Here are 86 books that My Friend Is Sad fans have personally recommended if you like
My Friend Is Sad.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this because, in many ways, it is a kind of modern take on Sargasso Sea, with a liberal dash of Catcher in the Rye thrown into the soup: an exploration of what happens when you apply the same kinds of patriarchal oppression and expectations Antoinette suffered in the 19th century to a young 20th-century woman living in what is supposedly a more “progressive” and “modern” era.
Esther Greenwood’s unraveling is both brutally relatable and unexpectedly humorous at points, and there are images from it that are so starkly drawn that they stay embedded in your mind like glass shards after an explosion. It’s a modern classic for a reason.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
I began research as an undergraduate at Harvard College, initially studying the effects of vitamin A deficiency on the photoreceptors in the eye that capture the light and initiate vision. After receiving my PhD and starting my own laboratory, I became fascinated with the other four classes of cells/neurons found in the retina, which begin the analysis of visual information: two being in the outer retina and two in the inner retina. We mapped out the synaptic interactions among the neurons, recorded from them, and began to put together the neural circuitries that underlie the visual messages that are sent to other parts of the brain.
One of Oliver Sack’s delightful books containing stories of individuals with various neurological disorders. I read the first one, The Man Who Mistook His Wife for a Hat, back in the 1980s when it first came out and was hooked, now having read almost all of them.
The one I am recommending is, I believe, more relevant to an understanding of brain mechanisms. One criticism I have had of Sack’s books is that there is little in the way of neurobiological explanations for the conditions described. In my book, most chapters begin with a Sack-like story about a specific neurological condition that is then explained, as far as possible, neurobiologically in the chapter.
As with his previous bestseller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us.
Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.
Art, technology, and science…I have been seamlessly traversing domains all my life. I grew up with twin interests in physical sciences and visual arts, finding beauty in math and art and seeing creativity as being one thing rather than something living in compartments. Art influenced my research in chaos and complexity, and blurring boundaries characterized my work as dean of engineering when creating educational/research initiatives in design, art, entrepreneurship, energy, and sustainability. I also received visible external recognition as a Guggenheim Fellow and member of both the National Academy of Engineering and the National Academy of Sciences, as well as the American Academy of Arts and Sciences.
This book will capture your imagination and dazzle your senses with deep scholarship.
Deep exploration of creative outputs at their maximum states, the state of “flow”, condensing Csikszentmihalyi’s thirty years of research and nearly one hundred interviews with exceptionally creative people, spanning science, business, and art, in all of their dimensions. Creativity in art, technology, and science, perceived by many as being different types of creativity, revealed, at its core, to be the same.
“Although the benefits of this study to scholars are obvious, this thought-provoking mixture of scholarly and colloquial will enlighten inquisitive general readers, too.” — Library Journal (starred review)
The classic study of the creative process from the bestselling author of Flow.
Creativity is about capturing those moments that make life worth living. Legendary psychologist Mihaly Csikszentmihalyi (“The leading researcher into ‘flow states.’” — Newsweek) reveals what leads to these moments—be it the excitement of the artist at the easel or the scientist in the lab—so that this knowledge can be used to enrich people's lives. Drawing on nearly one hundred…
As a kid, I read the New Yorker—first, just the cartoons; later, the articles—and dreamed about becoming a writer. Sentences danced in my head as I fell asleep. I’ve always been especially interested in human behavior and the match-up between our insides and outsides. How do the roadmaps in our brains inform the way we act around others? Over the years, I’ve read hundreds of studies and interviewed countless experts to inform my writing about well-known figures like Leonardo da Vinci, Abraham Lincoln, Marilyn Monroe, and Maya Angelou. But I’m just as captivated by everyone outside the spotlight. We all have stories to tell.
Like Sacks, Jamison is the rare scientist whose writing is both research-based and accessible.
In An Unquiet Mind, the memoir she published in 1995, Jamison shared her diagnosis of manic depression, chipping away at stigma by opening up about herself. In Exuberance, she takes readers in another direction by delving into a single human characteristic.
I have always been fascinated by people who are positive, upbeat, and charming—people who seem to be enveloped in joy. Jamison explores the history of exuberance and the people who exude it, from Teddy Roosevelt to P.T. Barnum.
Jamison’s enthusiasm for her subject springs from the page. Exuberance “leaps, bubbles, and overflows, propels its energy through troop and tribe,” she writes. “It spreads upward and outward, like pollen toted by dancing bees…”
A national bestselling author examines one of the mind's most exalted states—one that is crucially important to learning, risk-taking, social cohesiveness, and survival itself.
“[Jamison is] that rare writer who can offer a kind of unified field theory of science and art.” —The Washington Post Book World
With the same grace and breadth of learning she brought to her studies of the mind’s pathologies, Kay Redfield Jamison examines one of its most exalted states: exuberance. This “abounding, ebullient, effervescent emotion” manifests itself everywhere from child’s play to scientific breakthrough.
Exuberance: The Passion for Life introduces us to such notably irrepressible…
As an animal advocate and part-time pet sitter, I wanted to instill the love of animals to babies with a fun board book. I’ve always enjoyed the surprise factor of lift-the-flaps so I was thrilled when Squeak-a-boo! was published. These types of books make for wonderful interactive bonding moments between reader and baby. I hope you enjoy the books on this list, not only for their fun concepts and text, but also for their colorful illustrations.
This Panda is very certain about what he likes and doesn’t like.
You could say he’s very black and white about his opinions. And that’s why the mostly black-and-white paper cut illustrations work even more! Panda’s house is stark as well.
Then one day he begrudgingly accepts a red flower from an elephant which throws him off. But in the end he makes it work. I love the graphic look of the art.
