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I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.).
I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.
This story is completely absurd, laugh-out-loud funny, and very suspenseful.
"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It.
One of Suspense Magazine's "Best Thrillers of 2021" One of New York Public Library's Best Books of 2021 Nominated for the Left Coast Crime 2022 Lefty Award for the Best Humorous Mystery
“Funny and smart, twisty and surprising.”—Megan Miranda
Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
Social media expert Maddy Montgomery, left standing at the altar, is #StartingOver in small-town Michigan after inheriting her great-aunt’s bakery and a 200-pound English Mastiff named Baby. Her plan to sell the bakery and go back to her sophisticated life is spoiled by a restriction in the will requiring her to spend a year in New Bison. Maddy doesn’t bake, and her Louboutins aren’t made for walking giant dogs, but the locals are friendly, and Lake Michigan is beautiful. Maddy feels ready to take on the challenge—until New Bison’s mayor is fatally stabbed, and her fingerprints are on the knife. When there’s another murder, she even begins to suspect the one person she has trusted. Maddy’s snarky dialog and clever use of hashtags, along with the irresistible Baby, make this a stand-out.
“Snappy dialogue, a well-drawn supporting cast and an irresistible canine companion all add delicious flavor. Gulp this book down or savor it, but consuming it will guarantee a sustained sugar high.”– The New York Times Book Review
In a brand-new culinary cozy series with a fresh edge and a delightful small-town setting, the acclaimed author introduces Maddy Montgomery, a social media expert who’s #StartingOver in small town Michigan after inheriting her great-aunt’s bakery…and a 200-pound English Mastiff named Baby.
A CrimeReads Most Anticipated Book Of 2022
When Maddy Montgomery’s groom is a no-show to their livestream wedding, it’s a disaster…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
Anastasia Pollock is caught in an outrageous situation. Husband, Karl, is at a sales meeting in Harrisburg. No, wait! He drops dead in Las Vegas where he has gambled away their nest egg, tuition for their sons’ college, and $50,000 he owes a loan shark. Lucille, Anastasia’s hateful mother-in-law, an outspoken eighty-something card-carrying Communist, has moved in with Anastasia because she’s broke and has nowhere to go. Anastasia designs projects for a craft magazine, and Marlys, her self-centered fashion editor, is found dead, glued to Anastasia’s office chair. When it turns out that Karl and Marlys were having an affair, Anastasia is the prime suspect in the murder. Anastasia survives all this with sarcastic humor, deadpan comments, and a parrot who quotes Shakespeare. First in a highly successful series.
When Anastasia Pollack’s husband permanently cashes in his chips at a roulette table in Vegas, her comfortable middle-class life in New Jersey craps out. She’s left with two teenage sons, a mountain of debt, and her hateful, cane-wielding Communist mother-in-law. Not to mention stunned disbelief over her late husband’s secret gambling addiction, and the loan shark who’s demanding fifty thousand dollars.
Anastasia’s job as crafts editor at American Woman magazine proves no respite when she discovers a dead body glued to her desk chair. The victim, fashion editor Marlys Vandenburg, collected enemies and ex-lovers like Jimmy Choos on her ruthless…
Cleo Cooper, a cross-cultural psychology professor, is living the dream on the Big Island of Hawaii. With ocean-dipping weekends, she enjoys her dog, her job, and her boyfriend Ben - until the day she’s on a research vessel and a dead body is caught in the dragline.
The police determine it is murder and set their sights on a gentle former student, Kai. It doesn’t take much urging from Kai’s auntie for Cleo to investigate. But Ben grows distant, and Cleo’s dog grows ill. A couple of accidental deaths later, and someone makes an attempt on her life.
What happened to Cleo’s life in paradise? Can she discover the true killer? Can she stop the killer before the killer stops her?
Paradise is shaken when the body of a young woman is dragged onto a university research vessel during a class outing in Hilo Bay. Cleo Cooper is shaken when she finds her favorite student is on the hook for the murder. Danger lurks on land and sea as Cleo and her friends are enticed to search for the true killer. In between paddling, swimming, and arguing with her boyfriend, Cleo discovers all is not what it seems on the Big Island of Hawaii. But will she figure out the truth before she becomes the next victim?
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
When her scam-artist almost-ex-husband, Charley, saves her life after a motorcycle accident, Amanda almost forgives him. Then she discovers he was murdered hours before the crash. And he never went into the light—he’s been rejected. As a ghost, he cannot lie, and he cannot leave Amanda’s side. She’s stuck with him.
Amanda is desperate to solve the murder, clear herself as prime suspect, and get rid of Charley. Digging deep exposes more of Charley’s lies—the family he claimed died is loving and alive in a tiny Texas town; he was blackmailing both his killer and Amanda’s father the judge. Amanda not only traps the killer but discovers new relationships that change her life forever. Charley still doesn’t go into the light—he’s around for four sequels.
Some scary scenes, Amanda’s dry wit, and a ghost no one else can see or hear makes this fun to read.
Book 1, Charley's Ghost series USA TODAY BESTSELLING AUTHOR When Amanda's lying, cheating, scam-artist husband, Charley, saves her life in a near-fatal motorcycle accident, she can almost forgive him for dragging his feet on their divorce. Then she discovers he'd been dead for several hours at the time she thought he rescued her. And not just dead…murdered.
On the good side, at least they are no longer married.
But she's the primary suspect in Charley's murder and, as if that isn't bad enough, Charley's ghost shows up in her apartment. He was rejected, kicked back, not allowed to go into…
I'm a writer and a botanist with a lifelong interest in nature. I grew up in southern England where I spent my time running around the fields and woods searching for birds, insects and wild plants (as one does). As well as writing about nature, I run plant identification training courses and have a genetics PhD.
Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesn’t start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!
Over the course of a year, Miriam Darlington travelled around Britain in search of wild otters; from her home in Devon to the wilds of Scotland; to Cumbria, Wales, Northumberland, Cornwall, Somerset and the River Lea; to her childhood home near the Ouse, the source of her watery obsession. Otter Country follows Darlington's search through different landscapes, seasons, weather and light, as she tracks one of Britain's most elusive animals. During her journey, she meets otter experts, representatives of the Environment Agency, conservationists, ecologists, walkers, Henry Williamson's family, Gavin Maxwell's heir; zoo keepers, fishermen, scientists, hunters and poets. Above all…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.
At the request of Dr. Fothergill, of London, to search the Floridas, and the western parts of Carolina and Georgia, for the discovery of rare and useful productions of nature, chiefly in the vegetable kingdom; in April, 1773, I embarked for Charleston, South Carolina, on board the brigantine Charleston Packet, Captain Wright, the brig——, Captain Mason, being in company with us, and bound to the same port. We had a pleasant run down the Delaware, 150 miles to Cape Henlopen, the two vessels entering the Atlantic together. For the first twenty-four hours, we had a prosperous gale, and were cheerful…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
No one can say exactly when Rock ’n’ Roll was born, including biographer, novelist, poet, and recently deceased journalist Nick Tosches, but he provides enough background musings to take us on a wild ride through American musical history.
His book reveals twisted roots indeed, some that provided me with reference material regarding a connection between minstrelsy and one of the most popular Christmas tunes of all time. And a country song breaks loose from the genre corral and into the world of pop music when it is made into one of the best-known ballads ever by a singing politician.
Celebrating the dark origins of our most American music, Country reveals a wild shadowland of history that encompasses blackface minstrels and yodeling cowboys honky-tonk hell and rockabilly heaven medieval myth and musical miscegenation sex, drugs, murder and rays of fierce illumination on Elvis, Jerry Lee Lewis, and others, famous and forgotten, whose demonology is America's own. Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.
Tamel Wino is a Canadian fiction writer from resplendent British Columbia whose works focus largely on the degeneration of sanity and morality. He studied Health Sciences and Psychology, which only furthered his interest in human nature. With inspirations including Shirley Jackson, Cormac McCarthy, Clive Barker, Margaret Atwood, and Edgar Allan Poe; Tamel’s expositions are strongly grounded in traditions of dark fiction. Yet, with his bold narrative voice and incisive plot construction, Wino is paving a new movement within the space.
A true masterpiece of short stories. The October Country was flawless. Once again, Bradbury has proven that he is a wizard of the craft. His stories are thought-provoking and chillingly beautiful. I've read this book a few times and each time as breathtaking as the first time. There's just something exceptionally delectable about Bradbury.
The October Country is Ray Bradbury’s own netherworld of the soul, inhabited by the horrors and demons that lurk within all of us. Renowned for his multi-million-copy bestseller, Fahrenheit 451, and hailed by Harper’s magazine as “the finest living writer of fantastic fiction,” Ray Bradbury proves here that he is America’s master of the short story.
This classic collection features:
The Emissary: The faithful dog was the sick boy’s only connection with the world outside—and beyond . . . The Small Assassin: A fine, healthy baby boy was the new mother’s dream come true—or her worst nightmare . . .…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.
Sometimes uncanny stories are the best place to start in discovering your new author. Lisa Hannett’s Songs for Dark Seasonsis a literary degustation that gives more than a hint of what to expect from this author. Her stories are clever and full of twists, wretched with longing yet swathed in hope. Fast-paced, tense, and transforming—all the reasons to familiarise yourself with South Australian Lisa Hannett’s magic.
With a twang in its heart and a song for luck on its tongue, Songs for Dark Seasons takes readers back to the lonesome dream counties introduced in the World Fantasy Award-nominated collection, Bluegrass Symphony.
Trailer parks and graves are only temporary homes for souls in these tales, where gods dwell in churches and parking lot groves. Friday night football stars mingle with sirens; hunters’ wives help their kids not to shoot, but to fly; Chanticleers spar their way into local government; and rash-afflicted men take dryads for lovers. In backwater towns, some witches have the know-how to pin pageant…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Musicologist Lydia Hamessley delved into Dolly’s songwriting corpus over the course of a decade, analyzing her tremendous output of songs, according to different categories.
“Coat of Many Colors,” for example, is the most beloved from among Dolly’s autobiographical songs. Lydia breaks down the harmony, and relationships between melody and lyrics to explain why the song works so well.
Songs about women’s lives, in another section, includes deeply affecting vignettes like “Down from Dover,” about a pregnant young woman’s despair after being abandoned by her lover and rejected by family.
Lydia’s book systematically unpacks the musical heart of Dolly’s creative genius, a quality that can at times be overshadowed in writings about her by the outsized nature of Dolly’s public persona.
Dolly Parton's success as a performer and pop culture phenomenon has overshadowed her achievements as a songwriter. But she sees herself as a songwriter first, and with good reason. Parton's compositions like "I Will Always Love You" and "Jolene" have become American standards with an impact far beyond country music.
Lydia R. Hamessley's expert analysis and Parton's characteristically straightforward input inform this comprehensive look at the process, influences, and themes that have shaped the superstar's songwriting artistry. Hamessley reveals how Parton's loving, hardscrabble childhood in the Smoky Mountains provided the musical language, rhythms, and memories of old-time music that resonate…
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