Here are 81 books that My Lovely Mamá! fans have personally recommended if you like
My Lovely Mamá!.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Looking at this list, I think it reveals that I am fundamentally a nosy person. I love reading other people’s diaries and letters and getting the inside story of a person’s life. And I’m also fascinated by how people present themselves to the world. Giving presentations is one way to show ‘who you are,’ so perhaps it's not surprising that I now work with people to help them tell their stories, share their ideas, and be the best they can be in front of an audience. Many people say they ‘hate’ presenting, and my mission is to help them overcome that.
When I was nine, I stayed with my Grandparents for a week and went to the local bookshop every morning. One day, I randomly picked up Harriet the Spy, read the first page, and couldn’t stop. Over the years, I have read it over 50 times, and it still remains one of my all-time favorites.
This book has nothing to do with presenting and everything to do with being observant, a writer, and a spy. I couldn’t have a list of book recommendations without including this. Harriet is one of the best and most realistic heroines in children’s literature, and if you haven’t read it, you’re in for a treat.
First published in 1974, a title in which Harriet M. Welsch, aspiring author, keeps a secret journal in which she records her thoughts about strangers and friends alike, but when her friends find the notebook with all its revelations, Harriet becomes the victim of a hate campaign.
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
This novel started it all, creating the character of Gidget who would ultimately appear in three feature films, two TV series, three made-for-TV movies, four more novels, and two novelizations of movies, plus kid cartoons, parodies, songs, and more. Gidget: The Little Girl with Big Ideas is based on the real-life experiences of screenwriter Kohner’s daughter Kathy, who found herself one of very few girls surfing in Malibu. The story is told in the voice of Gidget, nicknamed that because she is a diminutive girl. To be sure, the novel deals with her crush on Jeff, nicknamed Moondoggie, and her burgeoning sexual desire, but the novel does more than titillate. More importantly, the novel emphasizes Gidget’s passion for surfing, and especially the feeling of freedom that surfing provides. In the end, Gidget says her romance with Jeff may have been “a dream” but her romance with surfing is “for real:”…
A surfing, boy-crazy teenager comes of age in the summer of 1957 in this classic novel that inspired both movies and television and created an American pop culture icon.
"My English comp teacher Mr. Glicksberg says if you want to be a writer you have to-quote-sit on a window sill and get all pensive and stuff and jot down descriptions. Unquote Glicksberg! I don't know what kind of things he writes but I found my inspiration in Malibu with a radio, my best girlfriends, and absolutely zillions of boys for miles. I absolutely had to write everything down because I…
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
In my opinion this is one of the great novels about adolescence. What makes it so special is that it is deliciously French and amoral. The story of a French teenage girl, Cecile, and her father. They are a team. You might almost call them a couple. Cecile accompanies her father everywhere including to casinos and bars. She accepts his mistresses. Matters take a more macabre turn when her father invites one of his ladies to holiday with them in the south of France and Cecile learns that he intends to marry this particular woman. Françoise Sagan was eighteen when she wrote this, her first novel. Within months of its publication she became an overnight sensation. The writing is sexy and chic. Sagan perfectly describes the French Riviera in the mid-fifties and a woman’s role in society back then. It was an instant classic and deserves its place in the…
A sensational 1954 French novel that has become a contemporary classic
Set against the translucent beauty of France in summer, Bonjour Tristesse is a bittersweet tale narrated by Cecile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.
Endearing, self-absorbed, seventeen-year-old Cécile is the very essence of untroubled amorality. Freed from the stifling constraints of boarding school, she joins her father—a handsome, still-young widower with a wandering eye—for a carefree, two-month summer vacation in a beautiful villa outside of Paris with his latest mistress. Cécile cherishes the free-spirited moments she…
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
Chocolates for Breakfastwas frequently compared toBonjour Tristesse and Moore was called “the American Sagan.” Like Sagan, Moore was only eighteen when she wrote the bestselling novel. Written in the third person, it tells the story of a young woman’s sexual exploration and her feelings of depression. Courtney, a child of divorce, moves from her posh Connecticut boarding school to Beverly Hills when her depression keeps her from performing at school. She grapples with her mother, a down-on-her-heels alcoholic actress; explores her sexuality with both a gay male actor and an older straight manager in Hollywood; then relocates to New York where she drifts through cocktail parties, having affairs, until her best friend Janet commits suicide. Like Bonjour Tristesse, the novel flirts with existentialism but ultimately adopts a more hopeful tone as Courtney matures and aims to create meaning in her life.
Precocious and shocking when first published in 1956, Chocolates for Breakfast is a candid coming-of-age story of a young girl's sudden awakening to love and desire written by 18-year-old Pamela Moore. Disaffected, sexually precocious 15-year-old Courtney Farrell splits her time between her parents' homes in New York and Los Angeles. When a crush on a female teacher in boarding school ends badly, Courtney sets out to know everything fast-from tasting dry martinis to engaging in a passionate love affair with an older man. Considered an American response to French sensation Bonjour Tristesse, Chocolates for Breakfast is also a tale of…
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
An aspect of contemporary criticism I deeply despise is the inability of critics to take independent views of their subjects and be misled by matters like publicity and awards. Criticism is good for the arts but not necessarily for commercial interests and my own approach has been to provoke, even at the risk of becoming unpopular.
