Here are 93 books that Restart fans have personally recommended if you like
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When I was small, a goblin lived in my closet. I was sure of it. At night, I huddled under my blanket, listening to the unexplainable noises coming from my closet. And yet, I also have felt like that monster hiding in the closet—afraid to enter the wide world, afraid of who I might meet and what they might think of me. I have felt different. Misunderstood. This list of monstrous middle-grade books shows how our story monsters are more than metaphors. They are a way to understand ourselves, our big emotions, our daydreams, and our nightmares. I guarantee these books will delight and empower younger and older readers.
Set in 1875 London, this children’s novel tells the story of a hungry, overworked girl who labors as a chimney sweep and the golem made of soot who cares for her.
I adore the idea of a soot golem as a caregiver and someone to care for. And don’t we all need to love and be loved, even though it can feel scary and risky at times? This story made me want my own soot monster.
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This book is for kids age
8,
9,
10, and
11.
What is this book about?
From the New York Times bestselling author Jonathan
Auxier comes an enchanting standalone novel about the power of
friendship and the beauty of finding home
Nan Sparrow is one of London's countless "climbers"-children who spend
their days cleaning chimneys. The work is brutal and dangerous. Thanks
to her wits and will, Nan has managed to beat the deadly odds time and
time again. But when she gets stuck in a chimney fire, it seems the end
has come. Instead, she awakens to find herself unharmed in an abandoned
attic. And she is not alone. Huddled in the corner is a…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
A Good Kind of Trouble is the beautiful story that follows the main character, Shayla, as she learns to use her voice and speak up for things that matters to her. The book has everything I love in a middle grade novel like humor and heart (Lisa is a master at describing junior high friendships and crushes!), but also engages honestly with the reader about important things like racism and social justice. This book can serve as a fantastic conversation starter for kids and parents and kids and teachers.
From debut author Lisa Moore Ramee comes this funny and big-hearted debut middle grade novel about friendship, family, and standing up for what's right, perfect for fans of Angie Thomas's The Hate U Give and the novels of Renee Watson and Jason Reynolds.
Twelve-year-old Shayla is allergic to trouble. All she wants to do is to follow the rules. (Oh, and she'd also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)
But in junior high, it's like all the rules have changed.…
As a parent, I’ve been struck by the fierce sense of justice my children have, from the unfairness of one getting more screen time to bigger injustices, like bullying or discrimination. Kids have an innate sense of what’s right, of what’s fair, but they can also lack a sense of nuance and have rather Byzantine notions of what justice requires. I wrote Wayward Creatures to explore a different way of thinking about justice and accountability. Restorative justice practices seek to bring the offending party together with the people hurt by their actions to acknowledge the harm caused and find a solution together. These five books explore other aspects of what it means to seek justice.
As the title suggests, this book asks readers to think about how to tell when action is required to bring justice to a situation. Mila finds herself on the receiving end of unwanted attention from boys in her class, but her friends tell her she’s overreacting. What’s a hug or a touch from a boy? It’s all just playful flirting, right? But it doesn’t feel playful or fun to Mila. In the end, Mila sets the record straight and makes her feelings heard. The ending features a restorative circle, which is an in-school version of the restorative justice process Gabe goes through in my own book.
2019 The Washington Post Best Children’s Book of the Year (Erin Entrada Kelly Pick) A 2020 ALA Notable Children’s Book
“The novel’s all-too-familiar scenario offers a springboard for discussion among middle schoolers…Easily grasped scenarios and short chapters help make this timely #MeToo story accessible to a wide audience.” —Publishers Weekly (starred review) “Realistic and heartbreaking.” —BCCB
Barbara Dee explores the subject of #MeToo for the middle grade audience in this heart-wrenching—and ultimately uplifting—novel about experiencing harassment and unwanted attention from classmates.
For seventh-grader Mila, it starts with some boys giving her an unwanted hug on the school blacktop. A few…
As a parent, I’ve been struck by the fierce sense of justice my children have, from the unfairness of one getting more screen time to bigger injustices, like bullying or discrimination. Kids have an innate sense of what’s right, of what’s fair, but they can also lack a sense of nuance and have rather Byzantine notions of what justice requires. I wrote Wayward Creatures to explore a different way of thinking about justice and accountability. Restorative justice practices seek to bring the offending party together with the people hurt by their actions to acknowledge the harm caused and find a solution together. These five books explore other aspects of what it means to seek justice.
