Here are 78 books that The Cruise of the Talking Fish fans have personally recommended if you like
The Cruise of the Talking Fish.
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The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
The stories that appear in this book were first published inLilliputin the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.
Published for the first time in a low cost edition, Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit.
A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
Flann O’Brien is famous for his ingenious novels, At Swim-Two-Birds andThe Third Policeman, but I regard his funniest book as this short fictional memoir about life in the far West of Ireland. Originally published in Gaelic in 1941, it is a mock-pastoral farce about the customs of the remotest region in the country, where it rains all the time, but O’Brien is actually satirising the lack of mutual understanding between the local inhabitants and the modern outside world. The narrator’s adventures begin immediately after he is born and include (among many other absurdities) catastrophic pigs and the quest to climb a mountain to find an eternal fountain of whisky.
The Poor Mouth relates the story of one Bonaparte O'Coonassa, born in a cabin in a fictitious village called Corkadoragha in western Ireland equally renowned for its beauty and the abject poverty of its residents. Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on the Irish, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
My Lovely Mamá! parodies the decadence and ennui of Bonjour Tristesse. The narrative toys with the sort of decadence Sagan captures, by having Mathilde believe her mother is having an affair and hence attempt, unsuccessfully, to seduce her mother’s lover. The very funny novel hyperbolizes the world-weariness of Sagan’s characters. “I was terribly immature last September,” Mathilde writes, “I’ve aged a lot since then. Inwardly I’m an old, old woman now.” While it parodies certain tropes of teen girl fiction, My Lovely Mamá! nonetheless gives voice to authentic adolescent feelings, especially about sexual desire. When Mathilde receives a marriage proposal, she opts to keep things open-ended, maintaining her freedom: “I was only seventeen and everything was only just beginning, after all.”
First U.S. edition. A near fine copy in a VG- dust jacket. Sticker pull to the jacket's front panel near the upper right corner. Chips/frays to the spine tips and corners. Creasing and some tears to the panels' edges.
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
An aspect of contemporary criticism I deeply despise is the inability of critics to take independent views of their subjects and be misled by matters like publicity and awards. Criticism is good for the arts but not necessarily for commercial interests and my own approach has been to provoke, even at the risk of becoming unpopular.
Epstein is a less-known writer and critic (in relation to the others) but he is witty and audacious in critiquing the most celebrated writers. The title of his book is provocative since it suggests that prejudices are natural but wanted as long as they are justified though argument, which is my preferred way of expressing myself.
In this collection of essays, the author of "The Middle of My Tether" considers the various influences upon writing in the recent past that have systematically lessened its glory
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
Growing up, I loved discovering how things work. That led me to a career in engineering, but I never left a certain quirkiness behind. Why else would I have raised llamas for thirty years? Or loved the stories I find in science fiction? Especially books that start in a real place occupied by believable people, then demand a leap of faith, a reach beyond what's known today. We have so much to learn – about planets and people – that possibilities spiral out into the universe. I hope you enjoy the books on my list as much as I have.
Lots of stories are set on Mars, and each author makes the planet their own. I enjoyed how this story picks up steam as malfunctions and irritable colleagues balloon into deadly danger. I can see myself in this near-future crew, and I relate to the characters because they make mistakes as they prepare for the main colony's arrival. I was totally engaged.
When no more frontiers remained on Earth, the heavens beckoned a new generation of explorer. Commander Kelly Brown and her small crew had one shared goal - to build a sustainable home for humankind on Mars.
It was meant to be a pivotal mission of discovery, but confinement, isolation and the hostile environment quickly take their toll. With one member critically ill and another missing, can the remaining crew of the Aeolis survive on the deadly planet?
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Obviously, the Cat in the Hat is the King of Mayhem. But is he a hero?
I have to admit, The Cat in the Hat made me nervous as a kid—the Cat’s a force of chaos; the house is ruined; Mom will be mad! Even the happy ending seemed too precarious to enjoy and also involved lying to Mom, which, in my experience, never turned out well.
But when the Cat returns in The Cat in the Hat Comes Back,he seems, after a spate of insanity, to become sympathetic to the protagonists’ fears (they are awfully law-abiding, those kids), and he reforms to the extent of providing a solution to the problem he’s created: VOOM, which in my opinion is a metaphor for nuclear power, is a great cleaning agent and soon everything returns to its original tranquility, proving that the while the Cat in the Hat is…
The riotously funny follow-up to The Cat in the Hat!
The Cat is back-along with some surpise friends-in this beloved Beginner Book by Dr. Seuss. Dick and Sally have no time to play. It's winter and they have mountains of snow to shovel. So when the Cat comes to visit, he decides to go inside and to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates is a very BIG pink problem when he transfers the stubborn stain from the bath onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately,…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
P.G. Wodehouse is a comic genius best known for his series of books featuring Wooster and Jeeves, but this book differs from his usual fare in that it has a female protagonist and a sweet little romance.
I loved Jill, who is the type of heroine Jane Austen might have invented: loyal, spunky, and highly principled. Jill’s adventures take us from London to 1920s New York, but this isn’t historical fiction. Like Austen’s books, this is a contemporary novel written in the era in which the author lived.
I love Austen because of her wry humor and her feisty female characters, two things that are also present in this very fun book.
P.G. Wodehouse's classic tale (originally published under the title "The Little Warrior") of Jill Mariner, a wealthy young woman engaged to Sir Derek Underhill. Following financial disaster, Jill's life takes several adventurous turns with schemes, relatives, chorus girls, and the search for love.
