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I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.
The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
The Fifth Season is set in a world plagued by intermittent climate catastrophes and inhabited by a group of people called orogenes, who possess the ability to control energy and, therefore, thwart these catastrophes.
It follows two talented oregenes named Syenite and Alabaster, who are forced by the ruling class to marry and undertake a dangerous mission together. Jemisin’s story is a riveting exploration of environmental ethics, transhumanism, and the concept of the Anthropocene. She challenges her characters and readers to consider their responsibility for the earth and the other organisms that share it. She also depicts the role that social oppression plays in the exploitation and destruction of the environment.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.
A book about a hobbit, thirteen dwarves, and a wizard may seem an odd choice to reflect on the fragility of human culture—but I think this is the most human of journeys I’ve read, as Bilbo interrupts his gentle life in the Shire for an uncomfortable adventure.
Now I’m reading it to my nine-month-old son and noticing how much this is a story about social vulnerability—Bilbo’s displacement, the dwarves adrift from their ancestral home, the ruined town of Dale, and the damage caused by the dragon Smaug in the name of amassing a fortune (which he simply sits on like some big corporation with its profits). In the middle of all that devastation, it reminds me that friendship is one of the most important aspects of humanity.
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
After devouring fantasy novels in my late teens and early twenties, I eventually hit a dead end. Where had all the good old-school fantasy gone? I wanted dashing heroes, compelling love stories, and epic battles between good and evil, but I could not seem to find it anymore–at least not as regularly as I wanted to. Eventually I set about writing my own stories, the kind of stories I always wanted to read. When I’m writing, I always go back to books on this list to rekindle my fire and remind me what good fantasy should be.
From the moment I spied the cover, I knew I had to read this book.
It featured an armored soldier on horseback leading a group of weary travelers on a dark, foreboding night. It whispered of danger and mystery–two things all good fantasy contains. The group, inspired by prophecy, battles against unworldly creatures, eyeless monsters, and enigmatic foes in their quest to defeat the dark one.
I loved the clear delineation between the creator and the dark one and their contrasting visions for the world.
The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. What was, what will be, and what is, may yet fall under the Shadow.
When a vicious band of half-men, half beasts invade the Two Rivers seeking their master's enemy, Moiraine persuades Rand al'Thor and his friends to leave their home and enter a larger unimaginable world filled with dangers waiting in the shadows and in the light .
As a child, all I wanted to read were books about adventure. I also had an adventurous childhood, growing up in the Louisiana swamps with a father who actually hunted alligators and took me with him. As I came of age, I longed to tell stories, and, as they say, it’s best to write about what you know. To date, I’ve penned six novels, all set in the exotic wetlands of Cajun, Louisiana. I feel missionary about this—that my writing gifts allow me to decode my homeplace in a way that makes it easier for outsiders to see the singular niche it occupies on the American landscape.
I love this book because it is one of the most stunning leaps of imagination I have ever read. The story is fresh, original, enchanting, and engrossing, crossing both literal seas and a large sea of imagination with surprises at every turn.
Pi, the young Indian boy at the center of the story, is beautifully drawn as he confronts his survival on a raft that he shares under the most unusual of circumstances. The issues—courage, resilience, humility, spirituality—resonate with all of us contemplating the human condition.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.
When I was in high school, I didn’t like to read that much because I was a slow reader.
My best friend was an avid reader and he loved fantasy in particular. One day he handed me this book and said I needed to read it. He said the characters were amazing and the book was not one of the big thick fantasy tomes I refused to read.
I decided to try it and I read it cover to cover in about two days. I continued on and read the entire five book series, and then went on to read more from the author. This book turned a non-reader into a reader, then an English major, and finally into a teacher and an author. I still read slower than I would like, but this book and series set me on the path I still follow today.
The first part of a saga set against a history of 7000 years of struggles of gods and kings and men. Long ago, the evil god Torak sought dominion and drove men and gods to war. Belgarath the Sorcerer led a quest to reclaim the Orb of Aldur - but so long as it lay at Riva, men would be safe.
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
The first installment in Erikson’s magnum opus introduces readers to the voracious Malazan Empire and focuses on a military, political, and supernatural battle for the free city of Darujhistan.
It boasts a vast, strange cast of characters and an even vaster, stranger world. However, Erikson demonstrates how every element, from the lowest trader to the mightiest god, can shape the outcomes of events. The free will of each character is shown to be in constant tension with the free wills of others, as well as the wrenching currents of history.
The antagonist of Erikson’s story is not a dark lord, but nihilism—the prospect that there is no moral order or higher meaning to existence—and every one of his characters must face this threat and figure out how to survive it.
When the last of the free cities of the Malazan Empire is targeted by the forces of the Empress Laseen, Bridgeburner squad leader Sergeant Whiskeyjack and the mage Tattersall confront dark gods to protect the citadel of Darujhistan.
I grew up playing Dungeons & Dragons. I’m always on the hunt for not just good but great stories. One of the most profound things I have done revolving around fantasy writing was walk the same streets as the legends walked. Oxford, UK is a magical location and the place where Narnia and The Hobbits were born. I visited CS Lewis and JRR Tolkien gravesites. I visited their homes where they wrote their works. Adventure is around every corner in life. If we choose it. Here is a dwarven proverb from my book series, “May your light shine bright and blind your enemies.”
I am in pursuit of stories that affect my thinking and change my heart. I absolutely loved how the author wove Samurai and fantasy together.
The story of Marindel is shown brilliantly in a way that doesn't overwhelm you. You will quickly embrace the characters and ultimately the hardest part I found in this book was when I reached the end and needed to decide which character I liked most. Thank God, book two is coming out soon.
Long ago, the elven Kingdom of Marindel governed the realm of Tyrizah from its place on the back of a giant sea turtle. But when a great evil was unleashed, the Era of Peace came to a tragic end. Thousands of years passed, and Marindel was all but forgotten.
Connor, a young farmer with a wild imagination, always longed for adventure. When bizarre events cause him to realize his role in the greatest story of all, Connor embarks on a quest to defend the Great King's daughter…
As a child, I roamed the forests and imagined I was on epic adventures to change the world with a sword, live epically, and be part of a Kingdom. I dove into stories like that, stories that whetted my appetite to see Truth discovered and the world’s eyes opened to the beauty and purpose one has when following that Truth. As I followed Jesus and fell in love with Him, He guided me to create those stories, and I love writing beautiful words in novels, poems, and children’s books. I hope you become a dreamer again and believe there’s a Kingdom that’s calling.
Kingdom’s Dawn is a favorite book from my pre-teen/teenage years! Not only do you fall in love with the unique, heroic characters, but the adventures are riveting, drawing on the child-like tugging in your heart to do something big and live for a kingdom. The swords and adventures, tales of courage and heroism, all point to a deep truth that encouraged me as a young reader and still today.
Good and evil clash. Leinad and Cedric are determined to not only survive, but claim hope and victory! In Kingdom’s Dawn, Leinad and Tess, along with all the king’s people, must escape slavery by the powerful Lord Fairos. Kingdom’s Hope finds them free and arriving in the Chessington Valley. But when they forget the king, will Kergon and the Kessons capture them for good? After many years, Kingdom’s Edge finds Cedric living a hopeless life until a stranger appears with powerful words of a new kingdom and a grand army. Finally, Kingdom’s Reign…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to…
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