Here are 90 books that The Dream-Quest of Vellitt Boe fans have personally recommended if you like
The Dream-Quest of Vellitt Boe.
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I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.
(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).
Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.
Lois McMaster Bujold has won the Hugo award four times, and the Nebula award twice. This is her second epic fantasy and the sequel to Curse of Chalion.
The Golden General's curse has been lifted from the royal family and Cazaril can now rest easy and enjoy his new life with his bride Betriz.
However, life for Ista, the Dowager Royina has not improved. With the death of her mother, the Provincara, and with her surviving child Iselle now ruling Chalion from the Capital Cardegross, she is left without purpose. Her brother's family still think she's mad and aim to…
I started writing a series about menopausal werewolves eleven years ago, right before my fiftieth birthday. I wanted to see more women like me in science fiction and fantasy: middle-aged and older women who had led full lives but were still up for more adventure, new worlds, eager to see what came next. I also started a bibliography project on older women protagonists in speculative fiction and began proposing and speaking on convention programming about older women in the genre. We’ve had a lot of great discussions and agree that the needle is slowly moving toward more and better representation. I’m thrilled to be a part of that.
General Turyin Mulaghesh is on the brink of retiring to her long dreamt of remote island post where she can lay around on a beach, getting happily drunk with a beautiful young man or two and do as little as possible.
But she’s a legendary hero of the Saypuri Republic, or perhaps a war criminal, depending on which side of the many battles that she’s fought you were on. So instead, she gets pushed into one last mission, one that has her confronting the deeds of her past and, possibly, getting a shot at redemption.
She is cynical and sweary and has done terrible things, as well as good ones and, at least for me, is one of the most relatable older women in fantasy.
A triumphant return to the world of City of Stairs.
A generation ago, the city of Voortyashtan was the stronghold of the god of war and death, the birthplace of fearsome supernatural sentinels who killed and subjugated millions.
Now, the city’s god is dead. The city itself lies in ruins. And to its new military occupiers, the once-powerful capital is a wasteland of sectarian violence and bloody uprisings.
So it makes perfect sense that General Turyin Mulaghesh— foul-mouthed hero of the battle of Bulikov, rumored war criminal, ally of an embattled Prime Minister—has been exiled there to count down the…
I started writing a series about menopausal werewolves eleven years ago, right before my fiftieth birthday. I wanted to see more women like me in science fiction and fantasy: middle-aged and older women who had led full lives but were still up for more adventure, new worlds, eager to see what came next. I also started a bibliography project on older women protagonists in speculative fiction and began proposing and speaking on convention programming about older women in the genre. We’ve had a lot of great discussions and agree that the needle is slowly moving toward more and better representation. I’m thrilled to be a part of that.
Larque is an unusual and sympathetic protagonist. She’s a wife, mother, and moderately successful businesswoman, but thinks of herself as a failed artist.
She also has the ability to create doppelgangers, temporary doubles of the people in her life. But this time, they’re a lot less temporary. Sky is her ten-year-old self, rebellious and contemptuous of the choices her adult self has made, and Lark is a young gay man dealing with life in the early 1990s.
And Larque is both of them, as well as herself and the menacing Virtuous Woman who lurks in the background, waiting for her chance to take over Larque’s life. It makes for a wild midlife crisis in which Larque has to decide who she wants to be and what she wants for her creations.
Larque creates temporary people from nothing, which does not become a problem until a ten-year-old version of herself leads her on a search for lost dreams and she returns stronger, braver--and male
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!
This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!
"A thrilling, transportative adventure that is everything promised–Chakraborty's storytelling is fantasy at its best." -- R.F. Kuang, #1 New York Times bestselling author of Babel and The Poppy War
"An exhilarating, propulsive adventure, stitched from the threads of real history, Amina’s adventures are the reason to read fantasy." -- Ava Reid, internationally bestselling author of Juniper & Thorn
Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
I love English boarding school mysteries, and this one is told with a witty, humorous voice that kept me laughing. Throw in a lost Shakespeare play, an intriguing plot, and a lot of charm and humor, and this one had me hooked. Edmund Crispin was known for his erudite wit and huge vocabulary. I learned quite a few new words here.
The characters were fun and quirky, and the plucky teenage girl who’s smarter than the adults makes this book one of my favorite mysteries of the “golden age.”
As inventive as Agatha Christie, as hilarious as P.G. Wodehouse - discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best.
Castrevenford school is preparing for Speech Day and English professor and amateur sleuth Gervase Fen is called upon to present the prizes. However, the night before the big day, strange events take place that leave two members of staff dead. The Headmaster turns to Professor Fen to investigate the murders.