Epstein is a less-known writer and critic (in relation to the others) but he is witty and audacious in critiquing the most celebrated writers. The title of his book is provocative since it suggests that prejudices are natural but wanted as long as they are justified though argument, which is my preferred way of expressing myself.
In this collection of essays, the author of "The Middle of My Tether" considers the various influences upon writing in the recent past that have systematically lessened its glory
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
W.E. Bowman’s comic novel, The Ascent of Rum Doodle, has achieved a cult status among mountaineers as well as aficionados of spoof adventure stories. But the sequel is much less well-known, and that’s a shame, for it is absolutely its equal in terms of humour and invention and, if anything, even more absurd and fantastical in the development of the plot, which concerns a voyage on a raft (in the manner of Thor Heyerdahl) in search of a fabled school of talking fish. I am convinced that Michael Palin’s Ripping Yarns was influenced by Bowman’s work, and if not, then this is a case of great minds thinking alike.
Having brought the highest mountain in the world to its knees, Binder, leader of the expedition to conquer Rum Doodle, soon sets off on a new adventure, aboard the raft Talking Fish. With only two cats, one frog, one oyster and five fellow-adventurers as crew, he is determined to master the challenges of the deep.
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
The theme of this list is so important to me as an independently published author. Ever since I was about 14 years old I knew I wanted to tell stories, and my way, so even then I was looking into indie publishing. The idea of offering my books up to the traditional publishing chopping block, to be edited and mulled into what’s most marketable, scared me so much! I didn’t want to tell my stories another person’s way. So here we are, and I’m giving you guys a list of indie recommendations whose authors feel very much the same way. We just want to tell our stories. And have control over how that’s done. ;)
If you like your fantasy a little darker, with more longing than spice (but still a little spice too ;) ) then this might be the book for you. Of Divine Blood features a main character who embraces her femininity and emotions and eventually manages to turn them into a fiery rage that leads her to take revenge on her abusers. It’s pretty glorious. And Corvina’s love interest is pretty amazing too; empowering without being dominating, and he’s the perfect mix of sweet and protective. Check the trigger warnings, then give her a read!
The Divine Gods may have been Corvina's patrons but she would tear them down from their thrones and ascend to claim their places - to claim her place - both in this world and the heavens above. For none would own her body again.
All her life she spent caged like an animal. The shackles the Elder Priest cast over her held her prisoner to the chantry. She had once been devoted to her lessons, to harnessing each of the seven magics the Divine had bestowed upon her. She had once loved…
Growing up, I loved discovering how things work. That led me to a career in engineering, but I never left a certain quirkiness behind. Why else would I have raised llamas for thirty years? Or loved the stories I find in science fiction? Especially books that start in a real place occupied by believable people, then demand a leap of faith, a reach beyond what's known today. We have so much to learn – about planets and people – that possibilities spiral out into the universe. I hope you enjoy the books on my list as much as I have.
Lots of stories are set on Mars, and each author makes the planet their own. I enjoyed how this story picks up steam as malfunctions and irritable colleagues balloon into deadly danger. I can see myself in this near-future crew, and I relate to the characters because they make mistakes as they prepare for the main colony's arrival. I was totally engaged.
When no more frontiers remained on Earth, the heavens beckoned a new generation of explorer. Commander Kelly Brown and her small crew had one shared goal - to build a sustainable home for humankind on Mars.
It was meant to be a pivotal mission of discovery, but confinement, isolation and the hostile environment quickly take their toll. With one member critically ill and another missing, can the remaining crew of the Aeolis survive on the deadly planet?
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Obviously, the Cat in the Hat is the King of Mayhem. But is he a hero?
I have to admit, The Cat in the Hat made me nervous as a kid—the Cat’s a force of chaos; the house is ruined; Mom will be mad! Even the happy ending seemed too precarious to enjoy and also involved lying to Mom, which, in my experience, never turned out well.
But when the Cat returns in The Cat in the Hat Comes Back,he seems, after a spate of insanity, to become sympathetic to the protagonists’ fears (they are awfully law-abiding, those kids), and he reforms to the extent of providing a solution to the problem he’s created: VOOM, which in my opinion is a metaphor for nuclear power, is a great cleaning agent and soon everything returns to its original tranquility, proving that the while the Cat in the Hat is…
The riotously funny follow-up to The Cat in the Hat!
The Cat is back-along with some surpise friends-in this beloved Beginner Book by Dr. Seuss. Dick and Sally have no time to play. It's winter and they have mountains of snow to shovel. So when the Cat comes to visit, he decides to go inside and to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates is a very BIG pink problem when he transfers the stubborn stain from the bath onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately,…
