Here are 100 books that On Beauty fans have personally recommended if you like
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I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room.
This is the Mother of all boy mom books. It’s required reading for anyone learning to speak boy. Equal parts despair—Lamott is a single mom who sometimes wants to leave her crying boy outside on the stoop—and equal parts gut punches of hilarious wisdom and ardor about boy life and mom devotion.
This is the journal of the birth of Anne Lamott's son Sam, and their first year together. Coping with being a recovering alcoholic and a single mother, Anne had to face the fact that her best friend since childhood was dying of cancer.
I am an adult child of an alcoholic father and an abusive and dysfunctional stepmother who ran away from home at sixteen and fell into the wrong crowd in my search for love and family. Yet after years of hard personal work, I have overcome and triumphed over these obstacles to become stable, happy, and successful, in a good marriage, raising a great son in a loving, stable home. I’ve gone on to help and inspire others to do the same, including writing the book Redeemed, A Memoir of a Stolen Childhood.
In this book, I saw my dysfunctional family mirrored back at me, but his writing was so good it made me laugh at the absurdity of it at the same time.
As a child, I also looked for the ‘why,” as in “Why am I being treated like this,” but with this book, I finally saw that there was no why. It just is…and that made me feel less to blame and more like a victim of circumstance…of other people’s problems.
Although that was still a lot to handle emotionally, it opened a door for me to stop blaming myself, get professional help, and see my troubled childhood as the product of my parent's mistakes. And that was huge.
This is the true story of a boy who wanted to grow up with the Brady Bunch, but ended up living with the Addams Family. Augusten Burroughs's mother gave him away to be raised by her psychiatrist, a dead ringer for Santa Claus and a certifiable lunatic into the bargain. The doctor's bizarre family, a few patients and a sinister man living in the garden shed completed the tableau. The perfect squalor of their dilapidated Victorian house, there were no…
I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
I am recommending this work of fiction selected by The Compassionate Friends Sibling Grief Book Club. Ann, with grace, handles not only the sibling loss of a brother, a boy the sole survivor of a plane crash, but the depth and breadth of grief from the aunt and uncle Edward lives with. Edward’s aunt grieving the loss of an unborn child and her sister, says to Edward, “You’re not okay. We are not okay. This is not okay.” I’m certain other bereaved siblings can relate, “he mourns what his brother has lost.” I related to how in a family we handle grief differently and often are unable to communicate how we are feeling.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle's garage are letters from the relatives of other passengers - all addressed him.…
I have 7 sisters and 1 brother. I was the 9th child in my family. To get a son who would carry on the family heritage, my parents tried 7 times without any success. After 7 unwanted daughters, my brother finally arrived. Then they had me as the second boy in the family. The plot twist was: I am gay. I turned out to be the 8th unwanted daughter because of my sexuality. Coming from this small-town big family full of superstitions and secrets, I am naturally drawn to dramatic family stories with many dark and psychological twists.
An ugly cry is inevitable for this book. I read this book with good friends in a book club. We all saw the film adaptation and decided to read the book together. We shared our bawling moments as we discussed the story.
Yes, we all cried. The moms and daughters in this book demanded tears. Even the coolest friend in the book club, who never cried, succumbed to the diaspora in the book. I must confess that crying together in a book club was simply a cathartic experience.
'The Joy Luck Club is an ambitious saga that's impossible to read without wanting to call your Mum' Stylist
Discover Amy Tan's moving and poignant tale of immigrant Chinese mothers and their American-born daughters.
In 1949 four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.
Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives - until their own inner…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Franzen is at his best when depicting character, and The Corrections goes deep, creating a family drama that is rooted in detailed psychological portraits of his subjects.
In doing so, he meticulously builds their worlds, motivations, and fears, creating nuanced portrayals that not only reveal individual personality, but also the texture and color of life in America in the late 20th century.
Yet the true theme of the book is family dynamics: what does it mean when your mother insists that you come home for Christmas, and what does it mean when you don’t really want to go?
