Here are 100 books that Lost Children Archive fans have personally recommended if you like
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I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room.
This is the Mother of all boy mom books. It’s required reading for anyone learning to speak boy. Equal parts despair—Lamott is a single mom who sometimes wants to leave her crying boy outside on the stoop—and equal parts gut punches of hilarious wisdom and ardor about boy life and mom devotion.
This is the journal of the birth of Anne Lamott's son Sam, and their first year together. Coping with being a recovering alcoholic and a single mother, Anne had to face the fact that her best friend since childhood was dying of cancer.
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I have been asked for decades to share my story. Who would want to hear my story? When we established the fund in memory of beloved sisters Margie and Jane, the doctor connected to the fund told me to write about my sisters so others would know them. After thirty years of suppressing my grief, writing became a venue to let the walls down and let my feelings out and be compassionate to myself and others in their grief no matter the time. Grief is a difficult subject and I hope in telling my story another individual will not be alone in their grief.
I am recommending this work of fiction selected by The Compassionate Friends Sibling Grief Book Club. Ann, with grace, handles not only the sibling loss of a brother, a boy the sole survivor of a plane crash, but the depth and breadth of grief from the aunt and uncle Edward lives with. Edward’s aunt grieving the loss of an unborn child and her sister, says to Edward, “You’re not okay. We are not okay. This is not okay.” I’m certain other bereaved siblings can relate, “he mourns what his brother has lost.” I related to how in a family we handle grief differently and often are unable to communicate how we are feeling.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle's garage are letters from the relatives of other passengers - all addressed him.…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
Much of “the line,” as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.
As a former Border Patrol agent, Cantú saw what happened when no one else was looking. His memoir shares it with the rest of us.
Shortlisted for the Orwell Prize for Political Writing 2019, an electrifying memoir from a Mexican-American US Border Patrol guard
'Stunningly good... The best thing I've read for ages' James Rebanks, author of The Shepherd's Life
Francisco Cantu was a US Border Patrol agent from 2008 to 2012.
In this extraordinary account, he describes his work in the desert along the Mexican border. He tracks humans through blistering days and frigid nights. He detains the exhausted and hauls in the dead. The line he is sworn to defend, however, begins to dissolve. Haunted by nightmares, Cantu abandons the Patrol for civilian…
A mother daughter sister story set in Southern California in the 1990's. It starts on the night of the O.J. Simpson slow speed freeway chase. The Simpson case provides background noise for the novel, but the story is not about Simpson. It's about a woman whose life is falling apart.…
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).
Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.
Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.
From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family
Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful?
Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.
The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.
The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
On the ground in courtrooms and jail cells when the Trump administration began separating migrant families, Efrén Olivares’s memoir is more than just the story of a lawyer fighting for his clients.
Olivares is also a migrant who knows what it’s like to have his family split apart by immigration laws. Read it for the play-by-play account of family separation in 2018 but enjoy it because in Olivares the future of migration breathes, walks, and fights back.
INTERNATIONAL LATINO BOOK AWARD WINNER - The Raul Yzaguirre Best Political/Current Affairs Book
This deeply personal perspective from a human rights lawyer—whose work on the front lines of the fight against family separations in South Texas intertwines with his own story of immigrating to the United States at thirteen—reframes the United States' history as a nation of immigrants but also a nation against immigrants.
In the summer of 2018, Efrén C. Olivares found himself representing hundreds of immigrant families when Zero Tolerance separated thousands of children from their parents at the U.S.-Mexico border. Twenty-five years earlier, he had been separated…
Not So Little Things by Kyle Ann Robertson unravels the meticulously crafted life of Tina, an artist engrossed in the intricate world of historically accurate miniatures. As she dutifully honors her deceased father's desire for her to follow in his artistic and historical footsteps, Tina's controlled existence is shaken by…
I embody the “American Dream” mythology: I came to the United States as a child who did not speak English and had few means. And now I am the Chair of the English Department at Harvard. But I am the exception, not the rule. So many migrants die on perilous journeys or survive only to live marginal lives under surveillance. Yet we don’t always ask why people risk their lives and those of their children to migrate. And when we do, we don’t often go beyond the first layer of answers. The list of books I recommend allows us to think deeply about the roots of forced migration.
