Here are 79 books that The Border of Paradise fans have personally recommended if you like
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As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
Most people are familiar with the movie, and I was, too, before I read the novel—which is shockingly good! Though published in 1967, the prose is modern and restrained.
Rosemary is betrayed by those she trusts, most heinously by her opportunistic husband, but she’s no passive victim; instead, she becomes ferocious. I give props to Levin for channeling the burgeoning feminist rage of the times, which he also did in his 1972 classic, The Stepford Wives. The dream/hallucination scene where Satan impregnates Rosemary and her confrontation with Guy the morning after is so well-written and horrific it made me want to stab him with a pitchfork.
'The Swiss watchmaker of the suspense novel' Stephen King
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare.
As the sickened Rosemary becomes increasingly isolated, she begins to…
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
One of my favorite hair-raising tropes is the hostile doppelgänger, and this one really delivers! After sensing an intruder in the house, Molly, a young mother, encounters a menacing double who calls herself “Moll” and claims to be her from an alternate reality, one where she has no children—which prompts her to claim Molly’s.
What makes this book so tense and creepy is Molly’s unreliable POV as she wrestles with her anxiety, exhaustion, and protectiveness over her two young children. Is Moll the manifestation of a psychotic breakdown? Does Molly want to vanquish her or trade places? The prose is potent and spare, with short chapters alternating between past and present action, twisting the suspense all the way to its ambiguous—but for me, satisfying—conclusion.
***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time
“An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People).
When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince…
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
I rarely encounter writing that deals so unflinchingly with the darkest aspects of human nature in such a beautifully nuanced way. This book does not shy away from heavy, even transgressive themes, including mental illness, parental negligence, sexual predation, and grooming.
It centers around teenage sisters Edie and Mae, who are sent to stay with their estranged father after their mother’s failed suicide attempt—but their close alliance fractures due to their separate fixations on each parent. Told from multiple POVs, I found the novel’s structure as intricately woven as a spider’s web. The final act, which leaps ahead fifteen years, is an absolute stunner.
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crook’s Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall —Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,…
As a child, I listened to scary Korean folklore and then devoured all of Grimm’s fairy tales with their themes of good versus evil, disguise and betrayal, sacrifice, and magic. It’s not surprising that as I grew older, my reading tastes skewed toward darkness, mystery, madness, and the uncanny. There’s a penitential aspect to gothic stories, with their superstitious moralism, often with elements of the supernatural manifesting not as monsters but restless spirits—the repressed ghosts of a location’s history. I’ve always been intrigued by the idea of a place absorbing and regurgitating the histories and sins of its occupants, whether it be a town, a house, or both.
How much do I love this hilarious, terrifying, completely bonkers carny show of a novel? Written and illustrated by Barry, a cartoonist, it opens with a suicide note by Roberta, a misfit teen with a busted-up face who’s left behind a rageful diaristic manifesto describing child abuse, theft, revenge, murder, and a cast of characters out of a circus nightmare.
I got whiplash, veering from stomach-cramping laughter to anxious dread, heartbreak, and complete wonder at the strange, freakish beauty of her prose, like finding chunks of gold in the trash. When I finished, I thought, WTF did I just read, and HOW TF did she do it? I really don’t know. But every few years, I re-read it to try and find out.
On a September night in 1971, a few days after getting busted for dropping two of the 127 hits of acid found in a friend's shoe, a sixteen-year-old who is grounded for a year curls up in the corner of her ratty bedroom, picks up a pen, and begins to write. Once upon a cruddy time on a cruddy street on the side of a cruddy hill in the cruddiest part of a crudded-out town in a cruddy state, country, world, solar system, universe. The cruddy girl named Roberta was writing the cruddy book of her cruddy life and the…
My first toy was a plastic dinosaur, which I took to school and it bears my toothmarks on the tail. As a young teenager, I stumbled across the Dragonriders of Pern books, and my allegiance transferred to dragons. I find them fascinating, both beautiful and dangerous, and prefer books in which they have their own cultures and are strong characters in their own right. The novels I’ve recommended have great world building to draw you into the fascinating lives of dragons, and the humans who come to know them.
This is like a Dickens novel, but the characters are dragons rather than humans. All of the elements of a Victorian romance, such as obsession with manners and purity, are present, along with draconic elements like the heirs eating their dead father and parents killing off weak hatchlings. Social class and women’s rights are set in a culture of dragons!
A family of dragons gathers on the occasion of the death of their father, the elder Bon Agornin. As is custom, they must eat the body. But even as Bon's last remains are polished off, his sons and daughters must all jostle for a position in the new hierarchy. While the youngest son seeks greedy remuneration through the courts of law, the eldest son - a dragon of the cloth - agonises over his father's deathbed confession. While one daughter is caught between loyalty to her family by blood and her family by marriage, another daughter follows her heart -…
I have been drawn toward tales and stories of the bizarre since childhood. As a reader, I look for works that will surprise me. The real world in general, I find very unsurprising (lord yes, I do!). When I read, when I enter the fictional world (my favorite!) I want to be inspired to read on. I have put down many a book through boredom. I am not a plough. If I am uninterested, I stop. These books have inspired me in my own craft. Currently writing my sixth novel of the unpredictable, I feel I have experienced enough to forward on some irregular reads of the pure and the awesome.
