Here are 100 books that Mythologies fans have personally recommended if you like
Mythologies.
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I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
This was the first story theory book I read and it was hugely influential on me, because it is probably the definitive work in terms of a formulaic, structural approach to story.
This book gave me a depth of knowledge of the traditional approach to story theory, but also a clear understanding of how people in the film industry are going about their work today. It is all wrong, in my opinion, but it is also the truth of what is going on.
It is wrong because a story does not begin with structure. A story begins in the mind, and a structure arrives later once the story is present. This book set me on my journey to find an alternative to structure.
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend.
Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story.
I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.
"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script." ―LA Weekly
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script. Based on the lessons in his…
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
As a story consultant myself, it was incredible to have a man from 2,300 years ago talk to me about story theory! And more than that… everything he says is spot on.
The real meaning of much of what Aristotle said has been debated for millennia. However, when I used his principles as story dynamics in real stories, they became very clear to me; so, in my own work, I have distilled Aristotle’s principles into a modern three-part interpretation, and I give examples of them working in classical and popular modern stories.
Aristotle’s principles are not only applicable today, but they are still better than almost any other new thinking of the last 100 years. Aristotle is amazing. I love him!
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
Bordwell is an academic who is encyclopedic on Hollywood.
He has written several definitive works on Hollywood and despite their depth and learnedness, they are very readable and enjoyable to absorb. So when he turned his attention to ‘classical’ Hollywood story telling, I knew it would be a good one, and I was not disappointed.
Most story theorists have an approach that they are arguing for. Bordwell is analysing from a pure perspective, without ‘skin in the game’, so the result is balanced, critical, and highly enlightening for the aspiring writer.
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like "Jerry Maguire" and…
I wear many hats in my life, but none matter as much as the hat: mama. As a clairaudient medium who works first-hand with mothers on their spiritual journeys, I feel as though I know what spiritually conscious parents hope to find and be moved by in the books they read because I know what my spirit needs during this wild and overwhelming adventure called motherhood. It can be an isolating path to walk, and these books not only felt like a helping hand during the rockiest moments but also like a warm hug when I needed it most.
This book catapulted me into a deep dive into all the spiritual aspects of the motherhood journey and brought out the miracle-making goddess within me!
I found myself wholly moved and eager to dive into learning to communicate with my unborn child. I read it while pregnant, but I wish I had found it earlier; it would have helped me navigate this new adventure with so much more confidence and feel even more spiritually connected during pregnancy.
This book will absolutely change your life, whether you want to conceive, are pregnant, or are already a mother.
Am I Meant to Become a Parent? Why Can’t I Conceive? What Is My Unborn Child Trying to Tell Me?
In this reassuring, supportive, and accessible book, leading clairvoyant and medium Walter Makichen offers guidance to prospective parents eager to create a warm, nurturing environment for their soon-to-be-conceived-or-born children. Applying the wisdom and insights he has gained through twenty years of communicating with these spirit babies, Makichen helps you resolve issues about starting a family…actively participate in the psychic process of creating a child…and move past your worries and fears about becoming parents. From the seven essential chakras that link…
As a practicing Catholic, I believe in the supernatural and thus, other worlds. In the Nicene Creed, there is a line: “I believe in one God, the Father almighty, maker of heaven and earth of all things visible and invisible.” I find inspiration in both fictional fantasy as well as nonfiction stories of people encountering the impossible and discovering their personal stories or talent. As I grew up and learned about the lives of the saints I found myself engrossed in these real people who experienced miracles. It was this conviction of my own faith that inspired me to write a more secular, Catholic-inspired Young Adult series: St. Blair: Children of Night.
I found Tyler Henry’s story helpful as it relates to the presence of those who have passed on. As an 8-year-old, I saw my cousin Ben in my thoughts. He was standing by a lake. A moment later my mother received a call that he had drowned. Tyler Henry had a near-death experience at 10 and later received a message from his dead grandmother. That was the beginning of his journey. He considered becoming a hospice nurse but accepted that his gifts might be better utilized to bring closure to those who have lost a loved one. His messages are not faith-based but come from a knowing that feels divinely guided.
From Tyler Henry, clairvoyant and star of E!’s hit reality series Hollywood Medium with Tyler Henry, comes Between Two Worlds, a captivating memoir about his journey as a medium thus far.
“Dying doesn’t mean having to say goodbye.”
Tyler Henry discovered his gift for communicating with the departed when he was just ten years old. After experiencing a sudden, accurate premonition of his grandmother’s death—what Tyler would later describe as his first experience of “knowingness”—life would never be the same. Now in his twenties, Tyler is a renowned, practicing medium, star of the smash hit E! reality show, Hollywood Medium…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I’m the author of two YA fantasy novels – We Are Blood and Thunder and We Are Bound by Stars. They’re set in a fantasy world, Valorian, governed by a (literally) colorful magic system and a pantheon of gods, and are all about power, fate, and discovering your true self. Both novels are dual narrative and feature a host of female main characters, who I think are complex, flawed, and relatable. As a child, I was obsessed with Lord of the Rings but always wondered why all the real heroes were men, which inspired me to write these books – partly, too, because of the wonderful female-led fantasies which have come out in the interim.