Celebrate the joys of fresh perspectives and unexpected beauty in this touching lift-the-flap picture book from paper engineer Jackie HuangPersnickety Mr. Panda likes his world to be just so. His decisions are always easy: yes or no; good or bad; right or wrong; black or white . . . until one day when the gift of a red flower changes everything. Touching, clever, and with a great message about remaining flexible and open to the beauty in the world, this lift-the-flap picture book is an innovative and heartwarming story sure to resonate with readers. Author-illustrator Jackie Huang brings her utterly…
I’m a British author who specializes in writing about diversity and inclusion. I’ve always been a firm believer in equality for all, and I think diversity is such a vital subject for children to learn. It’s so important to teach children to love themselves and treat others how they would want to be treated, even if they are different than you. I believe a little bit of love goes a long way. I hope you enjoy my list of children’s books about diversity and share in my passion for children’s books that champion love and acceptance for everyone.
This book is an enduring memory from my own childhood. I remember my parents used to read this to me, and they put on funny voices for each of the characters. I love the message of this book, that even though you are different from others, we can all coexist and learn to celebrate our differences. The illustrations are also so charming and really bring the story to life.
I grew up on a farm in a musical, artistic family. Poetry, music, animals, and laughter were the fabric of daily life. I happened to be gifted with the ability to draw. With a particular passion for horses, I eventually earned my art degree and created the cartoon character Fergus the Horse. I truly believe that when extraordinarily skilled illustrations are combined with extraordinarily skilled writing to create a published work, then the projected age recommendation for readers becomes irrelevant.
Having grown up on a farm, animal characters are a big hit for me.
This book is beautiful, whimsical, and truthful. Barbara Reid’s illustrations invite the reader to stare in fascination at how she created them. The lyrical text will have grown-ups and wee ones repeating the refrains together at bedtime.
I’m a Sibert Honor author and write books for kids and teens about nature. Ever since I saw an elephant skull on the savanna in Kenya, I’ve been fascinated by elephants. When my daughter was an undergrad, she worked with Katy Payne and the Elephant Listening Project, and I knew I had to write about ELP’s astounding work—one of the only groups working with forest elephants. I hope you enjoy the QR codes in Eavesdropping on Elephants. Katy and her colleagues were very generous with their work. The more I write the more I discover our connections to our natural world that humble me and fill me with gratitude.
After discovering that whales sing to each other, Katy turned her attention to elephants. Silent Thunder chronicles Katy’s work before she founded the Elephant Listening Project. In essence, it is the prequel to Eavesdropping on Elephants. Katy’s evocative prose puts you on the plains of Africa. I love the way she approached her research without any preconceived notions and let the elephants tell her what was important.
A natural history rich in observation of the animal world and how humans participate in it, Silent Thunder is also a passionate story of scientist Katy Payne's spiritual quest as she turns a keen eye on her role in this world. Starting with the story of her revolutionary discovery that elephants use infrasonic sounds-sounds below the range of human hearing-to communicate, Payne shares what she learned from her fascinating field research in Africa, research that reveals new insights into elephants' social lives. When five of the elephant families she studies are the victims of culling, Payne's approach to her research…
Jules Brown wrote travel guides for Rough Guides for over thirty years – if there’s a railway timetable somewhere he hasn’t studied, he’d like to know about it. He took his first InterRail trip around Europe when he was seventeen and, as a travel writer, he’s been on trains around the world, from Norway to New Zealand. Jules is the author of two travel memoirs, Don’t Eat the Puffin and Never Pack an Ice-Axe, which – after a lifetime of travel –are still the best bits of advice he has for anyone heading off on a journey.
Most books about train journeys follow the same pattern – off goes the writer, describing destinations, meeting characters, learning about or interpreting the world. But here comes John Burningham from an entirely different angle, with a charming children’s book that uses the train to weave together a story about species survival. The characters are all endangered animals, attempting to board a little boy’s fantasy dream train as he chugs through different landscapes, playing with his pyjama-case dog. And what do you do when an elephant or a sea lion tries to get on? Well, no idea what Paul Theroux would do, but any right-thinking child joins in with bellowing “Oi, get off our train!” until we learn the reasons why we have to let them climb aboard.
A little boy sets off on a round-the-world night train to dreamland with only his toy dog for company. But soon all sorts of endangered animals are asking if they can jump up and join them on their journey...
It’s kind of depressing that I’m so fascinated with these big “God and death and war” themes that are always banging around in my head. I think it’s because I like the gravity of even the smallest decisions in heightened crisis situations. It makes things so prominent and visceral. This gravity also makes the beauty in these moments of crisis more beautiful and love that much stronger. Ultimately, I’ve spent the last thirteen years trying to square with my time overseas and chase some version of that heightened meaning in civilian life. The contrast between being a school teacher and soldier really makes all of that clear.
Orwell captures the dilemma of empire so well that every time I read it, my nerves get raw. It’s a trap. Everyone is dehumanized, the oppressors and the oppressed. The sneering townspeople, the trips on the football pitch, the clear-sighted way the crowd intuits the relationship between themselves and the young policeman all ring true. The villagers can control him because they understand the expectations he has as an official of the crown. They use his strength against him to get what they want. He doesn’t want to kill the elephant, but it’s expected of him, so he gruesomely shoots into the elephant's mouth till, like the British empire, it finally dies. The villagers pillage the carcass for meat. For Orwell, empire itself is brutal suicide.
'Shooting an Elephant' is Orwell's searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd 'solely to avoid looking a fool'. The other masterly essays in this collection include classics such as 'My Country Right or Left', 'How the Poor Die' and 'Such, Such were the Joys', his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys' weeklies and a spirited defence of English cooking. Opinionated, uncompromising, provocative and hugely entertaining, all show Orwell's unique ability to get to…
