Here are 100 books that Mexican WhiteBoy fans have personally recommended if you like
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Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.
Although I love a book that takes you traveling to the past or to foreign lands, sometimes I want to jump into the shoes of a contemporary character and understand their world. This book does just that.
Starr Carter is a black teenager who lives in a poor, predominantly black neighborhood but attends an elite, mostly white private school. Starr manages to code-switch between her two lives until her childhood friend is shot by the police.
If you like books about social justice and characters who stand up for what they believe, this is a fantastic read.
Now a major motion picture, starring Amandla Stenberg
No. 1 New York Times bestseller
Winner of the Waterstones Children's Book Prize * Goodreads Choice Awards Best of the Best * National Book Award Longlist * British Book Awards Children's Book of the Year * Teen Vogue Best YA Book of the Year
Sixteen-year-old Starr lives in two worlds: the poor neighborhood where she was born and raised and her posh high school in the suburbs. The uneasy balance between them is shattered when Starr is the only witness to the fatal shooting of her unarmed best friend, Khalil, by a…
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Street Pharm is a dark, cultural, and realistic look into Tyrone's life as a teenage drug dealer. A raw and urban story of a teen who inherits a life of crime because of the situation he was born into and the harsh awakening that comes with it. An intense and page-turning read that had me glued till the very end.
A successful teen drug dealer is forced to reexamine it all in this riveting novel, now in trade paperback with a new cover, from the author of Snitch.
Ty Johnson knows survival. The supply game’s in his blood. And now that he’s taken over his pop’s business, Ty’s smarts and skills have earned him some serious street cred. But Alyse knows nothing about Ty’s reputation, and he’s determined to keep it that way. She’s too beautiful, too brainy, too straight-laced to ever get involved with someone who deals. As long as Ty walks the line, life’s pretty sweet.
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Luz Cordero lost her brother in a police shooting. Anger and grief burn within her for her brother's tragic death, and this young girl must battle through her emotional pain toward forgiveness during her stay at a Boys and Girls home. This is one girl's story as she pulls herself from the life of gangs and violence toward forgiveness and ultimately peace. I couldn't put it down.
Luz Cordero is on fire. She’s burning up with rage. She was there the night her brother got killed. She saw the cop pull the trigger. She tried to do something positive about it by going to protests, but all her anger got her into trouble. Now Luz is living at the St. Therese Home for Boys and Girls, working to turn her life around.
Sister Ellen and Luz’s three fellow residents are helping. When Sister Ellen gives Luz a journal to write everything down, Luz is finally able to face the truth about what happened that night. And she’s…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Not all Jews are white. Again, there are a number of wonderful books by African American Jews that remind us of this fact, and how often we use the word “Jewish” to refer only to Jews of European descent. Azoulay insists on confronting this unthinking racism head-on by reflecting on her experiences as a Black woman who struggled to feel at home in the Jewish community. Too often “Black-Jewish relations” as a phrase defines two discrete communities. This book reminds us that this distortion of the truth both erases Jews of color and lets white Jews avoid taking responsibility for challenging social systems that privilege whiteness.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
I wasn’t a sporty teen, but I discovered rock climbing in my twenties and that later inspired my first novel, The Art of Holding On and Letting Go. I’m also a social worker, and even though my main character Cara is a competitive climber and the book features gripping (ha!) rock climbing scenes, the story is about much more – love and loss, finding home, the transformative power of nature. Sports and athleticism (or lack thereof) are something we can all relate to. What a great starting point for exploring our multi-faceted lives.
This coming-of-age novel features a sixteen-year-old star baseball playing girl, but that’s just the beginning. Alex is biracial, raised in a white family, and she struggles to find where she fits in. Race, gender, identity, adoption, body image – this novel explores hard-hitting issues with the complexity they deserve. I especially appreciate that the author wrote from her own experience as a transracial adoptee.
"Transracial adoption is never oversimplified, airbrushed, or sentimentalized, but instead, it's portrayed with bracing honesty as the messy institution it is: rearranging families, blending cultural and biological DNA, loss and joy. An exceptionally accomplished debut." — Kirkus, starred review
For as long as she can remember, sixteen-year-old Alex Kirtridge has known two things about herself: She's a stellar baseball player. She's adopted.
Alex has had a comfortable childhood in Madison, Wisconsin. Despite some teasing, being a biracial girl in a wealthy white family hasn't been that big a deal. What mattered was that she was a star on the diamond,…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
I experienced severe trauma at an early age in life, which involved numerous challenges that tested my resilience and inner strength. However, through perseverance, self-reflection, and seeking support, I was able to overcome these obstacles and emerge stronger than ever. My experiences have taught me the importance of resilience, the power of healing, and the transformative impact of sharing stories, including the messy ones. I believe that by recommending books that explore these themes, I can inspire and empower others who may be facing similar challenges to find hope, resilience, and a path toward healing.
This book is a poignant portrayal of trauma, resilience, and the enduring quest for healing. Trethewey's memoir delves into the deeply personal aftermath of a crime, exploring themes of loss, memory, and the complexities of identity.
Her lyrical prose, emotional depth, and narrative richness resonated with me as I wrote my own true crime memoir, offering readers a profound exploration of the human spirit's capacity to confront tragedy and find moments of grace amidst adversity.
'A meditation on race, and class, and grief ... Uplifting, but just wrenching' BARACK OBAMA
ONE OF BARACK OBAMA'S BEST BOOKS OF 2020
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES BOOK OF THE YEAR
WINNER OF THE ANISFIELD-WOLF BOOK AWARD
SHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION
'This will be read for many, many years to come as a classic not just of the memoir genre but of contemporary writing' Simon Schama
'Astonishing' Thandiwe Newton
'As gripping as any thriller' Mail on Sunday
'A masterpiece' Elizabeth Gilbert
'Powerful' The Times
At age nineteen, Natasha Trethewey had…
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This book features a trio of true-life stories from the 18th, 19th, and early 20th centuries about families whose ancestors were enslaved but who, by a variety of stratagems, managed to cross the color line and become “white” in the eyes of others – and eventually in the eyes of their own descendants. These stories illustrated for me the actual permeability of racial categories, hinging largely on one’s physical appearance and possessions. In other words, the lighter your skin and the larger your bank account, the greater the possibility that others will allow you to be whoever you say you are.
"An astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture." -The New York Times Book Review
In the Obama era, as Americans confront the enduring significance of race and heritage, this multigenerational account of family secrets promises to spark debate across the country. Daniel J. Sharfstein's sweeping history moves from eighteenth-century South Carolina to twentieth-century Washington, D.C., unraveling the stories of three families who represent the complexity of race in America. Identifying first as people of color and later as whites, the families provide a lens through which to examine how people thought…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
