The Corrections

Franzen is at his best when depicting character, and The Corrections goes deep, creating a family drama that is rooted in detailed psychological portraits of his subjects.

In doing so, he meticulously builds their worlds, motivations, and fears, creating nuanced portrayals that not only reveal individual personality, but also the texture and color of life in America in the late 20th century.

Yet the true theme of the book is family dynamics: what does it mean when your mother insists that you come home for Christmas, and what does it mean when you don’t really want to go?

I’ve heard people say that Jonathan Franzen is the master of dysfunctional families. In this novel, a troubled family of five gathers for one last Christmas together. There’s a rift between parents and children (now grown), partly because the parents judge the children in ways that are steeped in tradition and a culture of days gone by and partly because the children dismiss or override their aging parents.  I love this book because the characters are deeply flawed, selfish, and absolutely human.