Here are 100 books that Eat Your Heart Out fans have personally recommended if you like
Eat Your Heart Out.
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I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.
I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.
I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our…
This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I didn’t even know that indentured servitude to the police could be a thing for young women. Sure, sure, we’re talking about another place, another era—1800s Korea—but the immediacy with which Hur tells this story puts it right there for me.
She weaves exacting detail and information throughout this gripping mystery: If the premise didn’t already hook me, I’d be pulled in by the way this mystery rapidly turns personal for Seol, our heroine.
I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see.
1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically-charged murder of a noblewoman.
As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I wanted to keep on diving into Violetta Chen-Samuels’ world and hang out with her until she taught me everything she knew about life, love, family—and incarceration. I don’t have a lot of experience with justice-impacted people, and I haven’t even read a lot of fiction about this population, so it was important to me to read this work, but discovering Baker’s near-future/alternate reality world also kept me going.
I found myself marveling over her skill and her gutsiness. I lived in Queens, where this book is set, for six years, and the sense of odd familiarity her work evokes was eerie because it’s definitely not the Queens I know. Baker’s methodology of alternating chapters between Violetta and Vince, Violetta’s brother, kept me on my toes. The sense of discovery from one chapter to the next kept me turning pages,…
In this searing indictment of the juvenile justice system, one teen in detention weighs what she is willing to endure for forgiveness.
All it took was one night and one bad decision for fifteen-year-old Violetta Chen-Samuels' life to go off the rails. After driving drunk and causing the accident that kills her little sister, Violetta is incarcerated. Under the juvenile justice system, her fate lies in the hands of those she's wronged-her family. With their forgiveness, she could go home. But without it? Well . . .
Denied their forgiveness, Violetta is now left with two options, neither good-remain in…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
I have no expertise in the military – I wish I did. But I have incredible respect for their work. I remember reading about the death of Oz Schmid, a bomb disposal officer who was killed in Afghanistan. It was the bravery of his widow, Christina, discussing the appalling lack of equipment and her quiet dignity that touched me profoundly. I asked myself, what can I do to help? Being a writer, I decided to write about it. I quickly realised that I needed an insider’s insight, and found Troll through Felix Fund, the bomb disposal charity. Troll and I wrote the play Later, After, seeing it performed was the proudest moment of my career.
Most books about the military are written by men. But I was fascinated by this practical tip-based book by journalist Rosie Garthwaite. Wonderful anecdotes amongst real gems for staying safe in dangerous places. I also used it as research for one of my novels about a female war correspondent in Afghanistan.
Everyone needs this book if they want to know how to get out of difficult situations whether at home or abroad. Written by Rosie Garthwaite, whose career as a journalist started in war-torn Basra, this book combines practical advice with contributions from many journalists and commentators including Rageh Omar and John Simpson, who share their own experience and advice on surviving in difficult and dangerous situations. Topics include how to avoid being misunderstood; how to avoid bombs and booby traps; how to escape from a riot; how to deal with frostbite and heat exhaustion; how to avoid trouble in sex,…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes ofThe Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I readMr. Burnsand saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.
It's the end of everything in contemporary America. A future without power. But what will survive?
Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America's most famous family.
A visit to the American Museum of Natural History when I was seven years old hooked me on dinosaurs and geology in general. I have maintained that passion to uncover the history of the earth with fieldwork on all seven continents, cutting-edge research, and teaching undergraduates to appreciate the implications of our tenancy on the planet, and our place within the solar system, the galaxy, and the wider universe.
Brannen examines the major mass extinctions in earth’s past and concurrent times of eruptions of massive floods of lava. He introduces us to the front-line researchers who are using the forensic tools of modern geology to uncover the connection between these titanic eruptions and the release of volcanic gases, severe greenhouse warming, ocean stagnation and eventual mass extinctions of life. This leads to the possibility that catastrophes can come from inside as well as outside the earth.
