As a kid, I read the New Yorker—first, just the cartoons; later, the articles—and dreamed about becoming a writer. Sentences danced in my head as I fell asleep. I’ve always been especially interested in human behavior and the match-up between our insides and outsides. How do the roadmaps in our brains inform the way we act around others? Over the years, I’ve read hundreds of studies and interviewed countless experts to inform my writing about well-known figures like Leonardo da Vinci, Abraham Lincoln, Marilyn Monroe, and Maya Angelou. But I’m just as captivated by everyone outside the spotlight. We all have stories to tell.
I wrote...
Andy Warhol Was a Hoarder: Inside the Minds of History's Great Personalities
In Andy Warhol Was a Hoarder, I probe the lives of twelve historical figures through the lens of modern psychology. Were Darwin’s heart palpitations a symptom of anxiety? Why was Princess Diana “sick as a parrot” the night before she married Prince Charles? Would George Gershwin, a rambunctious kindergartener, be tested for ADHD today?
In many ways, famous people are no saner or zanier than the rest of us; we all craft public personas and tussle with internal dramas. But where’s the line between “normal” behavior and a psychological problem? And how do genius and chaos co-exist? In my book, I spotlight triumph and torment in cultural icons, revealing characteristics that many of us will recognize in our family members, friends—even ourselves.
Oliver Sacks merges science and storytelling with elegance and grace in every one of his books about human behavior.
He’s honest, compassionate, and curious—all characteristics that consistently draw me to his writing and make me what to learn more. In An Anthropologist on Mars, Sacks profiles seven neurological patients and the conditions that affect them, including a painter with colorblindness and the scientist Temple Grandin, who has autism.
I love that Sacks uses first person as he guides his readers. He invites us in—we unravel facts and clues just as Sacks does, making each profile fresh and dynamic.
As with his previous bestseller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us.
Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.
Like Sacks, Jamison is the rare scientist whose writing is both research-based and accessible.
In An Unquiet Mind, the memoir she published in 1995, Jamison shared her diagnosis of manic depression, chipping away at stigma by opening up about herself. In Exuberance, she takes readers in another direction by delving into a single human characteristic.
I have always been fascinated by people who are positive, upbeat, and charming—people who seem to be enveloped in joy. Jamison explores the history of exuberance and the people who exude it, from Teddy Roosevelt to P.T. Barnum.
Jamison’s enthusiasm for her subject springs from the page. Exuberance “leaps, bubbles, and overflows, propels its energy through troop and tribe,” she writes. “It spreads upward and outward, like pollen toted by dancing bees…”
A national bestselling author examines one of the mind's most exalted states—one that is crucially important to learning, risk-taking, social cohesiveness, and survival itself.
“[Jamison is] that rare writer who can offer a kind of unified field theory of science and art.” —The Washington Post Book World
With the same grace and breadth of learning she brought to her studies of the mind’s pathologies, Kay Redfield Jamison examines one of its most exalted states: exuberance. This “abounding, ebullient, effervescent emotion” manifests itself everywhere from child’s play to scientific breakthrough.
Exuberance: The Passion for Life introduces us to such notably irrepressible…
Hungarian-American psychologist Mihaly Csikszentmihalyi tackles a colossal question in Creativity: how do people come up with new ideas?
I love the scope of this book, which journeys from breakthroughs in science to experimentation in jazz. I love the myths the author debunks, including the out-of-nowhere “aha” moment: Ideas don’t just burst into consciousness, they emerge from a lifetime of knowledge and experience that comes before them.
And I love that Csikszentmihalyi concludes his book with a chapter about how we, his readers, can enhance our own creativity. Key takeaways: cultivate curiosity; look for surprises in the ordinary; allow yourself to sit still and reflect; create a space that nurtures your soul.
“Although the benefits of this study to scholars are obvious, this thought-provoking mixture of scholarly and colloquial will enlighten inquisitive general readers, too.” — Library Journal (starred review)
The classic study of the creative process from the bestselling author of Flow.
Creativity is about capturing those moments that make life worth living. Legendary psychologist Mihaly Csikszentmihalyi (“The leading researcher into ‘flow states.’” — Newsweek) reveals what leads to these moments—be it the excitement of the artist at the easel or the scientist in the lab—so that this knowledge can be used to enrich people's lives. Drawing on nearly one hundred…
Back in my English major college days, I read an abundance of Victorian literature and American classics. Few made as big an impression as The Bell Jar, a book that settled into my psyche forever.
Initially, the book drew me in because I identified with the character—a female student at a small New England liberal arts college who aspires to work at a magazine in New York City. But it was Plath’s odyssey into depression that jumpstarted my interest in the intersection of chaos and genius.
I began asking questions: How can a brilliant literary mind be tortured by insecurities? How does emotional turmoil affect creativity? Why do writers struggle with inner pain?
Plath’s writing, intoxicating and uninhibited, inspired me to want to know more.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
I love children’s books, especially when they capture the emotional depth of a child’s mind.
Mo Willems does this beautifully in My Friend is Sad, one of the first books in his best-selling Elephant & Piggie series. The story depicts Piggie’s unsuccessful efforts to cheer up his friend, Elephant, by dressing up as a cowboy, a clown, a robot.
Elephant doesn’t recognize Piggie under the costumes, though, and it isn’t until Piggie reveals himself that Elephant feels happy. “I need my friends,” he says.
Willems’ storyline delivers important lessons about mental health: emotions are complicated, relationships are life-sustaining, and genius is sometimes very simple.
One of a series of delightfully humorous award-winning tales for beginner readers from an internationally acclaimed author-illustrator
Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends. In My Friend is Sad, Gerald is sad. How can Piggie be happy if Gerald is sad? Told entirely in speech bubbles with a repetitive use of familiar phrases, this highly original book is perfect for children just learning to read.
What happens when a novelist with a “razor-sharp wit” (Newsday), a “singular sensibility” (Huff Post), and a lifetime of fear about getting sick finds a lump where no lump should be? Months of medical mishaps, coded language, and Doctors who don't get it.
With wisdom, self-effacing wit, and the story-telling artistry of an acclaimed novelist, Elizabeth Benedict recollects her cancer diagnosis after discovering multiplying lumps in her armpit. In compact, explosive chapters, interspersed with moments of self-mocking levity, she chronicles her illness from muddled diagnosis to “natural remedies,” to debilitating treatments, as she gathers sustenance from family, an assortment of urbane friends, and a fearless “cancer guru.”
Rewriting Illness is suffused with suspense, secrets, and the unexpected solace of silence.
By turns somber and funny but above all provocative, Elizabeth Benedict's Rewriting Illness: A View of My Own is a most unconventional memoir. With wisdom, self-effacing wit, and the story-telling skills of a seasoned novelist, she brings to life her cancer diagnosis and committed hypochondria. As she discovers multiplying lumps in her armpit, she describes her initial terror, interspersed with moments of self-mocking levity as she indulges in "natural remedies," among them chanting Tibetan mantras, drinking shots of wheat grass, and finding medicinal properties in chocolate babka. She tracks the progression of her illness from muddled diagnosis to debilitating treatment…
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