76 books like The Blunderer

I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list. 

The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.

I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list. 

I write in my spare time, drawing inspiration from my frequent trips to Italy, dating back to my childhood summers. I am an indie writer of noir crime fiction with an interest in uncomfortable moments, especially those created by the main characters themselves. My list journeys across a vast array of genres, but they all have that tone of something happening in the shadows or underlying truths working to achieve an outcome or fight against adversity. I like unspoken dialogue and self-made conflicts, which are both elements included in all the stories I mention in this list. 

In case it isn’t obvious, I have a thing about graveyards. Maybe it’s being Irish-Catholic – it must be infused into my blood. It’s a rare family holiday that doesn’t involve a visit to the local cemetery. I think it’s the combination of gothic architecture with the sense of a social history collected. I have my own favourites (of course!) from Rock Cemetery in Nottingham to Pere Lachaise in Paris where the family spent an afternoon dodging the most unusual tour guide I have ever come across.

I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.   

For thirty-five years I spent my life in boardrooms, financing motion pictures with major Hollywood studios and learning the inside-out of law firms. I’ve also had a love for mysteries where I have to guess what’s going to happen next. My favorite authors keep me in suspense and stay a step ahead of me to the very end. I began my career as an author seven years ago. I added my own dose of modernized Shakespearean stories and the twists, turns, and suspense of life at the highest echelons of corporate America. I don’t aim to shock, but I do aim to surprise and keep you turning the pages. Obsessively.

The author, editor, or ghostwriter of more than 100 book titles, Glenn Stout loves to mine microfilmed newspaper archives and specializes in deeply reported historical narrative non-fiction that brings the past to life.  Many of his titles have intersected with the Roaring Twenties, including Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Changed the World, now in development for Disney+ as a major motion picture starring Daisy Ridley.  A long-time aficionado of noir and true crime, Tiger Girl and the Candy Kid was the culmination of more than fifteen years of dogged research, a story The Wall Street Journal called “a hell of a yarn--worthy of an HBO hoodlum epic like Boardwalk Empire.”

I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.

I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.