Here are 70 books that Survive the Night fans have personally recommended if you like
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I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.
There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.
A thrilling debut, reminiscent of new fan favorites like One of Us Is Lying and the beloved classics by Agatha Christie, that will leave readers guessing until the explosive ending.
"Welcome to dinner, and again, congratulations on being selected. Now you must do the selecting."
What do the queen bee, star athlete, valedictorian, stoner, loner, and music geek all have in common? They were all invited to a scholarship dinner, only to discover it's a trap. Someone has locked them into a room with a bomb, a syringe filled with poison, and a note saying they have an hour to…
Locked room thrillers are what I like to read and write best. Out of my four published novels, two include locked rooms. Gatedtakes place in a community with an apocalyptic bunker and Flight 171 takes place on a plane. The characters must face their antagonists head-on because there is no escape. I love that these settings challenge me to dig deep into character and plot inventively. Exposing my characters’ darkest secrets as they face their foes becomes part of the fun. The books I chose for this list all have excellent “locked rooms” and speak to the girl in me who gobbled up Murder on the Orient Expressand became instantly obsessed.
Anyone who knows me well or has read my first two books knows I’m a sucker for a thriller about a cult.Blood and Salt by Kim Liggett is my young adult Midsommardream novel. The main character, Ash Larkin, goes looking for the commune her mother escaped only to find herself physically trapped there by the cornfield (and cult) from hell. As a child I used to play hide and seek in cornfields. This book brought me back to those moments spent listening for my friends, worrying that they wouldn’t find me. Kim’s writing is beautiful and lyrical. I will literally read anything she writes. Besides, she has the coolest author bio ever. She spent the eighties singing backup for rock bands.
Determined to find her mother when she disappears, Ash follows her to Quivara, Kansas, the spiritual commune she escaped long ago. But something sinister and ancient waits among the rustling cornstalks of this village lost to time.
Her mother is nowhere to be found, but Ash is plagued by memories of her ancestor, Katia, which harken back to the town's history of unrequited love, murder, alchemy, and immortality. Charming traditions give way to a string of deaths. And Ash feels herself drawn to Dane, a mysterious, forbidden boy with secrets of his own.
Locked room thrillers are what I like to read and write best. Out of my four published novels, two include locked rooms. Gatedtakes place in a community with an apocalyptic bunker and Flight 171 takes place on a plane. The characters must face their antagonists head-on because there is no escape. I love that these settings challenge me to dig deep into character and plot inventively. Exposing my characters’ darkest secrets as they face their foes becomes part of the fun. The books I chose for this list all have excellent “locked rooms” and speak to the girl in me who gobbled up Murder on the Orient Expressand became instantly obsessed.
I read a lot of Agatha Christie growing up and Tenby Gretchen McNeil is a modern And Then There Were Nonewith a cast full of snarky teens with secrets stranded on an island with a killer who just might be one of them. I love a good mystery and this one had me at hello. Gretchen knows how to write a good twist and delivers such clever one-liners that I bet she would make an excellent script writer. This is the sort of book that plays in my head like a movie. I read it all in one go and stayed up way too late, but I regret nothing.
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A smart and terrifying teen horror novel inspired by Agatha Christie’s And Then There Were None, from Get Even author Gretchen McNeil—now a Lifetime Original Movie!
Ten teens. Three days. One killer.
It was supposed to be the weekend of their lives—an exclusive house party on Henry Island. Best friends Meg and Minnie are looking forward to two days of boys, booze, and fun-filled luxury. But what starts out as fun turns twisted after the discovery of a DVD with a sinister message: Vengeance is mine. And things only get worse from there.
Locked room thrillers are what I like to read and write best. Out of my four published novels, two include locked rooms. Gatedtakes place in a community with an apocalyptic bunker and Flight 171 takes place on a plane. The characters must face their antagonists head-on because there is no escape. I love that these settings challenge me to dig deep into character and plot inventively. Exposing my characters’ darkest secrets as they face their foes becomes part of the fun. The books I chose for this list all have excellent “locked rooms” and speak to the girl in me who gobbled up Murder on the Orient Expressand became instantly obsessed.
I have been a fan of Marieke Nijkamp ever since I read This Is Where It Ends. She is such a powerful writer. The way she delves into the psychology of her characters had me riveted. Even if We Breakis a layered story with a slower pace than the other books I’ve chosen, but the characters feel so real. I found myself thinking about them long after I closed the book. The creepy factor snuck up on me and then sunk its claws in deep. I was unsettled in the best way. It's a step off the beaten path of your standard isolation thrillers, but one I highly recommend taking if why people do the bad things they do is as important to you as how.