A wildly imaginative tale from the wildly underrated writer, Oisin McGann. A lot of the ideas here stem from his fantastic artwork. (So impressed was I with the read, I Googled his webpage!)
The Wildenstern family is a power-hungry lot, set in a slightly removed, Steampunk/Dystopian idea of a long-ago Ireland. Competitive cousins, Gerald and Nate Wildenstern are wonderful characters, and Nate’s sister-in-law, Daisy, is quite the uppity aristocrat (you can’t help but like!).
There are wild animal-like machines, a lot of deaths, twisted family values, and mystery to be had within this book. Very much a page-turner. I am rereading again – and the rest of the series as well!
Nate Wildenstern's brother has been killed, and the finger is pointed at him . . .
After nearly two years, eighteen-year-old Nate returns home to the family empire ruled by his father - the ruthless Wildenstern Patriarch. But Nate's life is soon shattered by his brother's death, and the Rules of Ascension, allowing the assassination of one male family member by another, means he's being blamed. He knows that he is not the murderer, but who is?
With the aid of his troublesome sister-in-law, Daisy, and his cousin Gerald, he means to find out. But when the victims of the…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
When I first read this series as a child, I was surprised and delighted to find the pseudo-author Lemony Snicket breaking the fourth wall to comment on the pathos of the action, the meaning of obscure words, and the telling of stories.
Behind a veil of whimsy, Lemony gave my child-self a dark metaphor I didn't (yet) realize I needed and a new literary language. I wouldn't be the person I am without him.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I read this book in high school and it messed. Me. Up. So much so that I remember it in vivid detail to this day and credit it with my desire to write dysfunctional family fiction.
I’d be hard-pressed in real life (thank God) to find a family suffering from issues ranging from incestuous relationships through moral superiority and unforgiving rigidity up to greed and murder… all of which feels like the tip of the iceberg.
Reading the tale of a family who has gone so far off the rails will, if nothing else, make you appreciate the mundane problems your own family has. And isn’t that why we read this genre?
The haunting young adult gothic romance classic that launched Virginia Andrews' incredible best-selling career.
Up in the attic, four secrets are hidden. Four blonde, beautiful, innocent little secrets, struggling to stay alive...
Chris, Cathy, Cory and Carrie have perfect lives - until a tragic accident changes everything. Now they must wait, hidden from view in their grandparents' attic, as their mother tries to figure out what to do next. But as days turn into weeks and weeks into months, the siblings endure unspeakable horrors and face the terrifying realisation that they might not be let out of the attic after…
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
I fell in love with the world-building in this series. Perhaps because the main setting itself is a character. Having an estate with a mind of its own (or at least a consciousness that doesn’t understand human propriety) makes for extra fun.
The slow-burn romance in the series kept me addicted because of how it highlighted the deliciousness of mixing magic and manners—in this case, the conflict between the fae making their presence known and human society trying to cope. Oh, and did I mention how many times I laughed while reading?
The Lord of Stariel is dead. Long live the Lord of Stariel. Whoever that is.
Everyone knows who the magical estate will choose for its next ruler. Or do they?
Will it be the lord’s eldest son, who he despised?
His favourite nephew, with the strongest magical land-sense?
His scandalous daughter, who ran away from home years ago to study illusion?
Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing. Then…
I love weird situations. I have been writing since I was four years old, and have been patiently waiting for the man who appreciates my wide range of vocal inflections. Books have always been companions for me. It helped me develop empathy for others at a young age. Reading about situations that involve people who are nothing like you helps you think beyond yourself. I think that is partly why I’ve always gravitated towards books with unique plots and characters. There’s something invigorating about a story that breaks the mold and offers something new, even if it’s a little strange. The books I’ve recommended all have heavily influenced me and my writing throughout the years.
So this is actually the sequel to another amazing book called The Hazel Wood, but we get to see more romance blossoming in this one. I adore this author. She has that rare ability to completely suck in a reader and paint the inside of their mind. There’s a delicious bleakness to the writing, the plot relentlessly dark and challenging. It covers so many enduring themes such as sacrifice and normalcy versus the extraordinary. And the romance is so atypical as well. There’s no true linear journey, and their feelings are compromised by these big divisive issues. Such as ending certain worlds to save other worlds.
An addictive thriller crossed with the darkest of fairytales that's guaranteed to keep you up all night...
THE HIGHLY ANTICIPATED SEQUEL TO INTERNATIONAL BESTSELLING NOVEL THE HAZEL WOOD
Alice has fought hard for a normal life. Having escaped the Hinterland - the strange, pitch-dark world she was born into - she has washed up in New York City, determined to build a new future for herself.
But when her fellow survivors start being brutally murdered, Alice must face the fact that the Hinterland cannot be so easily escaped. And that, from the shadows of her past something - or someone…