Samantha Shannon’s world-building in this series is second to none. We find ourselves in a future alternate version of the world, where the government monitors the population for those people with extraordinary powers: clairvoyants. Paige, our main character, is one of these – and a bit of an antihero to boot (my favourite kind of hero!). You will love and be frustrated by her – and root for the simmering romance plot.
The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials, employed by a man named Jaxon Hall. Her job: to scout for information by breaking into people's minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing.
It is raining the day her life changes for ever. Attacked, drugged and kidnapped, Paige is transported to Oxford - a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite with mysterious…
I’ve been fascinated by spy stories since childhood, never sure which character is a friend or foe within the stories. As I grew older, I became interested in fictional mysteries, including those with settings in the Medieval era, turn-of-the-century England, and World War II. Unsure of who to trust is a theme through my Detective Henry Ike Pierce series, of which I'm working on the third book now. False hearts abound in my stories, and Detective Pierce must sort through a seemingly flexible definition of trust, including uncertainty of his closest colleagues’ loyalty. If you're a fan of seeking the truth, I hope these books are as enjoyable to you as they were to me.
Detective Tom Shawn interrupts a young woman’s suicide attempt. She professes to know a man that predicts the future, including her father's death. The clairvoyant man predicts his own death, but Detective Shawn suspects foul play.
I enjoyed this story. I could not figure out until the end whether most of the events were within the woman’s runaway imagination, a series of happenstances, or whether the clairvoyant man was the killer. The author slowly peels back a few layers as the story progresses, but there always seems to be more, leading to a surprise ending.
NIGHT HAS A THOUSAND EYES is Woolrich's longest and most ambitious novel. The noir classic follows Detective Tom Shawn on his nightly walk along the river which is interrupted when he follows a trial of money on the ground leading to a woman attempting suicide. After saving her life, he is drawn into her story. She tells him of a clairvoyant man that has recently predicted many strange and extreme events with stunning accuracy, and has now ensured the death of her father, with whom she is incredibly close. The man predicts that he will die in the coming days…
I am a queer Latinx author and avid reader. Long before I became an author, I was devouring books and losing myself in fantasy worlds. When I got older, I realized how few books in the market looked like me. I didn’t feel represented in the literary world. Now, I create queer fantasy novels that feature strong women of color in sweeping Latin American-inspired settings for future generations.
Set in a Mesoamerican-inspired world, The Lost Dreamer is seeped in Latin culture and tradition.
Everything about this novel reaches deep into my soul and makes me feel more connected to my land and my ancestors. The magic system feels more organic and earth-bound, closer to shamanism than depictions of magic in more modern fantasy novels and I loved it.
The novel follows two courageous and strong Latin women with gifts - a Dream Walker and a Seer. Individually we see them learn to fight for themselves, and for the land and lives they love. The queerness in this novel is intrinsic to the world and story, characters able to be themselves without question or oppression. (At least, not oppression due to their sexuality - which I appreciated!)
A lush, immersive debut fantasy about a group of women whose way of life is threatened by a new king; a fierce celebration of community, sisterhood, and finding our power.
Indir is a Dreamer, descended from a long line of seers; able to see beyond reality, she carries the rare gift of Dreaming truth. But when the beloved king dies, his son has no respect for this time-honored tradition. King Alcan wants an opportunity to bring the Dreamers to a permanent end―an opportunity Indir will give him if he discovers the two secrets she is struggling to keep. As violent…
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading…
My grandmother had what we in the South call the sight. I have it as well—that sense of foreboding. Of knowing what will happen next. Some call it a premonition, others Deja vu. Whatever you call it, I think it’s something we’ve all experienced at some point in our lives. Empathy, telepathy, telekinesis…the list is endless. There’s no proof that psychic abilities exist, but there’s no proof that they don’t, either. I find the concept fascinating, so when I started writing, it was a natural fit for me to combine my love for thrillers and mysteries with the added twist of psychic ability. I hope you love it too.
I have to say it—Charlaine Harris can write a good story. I read all the Stackhouse books, but it was when I found her Harper Connelly series that I was truly hooked. This book has all the elements I love: a complex female protagonist, good supporting characters, and a unique psychic ability.
Combine all that with great writing, and it doesn’t get any better. I read this book and then quickly flew through the rest of the series. This was the first book I’d read featuring a psychic twist, and discovering this new genre opened the door to my writing journey.
Harper Connelly had a lucky escape when she was hit by lightning: she didn't die. But sometimes she wishes she had died, because the lightning strike left her with an unusual talent: she can find dead people - and that's not always comfortable. Everyone wants to know how she does it: it's a little like hearing a bee droning inside her head, or maybe the pop of a Geiger counter, a persistent, irregular noise that increases in strength as she gets closer. It's almost electric: a buzzing all through her body, and the fresher the corpse, the more intense the…