A shocking thriller about a group of friends who go to a cabin to play a murder mystery game...only to have the game turned against them, from the #1 New York Times bestselling author of This Is Where It Ends.
FIVE friends go to a cabin. FOUR of them are hiding secrets. THREE years of history bind them. TWO are doomed from the start. ONE person wants to end this. NO ONE IS SAFE.
Five friends take a trip to a cabin. It's supposed to be one last getaway before going their separate ways-a chance to say goodbye to each…
I’ve been sketching the world around me since 2014 after discovering one or two of the books on this list and feeling inspired to do the same. I have travelled and sketched my way through many countries and in 2020, started a blog called Urban Sketching World, sharing tips and tricks I have learnt along the way. This expanded to a YouTube channel called Taria’s Sketchy Adventures, and I am proud to say I have taught hundreds (possibly thousands) of people how to pick up a sketchbook and start recording their own sketchy adventures. I now have my own book published called The Beginners Guide to Urban Sketching.
I think this could have been the book that made me want to sketch the world around me. It’s difficult to pinpoint but let’s just say this book had a huge impact on me, both at the time and my life subsequently.
This a graphic memoir. I am not sure if any other books even exist like this. But Danny shares what happened to his wife one fateful day, the subsequent impact on his family, and how he dealt with it through drawing. Danny’s drawings show that one does not need to be an amazing artist to sketch the world around you. His sketches are a record of a moment in time and not something made to hang on a wall. This was a major revelation to me.
In the tradition of Persepolis, In the Shadow of No Towers, and Our Cancer Year, an illustrated memoir of remarkable depth, power, and beauty
Danny Gregory and his wife, Patti, hadn't been married long. Their baby, Jack, was ten months old; life was pretty swell. And then Patti fell under a subway train and was paralyzed from the waist down.
In a world where nothing seemed to have much meaning, Danny decided to teach himself to draw, and what he learned stunned him. Suddenly things had color again, and value. The result is Everyday Matters, his journal of discovery, recovery,…
My love of vampire stories can be put down to two men: Christopher Lee and Peter Cushing—Dracula and Van Helsing. I can’t remember how old I was, but undoubtedly too young to be allowed to sit up and watch late-night Hammer movies on the BBC. I was into science fiction too, particularly Doctor Who, and it was that, in part, which inspired me to become a scientist, studying physics at Cambridge. It may seem odd that someone so grounded in what is real should so enjoy writing about the impossible. But it’s reassuring to know that what I write can never actually be. Probably.
The Lesser Deadis set in the past, but it’s not what you’d expect from an historical vampire novel. The setting is New York City, 1978, and so the atmosphere is more like the American police movies and TV shows that I grew up with than a gothic shocker.
Told by an unreliable narrator with an authentic, claustrophobic voice, the story follows an internecine conflict between two groups of the undead beneath the streets of Manhattan. Buehlman expertly mixes a twisting plot with believable vampires, who both disturb the reader and elicit their compassion, making this my favourite vampire novel of the 21st century.
WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR
“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...
The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry...
New York City in 1978 is a dirty, dangerous place to live. And die.…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.
Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.
Describes the emergence of post-Civil War New York City, as it evolved from a port city to metropolis via the birth of capitalism, and how such moguls as Rockefeller, Carnegie, and J. P. Morgan helped define the foundation of twentieth-century financial institutions. By the author of Fiorello H. LaGuardia and the Making of Modern New York.
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.
She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.
It’s 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is Estée Lauder, and she’s about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can…
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Claire is seven years old when her college-age sister is found dead at a resort on the Caribbean island of Saint X.
Years later, Claire is living and working in New York City when a brief but fateful encounter brings her together with a man originally suspected of murdering her sister. This book is not your standard Thriller; the cast of characters is large and the plot complex, but the author pulls it off.
It’s also not a book to keep you up all night. Try three or four nights. The writing is brilliant in ways not often seen in the genre and I was forced to slow down and give myself over to the story. It’s one I will never forget.
'Hypnotic, delivering acute social commentary on everything from class and race to familial bonds and community . . . I devoured Saint X in a day.' Oyinkan Braithwaite (author of My Sister, the Serial Killer), New York Times
Claire is only seven years old when her college-age sister Alison vanishes from the luxury resort on the Caribbean island of Saint X on the last night of her family's vacation. Several days later Alison's body is found in a remote spot on a nearby cay, and two local men, employees at the resort, are arrested. But the evidence is slim, the…
I’ve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the…