Amal’s story asks the question of how to fight for justice against seemingly impossible odds. In rural Pakistan, Amal faces responsibilities to her family that force her to leave school, seemingly crushing her dreams of becoming a teacher. After a run-in with the son of the village’s landlord, Amal finds herself forced into indentured servitude. Injustice upon injustice weigh against her, but through her intellect and ingenuity, she finds a way to escape her service and free her town by bringing the corrupt landlord to justice.
Amal has big dreams, until a nightmarish encounter . . .
Twelve-year-old Amal's dream of becoming a teacher one day is dashed in an instant when she accidentally insults a member of her Pakistani village's ruling family. As punishment for her behavior, she is forced to leave her heartbroken family behind and go work at their estate.
Amal is distraught but has faced setbacks before. So she summons her courage and begins navigating the complex rules of life as a servant, with all its attendant jealousies and pecking-order woes. Most troubling, though, is Amal's increasing…
I love studying the ins/outs of humanity and our interactions, but especially, EI (emotional intelligence). A lot of emphasis is put on being “smart” and analytical (think IQ), but EI is largely ignored.
Relationships thrive (and die) on EI! In the novels I write, I explore the emotional side of relationships and how, if we pay attention to this other side of intelligence, beautiful interactions happen.
Typically, I don’t find riveting EI in books—and so when I do, I gobble the book up once, then twice, and possibly a third time, then tell everyone I know to GO READ THAT BOOK!
Again, the amnesia thing! Imagine waking up in class and realizing six months have lapsed—and you have no idea what happened. Six Months Later reminds me of the high-school version of The Bourne series—suspects are everywhere, people know too much but say too little…you don’t know who to trust but something is majorly off and you have to figure it out—despite not being able to remember…
I think adult readers often write off (pun intended) Young Adult fiction as being juvenile, but some of the best thrillers I’ve read have had high-school/college-age characters. I adore reading books where characters are not merely analytical—they are deeply emotionally intelligent.
From the New York Times bestselling author of teen suspense books, Natalie D. Richards, comes a psychological thriller about a girl who wakes up with everything she's ever wanted, but can't remember the last six months of her life, perfect for fans of One of Us Is Lying and If I Stay. When Chloe fell asleep in study hall, it was the middle of May. But when she wakes up, snow is on the ground, and she can't remember the last six months. Before, she'd been a mediocre student. Now, she's on track for valedictorian and being recruited by Ivy…
I was raised in a home where one parent was an acute alcoholic and the other parent was the child of an acute alcoholic, codependency and boundary issues flourished, and there was a touch of end-times religion to top it all off. This made me a kid who was highly tuned in to everything going on around me as a way to maintain a sense of control. Though that probably wasn’t the best thing for my emotional development, it’s turned me into a writer who strives to delve into the authentic human experience and a reader who wants that, too. The books on this list meet that bar!
As a writer, I absolutely worship the spare, unique voice that Ellis gives her main character, thirteen-year-old Logan.
Logan is intensely awkward and reluctant to tell the whole story of how he betrayed a friend, and as a reader, that kept me turning the pages. “Last week, Bruce kicked me in the balls at Scouts, and all his buddies were there laughing, and I started crying.” What an opening line for a book for any reader who has been through that no-man’s-land of thirteen.
Imagine if you had witnessed something horrific. Imagine if it had happened to your friend. And imagine if you hadn't done anything to help.
That's what it's like to be Logan, an utterly frank, slightly awkward, and extremely loveable outcast enmeshed in a mysterious psychological drama. This story allows readers to piece together the sequence of events that has changed his life and changed his perspective on what it means to be a good friend and what it means to be a good person.
This is What I Did: is a powerful read with clever touches, such as palindrome notes,…
Although I was an avid reader of romance when I was a tween, the middle grade novels I wrote prior to Crashing in Love were about more “serious” topics. Yet, much of the mail I received from kids had pressing questions about the future of potential love interests. That’s when I realized that I’d been guilty (like many) of considering romance to be “light” fiction. What could be more important, more serious, than discovering ourselves while making genuine connections with others? Those letters changed my mind. Learning to love is essential and not to be taken lightly at all.
This sweet story brings me back to the rush of heady (albeit sometimes fleeting) infatuations and reminds me that simple friendship rules such as “Don’t let guys come between us” are not always as simple as they seem. The best part? Although Keiko ends up with the right romantic interest (there’s a scene that will melt your heart), she learns that self-love is paramount.
Fans of Judy Blume and Jenny Han are sure to fall head-over-heels for this funny, sweet story of crushes, competition, and the confusing reality of middle school. "Heartbreak is for suckers."
