100 books like The Crossing

I was born in New Zealand and now live half the year in London and the other half on the border of The French and Italian Riviera. I am fascinated by the history of the buildings and the color of the European lifestyle. I love to write novels about the past and how that past relates to scenarios of present day. I am keen to tell the untold stories of WW2 that are based on fact. Then weave them with embellishment from my own imagination.     

As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.

I spent my 20s and early 30s searching for my voice, passion, and romantic love. I moved every year to a different city, had many jobs (from carrot cake baker to sport autobiography co-author, to writing a Star Wars trilogy of Middle Grade novels for LucasFilm) and dated the flotsam and jetsam of the boyfriend world. It was only when I discovered my raison d’être, writing young adult and adult fiction, that I gained the confidence to pursue my dream of being a fiction author, ask for what I needed in relationships, and define my own version of happily ever after. I believe anything is possible!

I was born in New Zealand and now live half the year in London and the other half on the border of The French and Italian Riviera. I am fascinated by the history of the buildings and the color of the European lifestyle. I love to write novels about the past and how that past relates to scenarios of present day. I am keen to tell the untold stories of WW2 that are based on fact. Then weave them with embellishment from my own imagination.     

Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author of The Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.

The books I've recommended are all skillfully told by someone who is not of the race or sexual orientation of the protagonist. Though I believe in the importance of people telling their own stories, I also think there should be room for writers to write from viewpoints other than their own. The past is where many of my characters live, but I still have to deal with the quandry of authenticity. Daughter of Winter is placed in Essex, MA, in 1949, at the height of the shipbuilding industry and features a mixed-race child and a Wapanoag grandmother. To make certain of my characterizations, I hired a chief of that tribe to read the finished manuscript.

I’m a Canadian writer living in southern British Columbia. When I was young, most people thought I was too small and frail to do awesome things. It wasn’t until I got older that I began to understand that my love for wild places and adventures was at the heart of who I was, and I began to see that I was much stronger than I thought. These days, I hike, climb, kayak, cross-country ski, and snowshoe – anything that gets me outside in nature. And I've done some awesome things out there! I want to change the way people see nature, not as something to be conquered, but to be treated with affection and respect.

Good question. I’ve always found equilibrium in quiet, unpopulated spaces—woods, gardens, and, of course, books. Now, at 56, even though I am happily married and close to friends and family I love, I seek the solitude that nurtured me in childhood. I wonder why. Did the pandemic nudge me to embrace my most essential self? This is why I chose the theme “Girls on Islands” because even if it’s not our natural state, don’t we all experience isolation? Yet, as John Donne reminds us, no girl is an island; she is “a piece of the continent, a part of the main.” The following works of fiction embody this duality.

As a kid, being shy and often scared witless of monsters under the bed, books were my refuge. I especially loved fantasy and great story-telling, which, at first, just took my mind off of things. Then, sneakily, the stories began to teach me how to find courage when facing monsters, as well as to value hopefulness, invention, and the study of science and nature. The earth is in a pickle now. There are monsters under the bed. We need science to help us find the right tools. We need stories to fire our inventiveness and our courage. Here are some great books for that. They will suit young readers and beyond.

There’s never been a time I haven’t had a pen in my hand, crafting a good story. And as the YA literature movement grew, so did my love of it. There’s not a more “blooming” time of life when life and love and friendship can grow with such authenticity and excitement. And true to my Deep South roots, I write and gravitate to romance novels that capture the beauty of first love and Southern culture in tandem, from the slow, relaxed pace to the sometimes gritty culture to the never-meet-a-stranger, colorful personas. Where humidity is thick but the accents are thicker, that’s where you’ll find my Southern-fried heart!