Cornejo Villavicencio renders the lives of the undocumented across America with razor-sharp clarity, intertwining her own story throughout.
She shows us how the undocumented struggle to find work, healthcare, and safety while also maintaining their families, integrity, and sanity. She becomes a medium for immigrant stories that might otherwise remain illegible except as fodder for ideological battles.
Cornejo Villavicencio was one of the first undocumented immigrants to graduate from Harvard and was a PhD candidate at Yale at the time of her book’s publication; this marks her as an exceptional kind of speaker, and the book’s marketing and reviews rarely failed to mention these facts.
And yet Cornejo Villavicencio vehemently rejects the American-dream mythology that would make her life exemplary. Even so, that mythology orbits around her book, showing how difficult it is to disentangle false themes of transcendence from migrant literature.
But Cornejo Villavicencio cuts through the sentimental or…
NATIONAL BOOK AWARD FINALIST • One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.
“Karla’s book sheds light on people’s personal experiences and allows their stories to be told and their voices to be heard.”—Selena Gomez
FINALIST FOR THE NBCC JOHN LEONARD AWARD • NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
In Calais, France, on Europe’s northern edge, migrants from across the Middle East and Africa settled, hopeful that they would eventually make it across the English Channel.
While they waited, they built lives, relationships, and the ramshackle edifices that poverty permits—the ingredients of communities. Only to be attacked, sometimes by neighbors, other times by police. In this graphic novel, Evans brings Europe’s refugees to life in their humor, hope, and despair.
**LONGLISTED FOR THE ORWELL PRIZE FOR BOOKS 2018**
In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
California stories are frequently immigrant stories, and there are many to choose from.
I loved Elaine Castillo’s debut novel about three generations of Filipinos who settle in the Bay Area and fight their way to a place for themselves. The characters are vibrant and alive, querulous, sexy, ambitious, dreamy. They never completely overcome the shadow of the past in the Philippines or the conflicts of the present in the United States, but despite sadness and tragedy, the book ends with love.
Moderation, the 'passionate and tender love story' (Kaliane Bradley), is out July 2025 - available to pre-order now ______________________
Longlisted for the Aspen Literary Prize, 2019 Longlisted for the Center for Fiction First Novel Prize, 2018 Longlisted for Elle's Big Book Award, 2018
A giant debut novel about the redemptive, restorative power of love; about trust and fear; hair and makeup; food and sex; it's about belonging and...not belonging. It's a soulful literary saga set in the early nineties of San Francisco; a coming-of-age about leaving home and, sometimes, the necessity of turning back.
A runaway finds sisterhood, love, and danger in a mountain town.
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted…
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
Flower, Grand, First is a collection of poems about Santa Ana, California and Jalisco, Mexico. The title comes from three streets in Santa Ana, where my husband’s family has lived for more than one hundred years. Hernandez’s poems are about place and displacement and examine what it feels like to be an outsider trying to make sense of life in a strange land, always searching for home. In the wonderful poem “My Father Shows Me Catalina” Hernandez writes: “Smile so you both know it’s okay that you are different. But once-in-a-while, the division is so clean it’ll cut into you.”
Gustavo Hernandez’s debut poetry collection, Flower Grand First, moves through the complex roads of immigration, sexuality, and loss. These poems are points plotted on maps both physical and emotional—the rural landscapes of Jalisco, the glimmering plains of memory, the busy cities of California, and the circular paths of grief. Hernandez’s stunning elegies float along a timeline spanning three decades, honoring family, recording a personal history, and revealing a vulnerable but resilient voice preoccupied with time, place, and what is left behind out of necessity.
