Fans pick 79 books like City of Blades

This is less a romance novel and more a high fantasy novel with romantic elements, but the romance subplot is exceedingly strong.

(I can highly recommend a mental fan-casting of either Arhys or Ilvin as Pedro Pascal, because he’d absolutely knock one of those roles out of the park if this was ever made into a miniseries).

Ista is over 40, a queen, a new grandmother, a recovered madwoman, and…wait for it…a living saint. Seeking to get away from the suffocating (yet loving) arms of her family, she goes on a pilgrimage (Road Trip!) with a group of younger people and ends up getting into multiple adventures and a more than near miss with outright war. It’s an absolute romp and one of my all-time favorites.

In a genre full of stories of almost infinite variety, this is one that caught my eye.

A middle-aged female professor of mathematics goes on a quest with her cat to track down a former student who is the only one who can save their world from destruction. Sounds cozy, doesn’t it? Except for the world-ending part.

And the fact that Vellitt’s path lies straight through a dreamscape out of the Lovecraftian mythos in this critique/homage to H.P. Lovecraft’s The Dream-Quest of Unknown Kadath. But you don’t have to have read the latter to enjoy the journey.

Vellitt is a marvelous character, the world-building is brilliant and the cat is the perfect addition that helps set the tone for a new and different kind of quest fantasy.

Larque is an unusual and sympathetic protagonist. She’s a wife, mother, and moderately successful businesswoman, but thinks of herself as a failed artist.

She also has the ability to create doppelgangers, temporary doubles of the people in her life. But this time, they’re a lot less temporary. Sky is her ten-year-old self, rebellious and contemptuous of the choices her adult self has made, and Lark is a young gay man dealing with life in the early 1990s.

And Larque is both of them, as well as herself and the menacing Virtuous Woman who lurks in the background, waiting for her chance to take over Larque’s life. It makes for a wild midlife crisis in which Larque has to decide who she wants to be and what she wants for her creations.

I instantly dug the vibe of this book. Pacific Ocean, pirates, kidnappings, mythical South Asian relics, historical fantasy. Give me it!

This book blew me away like a sea squall, so much so that a year after I finished reading it, I still use nautical metaphors to make my point. Not to mention how much I love older, middle-aged protagonists. Weary mothers and retired cartographers with families to feed and perilous old habits, setting sail on an adventure? Aye, aye, Captain!

I came across the work of Nick Turse while working on the fifth chapter of my new book. I had been struggling to find a critical voice in the assessment of the American war in Vietnam that was sustained by a keen historical eye and the pure, intellectual critique of a scholar. When I found Turse, I found my answers.

Turse’s assessment of the unmitigated brutality of the American war in Vietnam chilled me; his powerful critique brought a new voice and vigor to my own burgeoning criticism of that U.S. slaughter in Southeast Asia.

Anyone looking for a strong voice condemning wholesale the U.S. anti-communist paranoia of the era and/or the indiscriminate killing capacity of the U.S. military machine need look no further than Turse and Kill Anything that Moves. 

More than one in four Germans served during the Second World War, but only one in ten of these volunteered.

In the eight decades since that conflict, the history of this staggering mobilization has been rewritten several times but remains controversial, particularly as more recent research is revealing the scale and complexity of the German military’s involvement in the genocidal policies of the Nazi regime.

Ben Shepherd offers a balanced and finely nuanced account of the German armed forces, their organization, culture, and conduct of total war, noting the importance of context, whilst indicating that the postwar distinction between ‘good German soldiers’ and ‘bad Nazis’ is a myth. 

The novel One Left begins when the elderly protagonist hears a TV report on the last surviving Korean “comfort woman.” She is in fact also a comfort station survivor, one who has remained silent and hence unknown to the public. At the age of thirteen, she was kidnapped into a Japanese military comfort station in northeast China. The protagonist's thoughts flash back and forth between her present-day life and the wartime horrors, the details of which are drawn from  real survivors’ testimonies. “Fifteen men a day was normal,” she recalls, “but on Sunday fifty men or more might come and go from a girl.” “If a girl got pregnant, her uterus was removed fetus and all as a preventive measure.” It is a difficult read, but necessary, moving, and profound. 

Every book list needs a good wild card, wouldn’t you agree?

This Dark Horse one-shot published in the run-up to the premiere for Amazon’s Hunters is only a few pages long, but perfectly encapsulates the pulpy spirit of the revenge-driven series created by David Weil. Mr. Weil has stated on numerous occasions that the small screen project was a way for him to pay homage to his Holocaust survivor grandmother and tell an epic, comic book-inspired story of good vs. evil.

The one-shot does just that as the titular squad of Nazi eliminators tracks down a concentration camp doctor notorious for conducting unspeakable human experiments and collecting gruesome trophies.

This is a book about failure – leadership failure from every echelon.

I hesitated to ever read this book about horrific war crimes committed by American soldiers because I absolutely did not want to see “them” as “us”. What I found instead was a systematic failure of the Army from every echelon that enabled these men to slip free of the bonds of civilization and become the embodiment of humanity’s worst impulses.

The soldier who reported them was nearly murdered as a traitor. This book speaks to the burden that those who come forward carry – and how men become monsters.

I don’t know if the men who committed that horrible atrocity were ever good men who the war made evil nor do I care – but what Frederick has shown in this book is the systematic unraveling of a platoon’s ties back to what made them human and the… show more.

I have admired Wideman for many years. As a writer, he is a virtuoso in multiple forms, making room to confront violence and racism without offering readers trite or false resolutions.

I appreciate how he keeps calling back to the themes and subjects of earlier work. His essay, “Looking at Emmett Till” (originally published in Issue 19 of Creative Nonfiction), grappled with his recollections of 1955 as a 14-year-old teenager, the same age as Emmett Till when he was lynched and murdered.

Writing to Save a Life builds upon this work, tracing a parallel history of Till’s father, Louis, and Wideman’s journey to confront official documents of Louis’s prosecution and hanging during his service in World War II. Here as in so much of his writing, Wideman chooses a unique structure for the book, braiding his own reflections on injustice into the documentary material.