100 books like Alfred and Emily

When my book club read this, we were universally blown away by Augusten Burroughs’ humor. Mining his tumultuous childhood, Burroughs paints a vivid and unforgettable picture of life with the ultimate dysfunctional family.

I went on to read the author’s other memoirs, and while I always enjoy his one-of-a-kind spin on the world, this remains my favorite of his works.

Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).

Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.

Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.

Nigel Slater was already one of the U.K.’s most celebrated chefs when he released his memoir Toast in 2003.

When I read it more than a decade later, it was like diving into a prequel to his many cookbooks, columns, and TV shows that I’d followed for years. The book is hilarious and heartbreaking. It beautifully illustrates how interests and passions can save people from unhappy childhoods and toxic people, like his coarse stepmother and distant father, both of whom are vividly drawn.

As a memoirist, I took inspiration from his narrative arch and how he persevered. The darkness and isolation of my own childhood is what prepared me to embrace the glitz and glamour of Eurovision. 

This novel has everything I love – a narrator who’s definitely not telling us everything, newly arrived in a remote house by a lake in Norway that is so clearly drawn I can see and feel it in my bones.

Trond has secrets and this is where he’s going to live now. There’s a man down the track whose window he can see when it falls dark. A river flows fast beyond the trees. Petterson’s beautiful, spare writing creates a filmic atmosphere in which past mysteries unfold as Trond begins to learn to live alone with his past.

Stunning story-telling, wonderful place-setting, and a character utterly unlike me that I loved reading in his solitude.

I loved this book because it is written by the only survivor of a disastrous Arizona wildfire that took the lives of 19 hotshot firefighters in the summer of 2013. It is a gripping memoir of the minute-by-minute account of the fateful day he lost the very men who had saved him from becoming a drug addict.

A movie has also been made from this book, called Only The Brave, starring Josh Brolin, which I also highly recommend, as tough as it is to watch. The book is about the bravery of the firefighters and the tough decisions the supervisor has to make when deciding on a strategy to fight this fire. 

Until about twenty years ago writers about World War II tended to treat the contest between the United States and Japan as separate from, and more significant than the other conflicts that engulfed China and Southeast Asia between 1937 and 1945. Today many historians, including almost all academic ones, speak of an “Asia-Pacific War” as a more accurate and appropriate description for this destructive era. Tower of Skulls, is the first general history that not only integrates the conflicts in the Pacific with those in mainland Asia but also demonstrates the close interconnection between them.

The first of a proposed trilogy, Frank’s book covers the period from the outbreak of the Sino-Japanese War in 1937 through Pearl Harbor and the Japan’s conquest of an empire rivaling Genghis Khan’s to the eve of the Imperial Navy’s first setback the Battle of the Coral Sea.  Despite its formidable length, the book… show more.

Beyond the usual five stages of grief—denial, anger, bargaining, depression, and acceptance—a sixth stage of heavy responsibility may develop when someone dies in the service of a great cause. As the Battle of Franklin played out in the yard of her Carnton Plantation, Carrie MccGavock felt that sense of obligation to the 9000 soldiers who died in that battle. It is in that sense that Carrie called herself the “Widow of the South.” She disinterred over 1000 anonymous bodies, identified them, reburied them in her own cemetery, and sought to give their families a sense of closure. This moving novel, based on a true story, reminds us that the Civil War was more than maps and casualty statistics. It is a story of heartbreak and devotion.

On the Horizon is unique, as it brings Lois Lowry’s personal experiences to the page.

Lowry was born in Honolulu, where the U.S./Japan war began during WWII with the bombing of Pearl Harbor, and was eleven years old when she moved to Tokyo where her father was stationed during the Occupation.

On the Horizon conveys great meaning over the course of its 72 pages, is creatively illustrated, and is appropriate for young and older readers alike. It delivers substance in verse—about those who died or whose lives were forever changed at Pearl Harbor and in Hiroshima. Names of the deceased and ordinary items—tricycles, paper cranes, and dolls—tell extraordinary stories of hate, shame, guilt, fear, loss, grief, and hope.

While Stephen Platt offers a brilliant starting point for those interested in the Taiping Rebellion, Professor of Chinese history Tobie Meyer-Fong reveals the terrible realities of the war from the perspective of the survivors. Shifting her focus to the individual trauma caused by the rebellion, the author details the harrowing personal losses of the Taiping Rebellion. Meyer-Fong’s explicit and straightforward account of the hacking, slicing, and burning of both the Taiping and imperial soldiers accentuates the long-lasting psychological scars caused by the uprising that lingered on into the early twentieth century. What Remains pushes the reader to move beyond military campaigns and the lofty (but often impractical) ideology in order to better contemplate the long-term consequences of the violence it wrought on an empire already reeling from debilitating demographic pressures.

Mary's story shows the harsh reality of being a woman in a man's world – wildland firefighting. Her vulnerability and truth were incredibly relatable to me. The pressure to always be on, always strong, always performing, lest one moment of softness be held up as an example of why women don't belong.