82 books like Made to be Broken

My preference is for authors to develop a series for their characters in order for me to fully embrace the depth of the character, if the character is worth developing. I enjoy picking up a novel in which I am familiar with the character as it makes it easier for me to relate to them.

The Spider Shepherd series is essential reading for me, and in particular this book. A book or two previously showed that Shepherd had finally healed enough, from his wife’s death, to find a new relationship. As a non-rule breaker, Shepherd shows that he will do what it takes to protect his family. The ending truly shocked me, leaving me chomping at the bit for the next one.

The Jack Reacher character is arguably the best-known protagonist in the mystery thriller genre. In most novels I’ve ever read, the main character has a character arc where the protagonist learns from his adventures, trials, and tribulations and becomes a better person (or in some cases the opposite). Whatever the trajectory, the character changes over time, but in Lee Childs’ books, the Jack Reacher character never changes. Reacher is your quintessential flat line – nothing phases him and nothing ever changes him. He's a drifter, who walks the USA with a toothbrush in one pocket and an ATM card in the other. Reacher likes to stay out of trouble, but he’s not afraid to confront it either when it finds him. It's very hard not to like Jack Reacher and it's even harder not to like Lee Childs books (he's written 27 so far). I always read a Jack Reacher… show more.

Bernard Cornwall’s series is an epic tale of a rifleman throughout the Napoleonic Wars. The action is loosely based on true events and grips me from start to finish. As with Reacher, he attempts to do the right thing and doesn’t mind bending the rules as he does it – so long as it helps to achieve the objective. This book seems to be the last in the series and puts Richard and Harper out to pasture as they deserve. Sharpe’s rise from the gutter is a constant reminder to keep trying and no matter where you come from, you have a chance to reach the top. His stubbornness is classic male behaviour and I’ve used some of that for my own character, Zenobia. 

This series about a Bow Street Runner piqued my interest as, like Reacher and Sharpe, he is a bit of a rogue but tries to do what is right while also breaking the rules at times. What appeals to me about his character is that he was unjustly discharged but did his best to secure another profession that tries to help people. The description and action scenes are very believable however Hawkwood isn’t as indestructible as Reacher. His vulnerability and pragmatism are features that I have molded into the main character in my novel too.

Gaskell wrote this novel at a time when workers and their families in Britain’s industrial cities labored under intolerable conditions, and it was all too common for their suffering “to pass unregarded by all but the sufferers,” as Gaskell puts it in her preface. Her aim in writing the novel was to bring their plight to the attention of those better off—and to engender sympathy for their plight in the hearts and minds of readers. In the first half of the novel, she succeeds completely; it would be impossible for any reader to remain unmoved while reading of the lives of the Wilson family and the Barton family. The second half of the novel succeeds less fully, but the first half remains as powerful a piece of writing as I have ever read.

The strengths of Wentworth’s books lie in the portrayal of the era, and in the characters who are forced to find their way through unfamiliar and difficult circumstances. They are not all wealthy, they are not all high-born, and we watch them as they try to adapt to wartime conditions and deprivations. 

Wentworth’s mysteries are fascinating, clever, with the protagonist Miss Silver, a spinster who is a professional ‘private enquiry agent’. The Listening Eye, I feel, contains some of the most acute observations of human nature, and this makes the characters just seem so relatable. Wentworth books are ‘clean’ mysteries with a strong thread of romance, little gore, no bad language, or sexy shenanigans.

This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.

You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.

Set in Manchester, Ray Banks’s gift to us is a razor-sharp contemporary Private Investigator series, a relative rarity within the UK crime writing scene. His surly PI, Cal Innes, may be battered and bruised, but his big heart continues to beat. Finding himself in the centre of a racist uprising in the city, it’s a place that needs a hero and he’s going to be the man who rises to the occasion. Using the classic PI template created by the great US writers, it showed me that I could also adapt the format and apply it to my own writing and PI, Joe Geraghty.

Kate Brannigan is my go-to heroine when I want to be cheered up. She’s a wise-cracking, kick-boxing, quick-witted Manchester PI and in this novel she investigates the Case of the Missing Conservatories. Other series characters include her music journo boyfriend, Richard (Kate’s more likely to rescue him), her friends Chris and Alexis who’re having problems with a bent builder, and her firm’s scary secretary who’s suddenly become a lovesick teenager. It’s cleverly plotted, fast-moving, and stars a feisty woman who takes no prisoners. I wish there were more books in this series—five isn’t enough!

It is set in the late 19th early 20th century in Manchester, England. A time of suffragists and a blossoming underground queer culture, both of which were violently opposed by state and police. Set in this time, place and atmosphere is the story of Edie and Gnome. The first chapter shows them in perfect, natural harmony with each other. As Edie grows up, her intersex nature (given a gloriously magical bent by Garland) is repressed and made a cause of shame via their mother’s abuse. Without full expression and acceptance, Edie/Gnome's relationship becomes destructive and toxic. The Night Brother is a journey of acceptance and balance woven into a wider narrative about feminine roles in society and the struggle to transcend them.

It is a delight to follow Garland’s beautiful prose both as it delves into the violent and gritty aspects of Victorian Manchester and when it soars into fantastical… show more.