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I’m a music historian who loves to read novels. Most of my childhood was spent either playing the piano or devouring whatever books I could get my hands on. Now, I try to share my love of music and good writing with my students at Boston University. When not at school, you can usually find me exploring the trails of New England with my dog.
Who knew a book about sleeping could be so funny and engaging?
As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.
Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.
Named a Best Book of the Year by The Washington Post, Time, NPR, Amazon,Vice, Bustle, The New York Times, The Guardian, Kirkus Reviews, Entertainment Weekly, The AV Club, & Audible
A New York Times Bestseller
"One of the most compelling protagonists modern fiction has offered in years: a loopy, quietly furious pillhead whose Ambien ramblings and Xanaxed b*tcheries somehow wend their way through sad and funny and strange toward something genuinely profound." - Entertainment Weekly
"Darkly hilarious . . . [Moshfegh's] the kind of provocateur who makes you laugh out loud while drawing blood." -Vogue
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
If anyone’s life seems perfect, you can be sure that it isn’t. Big Little Lies
follows a group of school moms, in a nice neighborhood, who bond and
support each other while hiding massive secrets.
Liane Moriarty is a
master at crafting relatable characters who feel real, like people you
know from the school gates, only more glamorous. The idyllic suburban
setting is equally vivid, while the twists keep coming. This isn’t a
typical whodunnit but an exploration of the truths women hide from
themselves and each other.
You’ve probably read it already, but if you
haven’t–grab it.
*Published as BIG LITTLE LIES in Australia and the United States*
Liane Moriarty, million copy selling author of The Husband's Secret brings us another addictive story of secrets and scandal.
Jane hasn't lived anywhere longer than six months since her son was born five years ago. She keeps moving in an attempt to escape her past. Now the idyllic seaside town of Pirriwee has pulled her to its shores and Jane finally feels like she belongs. She has friends in the feisty Madeline and the incredibly beautiful Celeste - two women with seemingly perfect lives . . . and their…
I am invested in how women juxtapose the day-to-day with the bizarre. I am curious about how women balance their lives with the insoluble and how this contributes to the fluidity of their identities. I live with women, I work with women, I shop with them, eat with them, sit next to them on the bus, I am friends with women, laugh with them, I pray with them, I am these women. In whichever format my work takes shape–whether subtle or direct, either as a performer, writer, designer, or community catalyst, I am committed to intentionally making space for womanhood. Please enjoy my book list.
I am convinced nobody writes about female friendships in an aching, warm, and complex way better than Elena Ferrante. I have returned to pages of this book again and again.
The relatability, the precision with which you can see yourself so clearly on certain pages. It has helped me find language in navigating my own friendships.
OVER 14 MILLION COPIES OF THE NEAPOLITAN QUARTET SOLD WORLDWIDE
NOW A MAJOR TV SERIES
GUARDIAN 100 BEST BOOKS OF THE 21st CENTURY
58 WEEKS ON THE BOOKSELLER'S TOP 20 ORIGINAL FICTION BESTSELLERS LIST
SHORTLISTED FOR WATERSTONES BOOK OF THE YEAR 2015
43 INTERNATIONAL RIGHTS DEALS
Now in B-format Paperback
From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
Adventures in the Radio Trade documents a life in radio, largely at Canada's public broadcaster. It's for people who love CBC Radio, those interested in the history of Canadian Broadcasting, and those who want to hear about close encounters with numerous luminaries such as Margaret Atwood, J. Michael Straczynski, Stuart McLean, Joni Mitchell, Peter Gzowski, and more. And it's for people who want to know how to make radio.
Crafted with gentle humour and thoughtfulness, this is more than just a glimpse into the internal workings of CBC Radio. It's also a prose ode to the people and shows that make CBC Radio great.
"In dozens of amiable, frequently humorous vignettes... Mahoney fondly recalls his career as a Canadian Broadcasting Corporation radio technician in this memoir... amusing and highly informative." — Kirkus Reviews
"What a wonderful book! If you love CBC Radio, you'll love Adventures in the Radio Trade. Joe Mahoney's honest, wise, and funny stories from his three decades in broadcasting make for absolutely delightful reading! — Robert J. Sawyer, author of The Oppenheimer Alternative''
"No other book makes me love the CBC more." — Gary Dunford, Page Six *** Adventures in the Radio Trade documents a life in radio, largely at Canada's…
I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more.
The Girls Are All So Nice Here uses one of my favorite literary devices: dual timelines.
We bounce back and forth between Ambrosia (Amb) Wellington’s freshman year of college and her ten-year college reunion, where she is confronted by the secrets she has been keeping for the last decade. I’m a sucker for dark academia, and this book’s setting felt so real, it could have been my own alma mater.
'Gone Girl meets Mean Girls and The Secret History' Guardian
A darkly intoxicating novel of female friendship and obsession that will keep you turning the pages, perfect for fans of My Dark Vanessa and The Virgin Suicides
-----------------
Nice girls can do bad things...
When Ambrosia first arrives at prestigious college Wesleyan, she's desperate to fit in. But Amb struggles to navigate the rules of this strange, elite world, filled with privileged 'nice' young women - until she meets the charismatic but troubled Sully, with whom she forms an obsessive friendship.
Intoxicated by Sully's charm and determined to impress her,…
Thrillers with female leads and complex relationships are crammed into my bookshelves. As an only child whose school was an hour’s bus ride away with many friends living further away than that, I would have killed to have had a tight group of friends to hang out with. Well, maybe I wouldn’t have gone that far but it has left me fascinated by groups of friends who’ve known each other since the first day of school, ones who have each other’s backs through thick and thin. And I’m even more interested in what happens when they turn on each other.
