at least complicates it—Celeste thinks her marriage is perfect (or is telling herself she thinks that), but it's obvious from the reader's outside perspective that her husband is an abuser.
There are many intriguing threads woven through this story (all coming together in a showdown so satisfying that I read it several times), but the scenes with Perry are the most impressive. They left me sick with fear.
*Published as BIG LITTLE LIES in Australia and the United States*
Liane Moriarty, million copy selling author of The Husband's Secret brings us another addictive story of secrets and scandal.
Jane hasn't lived anywhere longer than six months since her son was born five years ago. She keeps moving in an attempt to escape her past. Now the idyllic seaside town of Pirriwee has pulled her to its shores and Jane finally feels like she belongs. She has friends in the feisty Madeline and the incredibly beautiful Celeste - two women with seemingly perfect lives . . . and their…
A writer friend asked me, "If you could write about anything you wanted, what would that be?" I thought immediately of Sicily and then of women (and men) trying to break free from cultural definitions that have historically kept us in traditional roles of housewife, cook, and mother, or breadwinner and protector. Having choice and being able to carve one's path is paramount, a deeply held value for me, both as an individual woman and as a psychotherapist. The courage of some of my clients who have dared to follow their own paths, along with my challenge to steer my own path, were also inspirations for the books I chose.
I fell in love with the entire Brilliant Friend series. Ferrante moves in so closely to her characters, so imitimately, I felt like I was right up next to them in Naples.
And of course, I loved the book because it takes place in Italy. Lila and Lenu, the two main characters, are both struggling to know who they are, not just as Italian women, but as individual women.
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Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more.
The Girls Are All So Nice Here uses one of my favorite literary devices: dual timelines.
We bounce back and forth between Ambrosia (Amb) Wellington’s freshman year of college and her ten-year college reunion, where she is confronted by the secrets she has been keeping for the last decade. I’m a sucker for dark academia, and this book’s setting felt so real, it could have been my own alma mater.
'Gone Girl meets Mean Girls and The Secret History' Guardian
A darkly intoxicating novel of female friendship and obsession that will keep you turning the pages, perfect for fans of My Dark Vanessa and The Virgin Suicides
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Nice girls can do bad things...
When Ambrosia first arrives at prestigious college Wesleyan, she's desperate to fit in. But Amb struggles to navigate the rules of this strange, elite world, filled with privileged 'nice' young women - until she meets the charismatic but troubled Sully, with whom she forms an obsessive friendship.
Intoxicated by Sully's charm and determined to impress her,…
Thrillers with female leads and complex relationships are crammed into my bookshelves. As an only child whose school was an hour’s bus ride away with many friends living further away than that, I would have killed to have had a tight group of friends to hang out with. Well, maybe I wouldn’t have gone that far but it has left me fascinated by groups of friends who’ve known each other since the first day of school, ones who have each other’s backs through thick and thin. And I’m even more interested in what happens when they turn on each other.
Shiver is one of the best books I read last year. Essentially it’s a locked room mystery set in the world of professional snowboarding. Milla gets an invitation to reunite with friends from her snowboarding days, but they’ve not been together since their friend, Saskia, went missing. And then, as is the way with edge-of-your-seat thrillers, they can’t get off the mountain, the storm’s closing in and someone is watching them. The truth about Saskia will come out one way or another. Milla and Saskia had been competitors, rivals, and then friends. It’s a complicated friendship and a fascinating look at professional sport and women at the top of their game, what they will sacrifice, and what they’ll do to win.
In this propulsive locked-room thriller debut, a reunion weekend in the French Alps turns deadly when five friends discover that someone has deliberately stranded them at their remote mountaintop resort during a snowstorm.
When Milla accepts an off-season invitation to Le Rocher, a cozy ski resort in the French Alps, she's expecting an intimate weekend of catching up with four old friends. It might have been a decade since she saw them last, but she's never forgotten the bond they forged on this very mountain during a winter spent fiercely training for an elite snowboarding competition.
Thrillers with female leads and complex relationships are crammed into my bookshelves. As an only child whose school was an hour’s bus ride away with many friends living further away than that, I would have killed to have had a tight group of friends to hang out with. Well, maybe I wouldn’t have gone that far but it has left me fascinated by groups of friends who’ve known each other since the first day of school, ones who have each other’s backs through thick and thin. And I’m even more interested in what happens when they turn on each other.
I can’t list thrillers that shine the spotlight on female relationships without featuring siblings. In this book, four sisters go to spend the summer with their aunt and uncle who haven’t recovered from their daughter’s disappearance five years previously. The main driver of the story is to uncover what really happened to Audrey Wilde but I was drawn in by the special relationship between the four sisters. Perhaps it’s because I don’t have any siblings that the bond intrigues me.
Discover the spellbinding mystery from the Richard & Judy bestselling author of The Glass House
'An enthralling story of secrets, sisters and an unsolved mystery' KATE MORTON 'One of the most enthralling novelists of the moment' LISA JEWELL ______
When four sisters arrive at Applecote Manor to spend the summer, all is clearly not well.
They find their aunt and uncle still reeling from the disappearance of their only daughter, five years before. No one seems any closer to finding out the truth.
Why did Audrey vanish? Who is keeping her fate secret?
The Curiosity Cycle is a book for parents and educators who want to teach their children to be active explorers of the world. Learning through curiosity leads to adaptive thinking because your child is continually trying to improve his or her understanding of the world, and new facts and ideas…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.
To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I know I have those lost friendships I still wonder about—we worked together, lived together, traveled to beach towns together, drank tequila together! We went to very bad bars and made very bad decisions together! How’d we lose touch?—and thank God these brilliant writers do too.
Schappell and Offill gather a cocktail party’s worth of lost platonic loves, reminding me that I’m not alone and giving meaningful thought to the monumental importance of friendship and the pain of losing it.
Losing a friend can be as painful and as agonizing as a divorce or the end of a love affair, yet it is rarely written about or even discussed. THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet…
This climate fiction novel follows four generations of women and their battles against a global giant that controls and manipulates Earth’s water. Told mostly through a diary and drawing on scientific observation and personal reflection, Lynna’s story unfolds incrementally, like climate change itself. Her gritty memoir describes a near-future Toronto…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I’m a little obsessed with the sheer ferocity with which Elisa Albert writes the world, and when I this short, sharp novel the phrase that stuck in my head was, “This is all teeth.” And boy, do I mean that in a good way.
Ari Walker is still trying to get her footing after the birth of her baby when Mina, a former cult musician, moves to town and the two bond hard. I still think about Albert’s description of Mina, her round cheeks and her messy hair and the jarring realization that this woman is not affecting carelessness with standard beauty norms, but truly does not give a good goddamn. It’s about those people who are both alien and intimate and who make you more yourself.
Sometimes I'm with the baby and I think: you're my heart and my soul, and I would die for you. Other times I think: tiny moron, leave me the fuck alone
A year has passed since Ari gave birth and still she can't locate herself in her altered universe. Sleep-deprived, lonely and unprepared, she struggles through the strange, disjointed rhythms of her days and nights. Her own mother long dead and her girlhood friendships faded, she is a woman in need. When Mina - older, alone, pregnant - moves to town, Ari sees hope of a comrade-in-arms. Perhaps the hostile…
