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I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
I love Sarah Paretsky’s novels because her private investigator V.I. Warshawski is a vulnerable badass. This 21st installment is classic Warshawski who, like me, is now a woman of a certain age. She may be a bit slower to recover from physical challenges, but her passion for justice is as strong as ever as she confronts Chicago corruption and mobsters from the cold waters of Lake Michigan to her childhood Southside neighborhood, one we’ve come to love as much as she does.
On her way home from an all-night surveillance job, V.I. Warshawski's dogs lead her on a mad chase that ends when they find a badly injured teen hiding in the rocks along Lake Michigan. The girl only regains consciousness long enough to utter one enigmatic word. V.I. helps bring her to a hospital, but not long after, she vanishes before anyone can discover her identity.
As V.I. attempts to find her, the detective uncovers an ugly consortium of Chicago power brokers and mobsters who are prepared to kill the girl. before VI can save her. And now V.I.'s own life…
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
Better than any travel book, I’d recommend a Cara Black novel before going to Paris. I love her focus on a single district, or Arrondissement, in each of her Aimée Leduc detective novels. I especially like how she brings to life the history of each neighborhood. This is the first of the 20-book series and my favorite neighborhood in Paris. Aimée navigates politics and historic atrocities to solve the killing of an elderly Jewish woman, all the while trying to stay alive herself. You can almost smell the freshly baked baguettes.
In the Jewish quarter of Paris an old nightmare is reborn.
Aimee Leduc, a half-American, half-French investigator in Paris, is approached by a rabbi to decipher a fifty-year-old encrypted photograph and deliver it to an old woman in the Marais, the old Jewish quarter of the city.
When she does so, she finds a corpse on whose forehead a swastika has been carved. With the help of her partner Rene, a dwarf with extraordinary computer skills, she sets out to solve this horrible crime and finds herself caught up in a dangerous game with links to both modern politics and…
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
There’s a freeway sign on the way to Palm Springs that directs you to “Other Desert Cities.” I love that sign because it so captures the desert, and so does Katherine V. Forrest in her 10th installment of a Kate Delafield mystery. Brought out of retirement by threats from an innocent woman she put in jail when she was a cop, Delafield must marshal her defenses and her feelings to return to the arid tranquility she thought she’d found.
I’ve loved mystery novels since picking up my older sister’s Agatha Christie collection as a pre-teen. Over the years I’ve come to love novels with badass women detectives, especially when the world-building pulls you into a place and time that is almost an additional character, where you can feel the weather, smell the buildings, and taste the fear. And it certainly doesn’t hurt to add a social justice angle. Having read so many, I finally decided to write my own mystery set in the East Los Angeles neighborhood of Boyle Heights where I grew up, not anywhere near the Hollywood version.
This Cemetery of Books series prompted my wife and me to repeatedly interrupt our reading with “Check out this passage” comments. Zafón’s prose and Lucia Graves’ translation are that beautiful. In the final book, they superbly depict repressive, Franco-era Barcelona and characters like Alicia Rico, who carries the pain and scars of the Spanish civil war while uncovering injustices with the help of book lovers who safeguard banned books and deep secrets. We visited Barcelona before reading the series but welcomed this return to Las Ramblas and other locales.
As a child, Daniel Sempere discovered among the passageways of the Cemetery of Forgotten Books an extraordinary novel that would change the course of his life. Now a young man in the Barcelona of the late 1950s, Daniel runs the Sempere & Sons bookshop and enjoys a seemingly fulfilling life with his loving wife and son. Yet the mystery surrounding the death of his mother continues to plague his soul despite the moving efforts of his wife Bea and his faithful friend Fermin to save him.
Just when Daniel believes he is close to solving this enigma, a conspiracy more…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I didn’t even know that indentured servitude to the police could be a thing for young women. Sure, sure, we’re talking about another place, another era—1800s Korea—but the immediacy with which Hur tells this story puts it right there for me.
She weaves exacting detail and information throughout this gripping mystery: If the premise didn’t already hook me, I’d be pulled in by the way this mystery rapidly turns personal for Seol, our heroine.
I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see.
1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically-charged murder of a noblewoman.