Shiver is one of the best books I read last year. Essentially it’s a locked room mystery set in the world of professional snowboarding. Milla gets an invitation to reunite with friends from her snowboarding days, but they’ve not been together since their friend, Saskia, went missing. And then, as is the way with edge-of-your-seat thrillers, they can’t get off the mountain, the storm’s closing in and someone is watching them. The truth about Saskia will come out one way or another. Milla and Saskia had been competitors, rivals, and then friends. It’s a complicated friendship and a fascinating look at professional sport and women at the top of their game, what they will sacrifice, and what they’ll do to win.
In this propulsive locked-room thriller debut, a reunion weekend in the French Alps turns deadly when five friends discover that someone has deliberately stranded them at their remote mountaintop resort during a snowstorm.
When Milla accepts an off-season invitation to Le Rocher, a cozy ski resort in the French Alps, she's expecting an intimate weekend of catching up with four old friends. It might have been a decade since she saw them last, but she's never forgotten the bond they forged on this very mountain during a winter spent fiercely training for an elite snowboarding competition.
Thrillers with female leads and complex relationships are crammed into my bookshelves. As an only child whose school was an hour’s bus ride away with many friends living further away than that, I would have killed to have had a tight group of friends to hang out with. Well, maybe I wouldn’t have gone that far but it has left me fascinated by groups of friends who’ve known each other since the first day of school, ones who have each other’s backs through thick and thin. And I’m even more interested in what happens when they turn on each other.
I can’t list thrillers that shine the spotlight on female relationships without featuring siblings. In this book, four sisters go to spend the summer with their aunt and uncle who haven’t recovered from their daughter’s disappearance five years previously. The main driver of the story is to uncover what really happened to Audrey Wilde but I was drawn in by the special relationship between the four sisters. Perhaps it’s because I don’t have any siblings that the bond intrigues me.
Discover the spellbinding mystery from the Richard & Judy bestselling author of The Glass House
'An enthralling story of secrets, sisters and an unsolved mystery' KATE MORTON 'One of the most enthralling novelists of the moment' LISA JEWELL ______
When four sisters arrive at Applecote Manor to spend the summer, all is clearly not well.
They find their aunt and uncle still reeling from the disappearance of their only daughter, five years before. No one seems any closer to finding out the truth.
Why did Audrey vanish? Who is keeping her fate secret?
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
Is there no end to my obsession with adolescent friendship? Apparently not.
Adolescence is the moment when everything blossoms, collides, and explodes: Sils and Berie were inseparable and insufferable teenagers together (it’s okay, we all were) and Berie is looking back on the summer they were fifteen from her own flawed marriage years later.
They were just girls: smoking and drinking, leaving each other cottage cheese sandwiches after school, strumming guitars, cracking on Sils’s besotted, lunkhead boyfriend. Then why does it feel like such a lost paradise to Berie and to us? Because this is the moment you feel adult powers awaken, before you grasp the consequences of your power. Because no one is running the frog hospital. Because it’ll never be that vivid again.
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
I love to read and write about complex characters and particularly the “unlikeable” female character. Many readers connect with my characters because they are flawed—they don’t always think or do what we want them to, or what we think they should do, which is often (frustratingly) the case with the real-life people we love and care about. Real, complex people exist in real, complex relationships, including friendships that don’t always serve them—or that do serve them, but in unconventional or superficially unclear ways. I think that reading about contradictory, inconsistent, and confused characters in relationships helps us to be kinder and more empathetic people—and, quite possibly, better friends.
If you’ve ever had a significantly eccentric or doctrinaire friend, you know that there are risks and rewards. I love the way this novel acknowledges the jagged edges of certain friendships, which can be deep friendships all the same.
The novel begins at Barnard College when George, who grew up poor in upstate New York, meets Ann, her righteous and intense roommate. Ann is doing her best to renounce her privileged background, and although George finds her flagrant acts of idealism strange and embarrassing at first, the two women develop a strong bond.
Told in first-person, we get George’s very unfiltered take on Ann: all the ugly thoughts and frustrations, as well as her deep admiration. That George is not always a cheerleader for Ann is not disloyalty; it’s a normal response to a very challenging person, and that’s refreshing.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I know I have those lost friendships I still wonder about—we worked together, lived together, traveled to beach towns together, drank tequila together! We went to very bad bars and made very bad decisions together! How’d we lose touch?—and thank God these brilliant writers do too.
Schappell and Offill gather a cocktail party’s worth of lost platonic loves, reminding me that I’m not alone and giving meaningful thought to the monumental importance of friendship and the pain of losing it.
Losing a friend can be as painful and as agonizing as a divorce or the end of a love affair, yet it is rarely written about or even discussed. THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I’m a little obsessed with the sheer ferocity with which Elisa Albert writes the world, and when I this short, sharp novel the phrase that stuck in my head was, “This is all teeth.” And boy, do I mean that in a good way.
Ari Walker is still trying to get her footing after the birth of her baby when Mina, a former cult musician, moves to town and the two bond hard. I still think about Albert’s description of Mina, her round cheeks and her messy hair and the jarring realization that this woman is not affecting carelessness with standard beauty norms, but truly does not give a good goddamn. It’s about those people who are both alien and intimate and who make you more yourself.
Sometimes I'm with the baby and I think: you're my heart and my soul, and I would die for you. Other times I think: tiny moron, leave me the fuck alone
A year has passed since Ari gave birth and still she can't locate herself in her altered universe. Sleep-deprived, lonely and unprepared, she struggles through the strange, disjointed rhythms of her days and nights. Her own mother long dead and her girlhood friendships faded, she is a woman in need. When Mina - older, alone, pregnant - moves to town, Ari sees hope of a comrade-in-arms. Perhaps the hostile…
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