While disentangling the facts of the case, Mr Fen is forced to deal with student love affairs, a kidnapping and a lost Shakespearean manuscript.…
All my work--as a novelist and a licensed clinical therapist--deals with what happens in families, which sometimes includes overwhelming grief. But now, it hasn’t been long since I lost my own son. In these novels, I recognize a piece of myself as I, like any survivor, have struggled to cope. Like few other events in our lives, death has the possibility of completely derailing us with its brutality, and often surviving family cast about blindly, searching for sense, for meaning. Sometimes we can’t find any; sometimes we do, and sometimes we create it ourselves. These novels put different approaches into story, and that, too, is a way to search out direction--and hope.
One of the common reactions to the death of a loved family member–especially any death we perceive to be unnecessary or unnatural–is extreme anger. We have to blame someone, and yes, there’s plenty of reproach and self-recrimination in John Burnham Schwartz’s novel, Reservation Road. But there’s a clear culprit–a hit and run driver–and it seems the police are hardly bothering to investigate, and in a case like that, anyone would have a target for their helpless rage. We see Ethan, a father who witnessed his ten-year-old son killed, become obsessed with tracking down the perpetrator himself to accomplish some justice. I understand that kind of anger and frustration, and I know many others do, too. I think it’s useful to both accept that it’s normal, but to look at how destructive it can become to carry it, and to consider how to let it go.
A tragic accident sets in motion a cycle of violence and retribution in John Burnham Schwartz's riveting novel "Reservation Road". Two haunted men and their families are engulfed by the emotions surrounding the unexpected and horrendous death of ten-year-old Josh in a hit and run accident. Ethan, a respected professor of literature at a small New England college and father of Josh, is wracked by an obsession with revenge that threatens to tear his family apart. Dwight, a man at once fleeing his crime and hoping to get caught, wrestles with the overwhelming guilt and his sense of obligation to…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Abbott Awaits follows the spectacularly ordinary life of a father with a two-year-old; husband to an insomniac, pregnant wife; and university teacher. Bachelder evokes beauty in the mundane, dazzling splendor in domestic tedium, and in the middle of cleaning up his daughter’s vomited-up raspberries, a revelation that gets to the heart of Abbot’s heart-crushing yet devastatingly funny tour of his wildly imaginative inner life: “The following propositions are both true: A) Abbott would not, given the opportunity, change one significant element of his life, but B) Abbot cannot stand his life.”
A quiet tour de force, Chris Bachelder's Abbott Awaits transforms the ordinary into the extraordinary, startlingly depicting the intense and poignant challenges of a vulnerable, imaginative father as he lives his everyday American existence.
In Abbott we see a modern-day Sisyphus: he is the exhausted father of a lively two-year old, the ruminative husband of a pregnant insomniac, and the confused owner of a terrified dog. Confronted by a flooded basement, a broken refrigerator, a urine-soaked carpet, and a literal snake in the woodpile, Abbott endures the beauty and hopelessness of each moment, often while contemplating evolutionary history, altruism, or…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).
Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.
Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.
From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family
Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?
Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high…
I’m a professor myself who writes novels, so am especially drawn to novels about campus life! I really do value the life of the mind, but am also aware of just how strange a life that is within contemporary culture. At the same time, campuses are hotbeds of ideas, ranging from the deep and the true to the shallow and the crazy, and young passionate impressionable students simmer in those ideas for several years and then go on to shape our future. What could be more important than novels which bring all that to light?
And then there was Campusland… Fast, funny, and brutal in its satirical account of today’s campuses, with their “safe spaces” and identity politics and administrators and students alike running amok, this is a book with an agenda (be forewarned) but which executes that agenda extremely well. Johnston really nails certain character types present on many liberal arts colleges and elite campuses, as well as the dynamics as those characters execute their own agendas. If you share the author’s agenda you will lap it up; if not, you will be enraged; but either way you will be entertained. And if you haven’t been paying attention to the campus scene for a while—prepare to be shocked.
Eph Russell is an English professor up for tenure. He may look and sound privileged, but Eph is right out of gun-rack, Bible-thumping rural Alabama. His beloved Devon, though, has become a place of warring tribes, and there are landmines waiting for Eph that he is unequipped to see. The cultural rules are changing fast.
Lulu Harris is an entitled freshman - er, first year - from Manhattan. Her singular ambition is to be a prominent socialite - an "It Girl." While most would kill for a place at Devon, to her college is a dreary impediment. She is pleasantly…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