As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I wanted to keep on diving into Violetta Chen-Samuels’ world and hang out with her until she taught me everything she knew about life, love, family—and incarceration. I don’t have a lot of experience with justice-impacted people, and I haven’t even read a lot of fiction about this population, so it was important to me to read this work, but discovering Baker’s near-future/alternate reality world also kept me going.
I found myself marveling over her skill and her gutsiness. I lived in Queens, where this book is set, for six years, and the sense of odd familiarity her work evokes was eerie because it’s definitely not the Queens I know. Baker’s methodology of alternating chapters between Violetta and Vince, Violetta’s brother, kept me on my toes. The sense of discovery from one chapter to the next kept me turning pages,…
In this searing indictment of the juvenile justice system, one teen in detention weighs what she is willing to endure for forgiveness.
All it took was one night and one bad decision for fifteen-year-old Violetta Chen-Samuels' life to go off the rails. After driving drunk and causing the accident that kills her little sister, Violetta is incarcerated. Under the juvenile justice system, her fate lies in the hands of those she's wronged-her family. With their forgiveness, she could go home. But without it? Well . . .
Denied their forgiveness, Violetta is now left with two options, neither good-remain in…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Fat camp. Zombies. Trust me, you want to hang out with the hero of this novel, Vivian Ellenshaw. Here’s what I love about her: 1. She’s not the sad sack heroine who wants to lose weight. 2. She’s an excellent friend. 3. She doesn’t back down. I could go on, but why bother?
You'll want to read this book for its action, its pacing, its setting, and its adventure—but you'll also want to read it because you really, really want to get to know Vivian. Honestly, I’ll never forget her.
Shaun of the Dead meets Dumplin' in this bitingly funny YA thriller about a kickass group of teens battling a ravenous group of zombies.
In the next few hours, one of three things will happen.
1--We'll be rescued (unlikely)
2--We'll freeze to death (maybe)
3--We'll be eaten by thin and athletic zombies (odds: excellent)
Vivian Ellenshaw is fat, but she knows she doesn't need to lose weight, so she's none too happy to find herself forced into a weight-loss camp's van with her ex-best friend, Allie, a meathead jock who can barely drive, and the camp owner's snobby son. And…
I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
R. Allen Chappell’s novel resonates with me from the reality of his depiction of life among the Navajo, reflecting his personal familiarity with the people. His protagonists portray diverse, very human characters with all their inherent weaknesses and strengths, tested by the hard life on the Rez. In Magpie Speaks, Charlie Yazzie’s unflappably grounded outlook balances Paul T’Sosi ’s immersive belief in the old ways, a traditional way of thinking that permits the existence of witches who can cause him harm with their supernatural powers. His depiction of Harley Ponyboy, a sometime drunk (“just because I’m drinking now doesn’t make me a drunk”) is both sympathetic and alarming to me. Chappell’s characters are real.
Dreams tell old man Paul T’Sosi he’s dying. So why is Navajo trickster, Magpie, trying to tell him a far more terrifying secret? Hungry for revenge, Ma’iitsoh Dine’, the Navajo Wolf, is out for blood. Summoning his darkest powers, the Witch of Ganado circles tribal investigator Charlie Yazzie’s young son. Some may survive the witch’s evil vendetta, but others will die to settle an old score. The unexpected happens when a woman from the past re-emerges to take control in this fast paced thriller critics now hail as the best yet of Chappell’s sensational new southwestern mystery series.
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
Pasternak was one of several journalists who became immersed in the cause of assembling information on exposure of Navajos and other Native American peoples to lethal doses of uranium as a result of mining.
As a veteran who worked with the Los Angeles Times for 24 years, she played an important role in achieving compensation. Yellow Dirt is especially strong on ways in which uranium had pervaded the lives of the Navajo, from the clothes they wore to the food they ate, to the air they breathed.
This investigative feat tells the shocking, heartbreaking story of uranium mining on the Navajo reservation and its terrible legacy of sickness and government neglect, documenting one of the darker chapters in 20th century American history.
Now in paperback, the critically acclaimed Yellow Dirt, “will break your heart. An enormous achievement—literally, a piece of groundbreaking investigative journalism—illustrates exactly what reporting should do: Show us what we’ve become as a people, and sharpen our vision of who we, the people, ought to become” ( The Christian Science Monitor ).
From the 1930s to the 1960s, the United States knowingly used and discarded…
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