Love The Dry? Readers share 73 books like The Dry...

This book caught my attention because it involves a house-sitter, just as my series does. But Morag’s story could not be more different. It depicts a terrible sequence of events arising from an innocent house-sitting assignment and a growing love for the place, which I as a reader very much shared. The house itself becomes both the setting and the main threat to the well-being of the ‘half-broken’ characters. The story is hauntingly compelling, the characters deeply likeable, and the writing a real delight. This has been one of my great favourites ever since I first read it.

Continuing with the Gothic theme, I have to mention one of my all-time favorite books. The estate of Manderley is almost another character in this novel, looming large over the story along with the legacy of its dead mistress. And the community poses an immediate threat to the book’s unnamed narrator, the new wife of the estate’s owner, when she comes in as an outsider and gets the cold shoulder from Manderley’s staff. Her desperate attempts to win everybody over lead to some gloriously nail-biting moments.

But what I adore about this novel is how it slowly reveals that the community’s loyalties are not what they seem. Even the significance of rooms and objects in the house–like Rebecca’s writing desk or the sound of the sea from a particular window–changes as the story unfolds.

This whole series always makes me smile–Mma Ramotswe remains one of the most hilarious main characters in any cozy mystery I’ve ever read. The crimes she comes up against are usually low-key, usually secondary to the backdrop of Botswana, and often solved by accident as much as design.

Precious Ramotswe’s commentary on Botswanan life is simply brilliant, but almost even more amusing is her sidekick, Grace Makutsi, who bumbles through her role as secretary-promoted-to-assistant-detective, and the interaction between the characters never fails to give me laugh-out-loud moments.

This whole series has to be the most feel-good series ever, and now I’m rediscovering it as an audio production of the radio series; it’s as heart-warming as a bright bunch of flowers on a dull day, a bowl of hot soup when you’re sick; a hot bubble bath when it’s snowing outside…I love it, love it, love it!

‘Bug’ Montage was once the sharpest get-away driving east of the Mississippi, but he had put all that behind him to become a loving family man, getting by on an honest wage as a motor mechanic. When Bug’s respectable life starts to fall apart, a former associate offers him one last job with a huge payout.

The temptation of earning a quick buck is too strong to ignore, but can Bug survive?

I admit I’m old enough that memories of the post-Vietnam War era had begun to fade (mercifully?) until this book brought them back into sharp focus.

Vientiane, Laos, in 1976, after the Communist takeover, is so vividly portrayed–from the scent of the “Crow Shit blossoms” on the banks of the Mekhong to the inertia of the socialistic hierarchy, to the chicken counter spies turning their neighbors in for their capitalistic extravagances. And I found the 72-year-old Laotian coroner protagonist so endearing!

His cynical outlook and visitations from the dead make him a singularly sage and unconventional hero who can roll with the wildly absurd changes of the new regime. 

Crime but with such achingly good prose, I sometimes have to stop and re-read a sentence just to admire the way Temple wrote it. It’s a slow-burn, with a very dark, noir feeling, and the more you learn about the backstory of protagonist, Detective Senior Sergeant Joe Cashin, the more intriguing he becomes. A great plot, and I love the way Temple weaves different threads together to bring about the slick resolution. If you’re unfamiliar with Australian slang, expect a crash course in the first part of this novel. What makes this book one I return to again and again is the way Temple takes the standard formula of crime fiction and bends it to his will. This is not just a great crime, it’s a great novel.  

Most of the other books I’ve recommended have had a dark, gloomy atmosphere or a sense of bleak isolation, but the community in Moriarty’s book is sunny and bright. Set on an affluent peninsula in Sydney’s Northern Beaches, it depicts a world of huge houses, school gate gossip, and competitive parents–the perfect setting for a controversial death at a school trivia night.

In particular, I loved the brilliantly aggravating cliques and the characters who drove me mad but had me caring deeply about them by the end. Moriarty is great at knotty plots, too–by the climax of the story, everybody’s lives have become irreversibly entwined. She dials up the toxicity of the community to murderous levels but then shows us the good underneath it all, and that’s what stayed with me.

In Black Harbor, Wisconsin’s most crime-ridden city, Morrissey has created a town that is a villain all on its own. A place no one wants to live. Hazel Greenlee has no choice.

An aspiring writer, Hazel is trapped in a less-than-perfect marriage and takes the only job she can find—as a police transcriber. But when her neighbor confesses to hiding the body of an overdose victim in a dumpster, Hazel sees the potential for a story that might help her break out of the frozen hell of Black Harbor.

Morrissey builds Hazel’s desperation, and the desperation of the town itself, with mounting tension so well drawn you can actually feel it in your bones and an ending so intense it leaves you breathless. 

I enjoy reading crime novels that feature other cultures or countries. Dark Pines (and the series that follows) whisked me off to deepest, darkest Sweden.

The main character, a local reporter called Tuva Moodyson, is a strong female lead. She’s young, feisty and tenacious. Her deafness makes her multidimensional, overcoming life’s challenges, without author Will Dean resorting to common tropes of crime fiction protagonists (e.g. cynical, alcoholic detective).

Dark Pines features a host of memorable and eccentric characters in a creepy and claustrophobic small town, giving this quirky book a Twin Peaks vibe. For me, the setting was a character in its own right – with the visceral descriptions of the dark pine forests.

This is an evocative mystery with not one but two atmospheric settings: Long Island’s Suffolk County, and Ireland’s County Clare. When an Irish national is found dead on a Long Island beach, Detective Maggie D’arcy’s planned vacation to Ireland becomes a tense investigation into the mysterious victim’s death, and a fight to keep her young daughter safe both abroad and back at home. I found A Distant Grave to be deeply chilling and impossible to put down.