I’ve always loved characters with ambiguous morals, and the inherent tension they bring to stories: their path from ruin to redemption, the examination of their past misdeeds that requires them to choose what kind of person they want to be. As a former software engineer, I was traumatized by the Polytechnique massacre in Montréal, which happened while I was studying at a neighboring university, and in which fourteen women were murdered. I don’t consider its perpetrator redeemable, but after I wrote The Tree of Souls, I realized its character arcs were me trying to understand why people do bad things and forcing my characters to confront the pain they’d caused.
This spy thriller has it all: secret organizations, evil terrorist hit men, and a Canadian love interest (I’m Canadian and at the time the book came out we were rare in blockbuster fiction, and I’ll never forgive the movie adaptations for making Marie German). Jason Bourne wakes up from a boat explosion with no idea who he is and then begins hunting the people who are in turn trying to kill him, while trying to uncover clues to his past. Jason is torn as he finds more and more evidence that he might be an assassin responsible for several high-profile killings, instead of the good man Marie believes him to be. Robert Ludlum threads the ”is he or isn’t he” needle superbly in this classic.
Jason Bourne is back in the forthcoming major motion picture starring Matt Damon and Alicia Vikander. Go back to where it all began for Bourne in his first adventure - The Bourne Identity
He was dragged from the sea, his body riddled with bullets. There are a few clues: a frame of microfilm surgically implanted beneath the skin of his hip; evidence that plastic surgery has altered his face; strange things he says in his delirium, which could be code words. And a number on the film negative that leads to a bank account in Zurich, four million dollars, and…
This is the book that launched my Zelazny obsession as a teen. Carl Corey wakes up after a car crash with amnesia (sense a theme here?), which he hides from those close to him, some of whom insist on calling him Corwin. He gradually discovers he’s an immortal with a strong claim to the throne of Amber, the one true world at the center of infinite shadow worlds, including our Earth. As Corwin’s memories return, he realizes he was a cruel and arrogant man, and some of his numerous siblings have good reason to hate him. Here the amnesia trope truly allows a character to examine their past through a less biased lens. Top-rate fantasy set against a war for succession to the keys to the universe.
One of the most revered names in sf and fantasy, the incomparable Roger Zelazny was honored with numerous prizes—including six Hugo and three Nebula Awards—over the course of his legendary career. Among his more than fifty books, arguably Zelazny’s most popular literary creations were his extraordinary Amber novels.
Now officially licensed by the Zelazny estate, the first book in this legendary series is now finally available electronically.
Carl Corey wakes up in a secluded New York hospital with amnesia. He escapes and investigates, discovering the truth, piece by piece: he is really Prince Corwin, of Amber, the one true world…
The Broken Earth trilogy, of whichThe Fifth Season is the first book, three-peated at the Hugo Awards, for good reason. Jemisin masterfully weaves the tale of Essun, Damaya, and Syenite, ostensibly unconnected orogenes, a class of people capable of controlling the titanic tectonic forces at play in a world wracked by geological destruction. Because of their immense power—and the fact that they sometimes unintentionally kill living things when angry—orogenes are distrusted by wider society, and shackled in a number of literal and figurative ways. Essun in particular must deal with the grief and trauma of her past actions and experiences, in this unflinching examination of oppression by an author at the peak of her craft. Unputdownable, Jemisin is one of the few writers on my “autobuy” list.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
A magical school for wizards, but Harry Potterthis is not. In Naomi Novik’s world, young mages are sent for four years to the Scholomance, to protect them from the monsters, or “mals” that want to eat them for the mana that all sorcerers use. El, a student in her junior year with no friends, has been used to being an outcast since her family rejected her after her great-great-grandmother prophesied she’d become an evil malificer and bring about the destruction of wizarding society. I love how El, snarky and spiky, fights hard to prove everyone wrong while still worrying constantly that she might indeed be, if not bad news, a helpless tool of fate—all while refusing to sand down her own rough edges.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
Murderbot is a cyborg security unit, or SecUnit, that has secretly hacked the internal governor module that allows humans to control it. Despite wanting to do nothing but watch soap operas, it needs to keep its current clients alive, so as not to give itself away, losing what little hard-won autonomy it has. The problem is, Murderbot once malfunctioned and killed 57 people, and because of gaps in its data memory, doesn’t understand why. It’s also at risk of being counterhacked and put under hostile control, endangering the survey team it’s protecting. In Murderbot, Wells has created one of the most original SF characters in recent memory, a beautiful portrayal of a neurodivergent being that resists its own humanity all while behaving unfailingly humanely. I couldn’t help but love Murderbot.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
When the river spits Umbra onto its bank, naked and shivering, the only clue to her identity is the arcane brand seared into her skin. A brand hunted by both a murderous necromancer and a handsome stranger. A brand that thrusts Umbra into a simmering conflict between the ascendant Clans and the nomadic Gherza. A brand that may make her the key to averting all-out war. The Tree of Soulsweaves an intimate tale of dark sorcery, doomed love, and implacable revenge, amid an age-old clash of nations, with all the souls of the living hanging in the balance.
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