#1 NEW YORK TIMES Bestseller NATIONAL BOOK AWARD WINNER
“A spellbinding novel” (People) from the New York Times bestselling author Jonathan Franzen, the author of Crossroads, The Corrections is a comic, tragic epic of worlds colliding: an old-fashioned world of civic virtue and sexual inhibitions, a new world of home surveillance, hands-off parenting, do-it-yourself mental health care, and globalized greed.
After almost fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson’s disease, and their children have long since flown the family nest to the…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I really admire how this book traces two lines of a tumultuous family history through a series of short stories.
Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.
This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
At times, immigration policies are so ludicrous that only fiction can tell a credible story of what’s happening.
In Luiselli’s novel, modern asylum policies in the United States get the storytelling they deserve through the lens of one New York family struggling with the ordinary challenges of life only to learn, bit by bit, just how close their lives are to the migrants attempting to navigate the extraordinary demands of immigration policies along the US-Mexican border.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post
In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.
The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.
The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator…
I sometimes joke that the greatest gift my parents gave me was a troubled childhood. Difficult circumstances taught me about patience and gave me the grit to persevere. My mother’s mood swings and my brother’s violent outbursts turned me into a shrewd observer of people and their unpredictable behavior. That led me to study psychology at Harvard, where so much research seemed to boil down to one goal: giving people context to understand why they act and behave in particular ways. As a journalist who has interviewed thousands of people across dozens of countries, the theme of family – and how we sometimes have to overcome them – remains as salient as ever.
I interviewed Doris Lessing about her memoir Alfred & Emily at her home in London in 2008. She was 88 years old, but was still trying to break free of the “monstrous legacy” of World War II, which had left her father, Alfred, broken and her mother, Emily, “demented.”
Growing up in colonial Rhodesia, she was more comfortable in the bush with wild snakes than she was at home with her troubled parents. Yet she acknowledges what they could have been had history not been so cruel. I’ve tried to apply that same grace to my parents, who met during the Vietnam War and later struggled to care for my severely disabled brother.
Acknowledging my parents’ war wounds, as Lessing did with hers, helped pave the way for forgiveness.
I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness.
In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in…
I sometimes joke that the greatest gift my parents gave me was a troubled childhood. Difficult circumstances taught me about patience and gave me the grit to persevere. My mother’s mood swings and my brother’s violent outbursts turned me into a shrewd observer of people and their unpredictable behavior. That led me to study psychology at Harvard, where so much research seemed to boil down to one goal: giving people context to understand why they act and behave in particular ways. As a journalist who has interviewed thousands of people across dozens of countries, the theme of family – and how we sometimes have to overcome them – remains as salient as ever.
Nigel Slater was already one of the U.K.’s most celebrated chefs when he released his memoir Toast in 2003.
When I read it more than a decade later, it was like diving into a prequel to his many cookbooks, columns, and TV shows that I’d followed for years. The book is hilarious and heartbreaking. It beautifully illustrates how interests and passions can save people from unhappy childhoods and toxic people, like his coarse stepmother and distant father, both of whom are vividly drawn.
As a memoirist, I took inspiration from his narrative arch and how he persevered. The darkness and isolation of my own childhood is what prepared me to embrace the glitz and glamour of Eurovision.
TOAST is top food writer Nigel Slater's eat-and-tell autobiography. Detailing all the food, recipes and cooking that have marked his passage from greedy schoolboy to great food writer. In December 2010 the BBC will bring out a film of Toast starring Helena Bonham-Carter and directed by Lee Hall, who won an oscar nomination for Billy Elliot.
Britain's most popular cook describes his personal culinary odyssey, from dangerous encounters with his mother's weevil-seasoned cakes to being harangued by readers who think he deliberately styles Yorkshire puddings to look like a woman's private parts.
Hilarious, irreverent and mouthwatering, TOAST captures thirty years…
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