'A book about one apocalypse - much less five - could have been a daunting read, were it not for the wit, lyricism, and clarity that Peter Brannen brings to every page.' Ed Yong, author of I Contain Multitudes
Apocalypse, now?
Death by fire, ice, poison gas, suffocation, asteroid. At five moments through history life on Earth was dragged to the very edge of extinction.
Now, armed with revolutionary technology, scientists are uncovering clues about what caused these catastrophes. Deep-diving into past worlds of dragonflies the size of seagulls and fishes with guillotines for mouths, they explore how - against…
I have an idea. A conviction, let's call it, that humanity is not doomed. The Mad Max scenario where civilization collapses, thrusting us into an anarchic hellscape in which the living envy the dead, is totally unrealistic and not likely to happen. So let's imagine a post-apocalyptic scenario in which people come together to help each other, to save what knowledge they can, to build something new and useful. To learn the lessons from the destruction that came before. This is what I tried to imagine in my novel Bannerless, and this is why this topic interests me so much.
When you study the long arc of history you begin to suspect that apocalypses aren't just inevitable, they're common. And so is survival, which is a really heartening thought. Human beings are crazily adaptable, and our ability to come together in communities (ideally, when we're at our best, which granted isn't always and is hard to see sometimes) will aid our survival. Annalee Newitz tells us how this is has happened before, and how it can happen again.
A Los Angeles Times Book Prize Finalist in Science & Technology
In its 4.5 billion-year history, life on Earth has been almost erased at least half a dozen times: shattered by asteroid impacts, entombed in ice, smothered by methane, and torn apart by unfathomably powerful megavolcanoes. And we know that another global disaster is eventually headed our way. Can we survive it? How? In this brilliantly speculative work of popular science, Annalee Newitz, editor of io9.com, explains that although global disaster is all but inevitable, our chances of long-term species survival are better than ever. Scatter, Adapt, and Remember explores…
I’m passionate about this topic because my own great-grandmother escaped a war, the Mexican Revolution of 1913, at the age of nine years old. Family stories described her journey of marching across the desert, almost dying, determined to reach the United States. I am also an immigrant myself and I enjoy relating to stories that depict the immigrant experience.
My favorite part of this book is that it is three stories that are narrated and each one is very unique. However, the dreams, hopes and fears parallel one another making the reader understand that these journeys are universal.
You also learn that history repeats itself because each story is set in a different era.
This action-packed novel tackles topics both timely and timeless: courage, survival, and the quest for home.
JOSEF is a Jewish boy living in 1930s Nazi Germany. With the threat of concentration camps looming, he and his family board a ship bound for the other side of the world . . .
ISABEL is a Cuban girl in 1994. With riots and unrest plaguing her country, she and her family set out on a raft, hoping to find safety in America . . .
MAHMOUD is a Syrian boy in 2015. With his homeland torn apart by violence and destruction, he…
I’ve been terrified, fascinated, and delighted by scary stories my whole life, and my very favorites dabble in the speculative and supernatural: ghosts, monsters, magic, and worlds beyond our own. Give me all your haunted houses, your warped realities, your inexplicable horrors intruding on the everyday world. These fantastical elements are fraught with the power of nightmares and fairy tales, and that makes them the best tools we have to get around our news-hardened, cynical safeguards and explore what truly frightens us.
This book fills the wilds of Texas with a plague of zombie-like “shakes,” and somehow they are all the scarier for being more of a backdrop than the core of the story. The desert setting is almost a character itself, and it practically shimmers with menace. Between the haunting sense of place and time and the galloping pace of the action, I gobbled down this book in one sitting.
Keep together. Keep your eyes open. Keep your wits about you.
The desert is unkind in the best of times. And the decade since the Civil War has been anything but the best of times for Daisy Wilcox-call her Willie-and her family. This tense, heart-pounding alternate history about a young woman fighting to survive the unthinkable will keep fans of Westworld and The Walking Dead reading late into the night.
A horrifying sickness has spread across the West Texas desert. Infected people-shakes-attack the living, and the surviving towns are only as safe as their perimeter walls are strong. The state…