When Jenna Sakai gets dumped over winter break, it confirms what she learned from her parents' messy divorce: Relationships are risky and only lead to disappointment. So even though she still has to see her ex-boyfriend Elliott at newspaper club, Jenna is going to be totally heartless this semester - no boys, just books.
But keeping her cool isn't always easy.
Jenna's chief competition for a big journalism scholarship…
I’m a washashore who’s lived on Martha’s Vineyard for 25 years. I’ve worked small businesses, drove school and tour buses, volunteered, toured and given walking tours. I know the Island. In my writing I’ve focused my love of American history on the backstory of Martha’s Vineyard. Hence my books comprise a wealth of research and information on each topic. I love what I do. And I like to think it shows.
I planned a trip to Scotland and immersed myself in Peter May’s Scottish perspective. I try to do that with my books: share the back story, the elements that make Martha’s Vineyard so special to so many people. This is the niche I have carved for myself over the past 15 years.
Peter May is a BBC stalwart; Coffin Road offers a daunting tale with an emphasis on the rugged landscape. May traces his tale right down to the water’s edge.
And while this is a work of fiction, it offers a vivid view of the reality of living on an island: the isolation, the limitations, the beauty, and the danger. That’s what I do with my Vineyard histories.
THE 12 MILLION COPY BESTSELLING AUTHOR OF THE LEWIS TRILOGY, THE ENZO FILES AND THE CHINA THRILLERS AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021
'Peter May is one of the most accomplished novelists writing today.' Undiscovered Scotland 'No one can create a more eloquently written suspense novel than Peter May.' New York Journal of Books
PETER MAY MIXES MURDER, MYSTERY and MEMORY . . . AND MARKS HIS RETURN TO THE OUTER HEBRIDES
A man stands bewildered on a deserted beach on the Hebridean Isle of Harris. He cannot remember who he is. The only clue…
Becoming a writer was never on my life’s agenda. But one morning, in the middle of my mid-life crisis, I woke up from a really intense dream and said, “I need to write that story!” So, I did. That first book Reis’s Pieces, which involves schizophrenia, was my second published novel. Where Are the Cocoa Puffs? was written years later when mental illness suddenly rocked my world. Initially motivated by a dream and ultimately motivated by my waking life, I wanted to write books that involve engaging, likable protagonists who are struggling directly with a serious mental illness. I want my books to inspire, educate, demystify, and foremostly entertain.
Beautiful, heart-wrenching, and masterfully written this memoir starts with twenty-eight-year-old MacLean waking up in a train station in India. He has no idea who he is or how he got there. MacLean doesn’t waste any time diving into the terror and the humor of his situation. He becomes increasingly ill and is eventually placed in a psychiatric hospital in Hyderabad. Turns out he’s had a rare reaction to the anti-malarial drug Lariam. Fun, right? With lines like, “Faking sanity isn’t as hard as it might seem. You just have to shut up.” You betcha it’s fun!
“A deeply moving account of amnesia that . . . reminds us how we are all always trying to find a version of ourselves that we can live with.” —Los Angeles Times
On October 17, 2002, David MacLean “woke up” on a train platform in India with no idea who he was or why he was there. No money. No passport. No identity.
Taken to a mental hospital by the police, MacLean then started to hallucinate so severely he had to be tied down. He could remember song lyrics, but not his family, his friends, or the woman he was…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
A thriller with a kick-ass premise: Chloe wakes up on the side of a highway not knowing who the heck she is or how she got there.
It’s a haunting, scary, unnerving story about a woman trying to figure out what could have happened to completely wipe out her memory. What I love about the novel is how Wong’s relentless pace matches lockstep with her protagonist’s frenzied and fractured state of mind.
Bits of the past begin to slip through the cracks as Chloe searches for the truth. I love that Wong chose to tell the story from Chloe’s POV so we’re only privy to what this messy character remembers—or chooses to tell us that she remembers. Twisted, damaged characters with secrets are my cup of tea.
“A chilling, nerve-jangling journey into lost memories and unforgettable terrors. Sandra Wong knows what scares us all—and what we can never forget.” —Tess Gerritsen, New York Times–bestselling author of Listen to Me
A jolting psychological suspense novel from an up-and-coming Chinese-Canadian crime writer about missing parents, a winning lottery ticket and the lies we tell ourselves in order to survive.
Some things are better left forgotten . . .
When a woman wakes up with amnesia beside a mountain highway, confused and alone, she fights to regain her identity, only to learn that her parents have disappeared—not long after her…
