Here are 100 books that The Listening Eye fans have personally recommended if you like
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I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
I have been reading cozy mysteries since I was 8 years old. That’s over fifty years now, and I love, love, love them. Partly it’s the history: the setting and era so different from my own, and partly it’s the mystery element, I love to try to get to the answer before the sleuth, so that I can nod sagely and say, ‘I thought so.’ It’s also about people going through tough times, and seeing how those times can make or break them. I relate so much to their struggles with everyday life, and trying to fit an investigation around romance or vice versa, often during wartime.
This is a great one to curl up on a cold night with. A group of carolers go out to sing at Christmas. One disappears. That’s it. The stage is set in such a simple way, it’s masterful. Bring on the ‘sleuth’, John Rutherford, who manages to be the Watson to the official police investigators, along with his wife Molly. The story is witty, intriguing, and beautifully put together.
Witting really deserves to be better known as his writing is definitely on a par with the Golden Age detective writer greats. Now being republished by Galileo Publishing.
Classic Golden Age reissue by one of this period's finest writers. A delightful Christmas setting, full of humour and a must for all fans of classic mysteries.
Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.
I highly recommend every mystery Sayers has written. She’s my kind of author — articulate, inspiring, a writer who writes about her surroundings with a realism that allows a reader to enter and learn more: In this book, death by the ringing of church bells in a small English village.
She’s complex but delivers layers of life and death with profound simplicity and understanding. The daughter of a minister, an advertising copywriter, a poet, she graduated from Oxford and used her life experiences to color every page she wrote.
I love her spunk and the exciting way she has written. But mostly, I love her monocled amateur sleuth, Lord Peter Whimsey who exploded on her typewriter in her first mystery.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
When I was given a First World War soldier’s wallet containing family souvenirs—a handwritten letter, a wedding photograph—I realised that it represented the story of my grandmother’s first marriage to a young man who died in the battle of the Somme in 1916. Brought up with my mother’s version of the story, I set out to find what truths I could. What I discovered is that there's no such thing as truth, only versions of what happened, and I wove these into a fictional narrative that tries to capture the experiences of families traumatized by war and explores how they made their peace despite the conflicts and tragedies they experienced.
The Night Watch is a chilling, atmospheric book that shows us the lives of a group of Londoners through the air raids of the 1940s. The story is told backwards from a point shortly after the war and reveals the motivations and characters of the story slowly, painfully, and with great care. A group of lesbian women, a woman entangled with a married man, and a young man punished for his part in a desperate pact: their personal stories are played out against a backdrop of fear and destruction. Perhaps my favourite of all Sarah Water’s fabulous novels, The Night Watch is so intricately and cleverly constructed it takes your breath away.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
I often feel as if I live with one foot in the present, and one in the past. It’s always been the little-known stories that fascinate me the most, especially women’s history. Their lives can be harder to research, but more rewarding for that. As a writer and historian, it has been wonderful to discover the histories of intriguing but ‘overlooked’ women, and to share their tales. I hope you enjoy reading the books I have selected as much as I did!
June Spencer was a debutante. In 1938, she was presented to the King and Queen at Buckingham Palace. A year later, her life changed with the outbreak of war. Always independent, June became an ambulance driver, and later a WREN. At the same time, she continued to go to nightclubs and spend time with well-connected friends, and fall in love. She detailed everything in private diaries which Clifford was given access to by June’s daughter. June was an extraordinary ‘ordinary’ woman, another who lived through ‘history being made.’ This is a wonderful account of her life and times.
The true story of June Spencer, debutante and volunteer ambulance driver in Chelsea during the Blitz, told through her remarkable diaries. June Spencer is set to follow the time-worn path of a debutante, but when war comes to London she volunteers to drive an ambulance through the bomb-strewn streets of Chelsea. June’s first-hand accounts to paint a vivid picture of the contrasts of London wartime life–her accounts range from driving through the streets while under bombardment, to the aftermath of the destruction of the Café de Paris, to grand balls and parties in Lindsey House on the banks of the…
Award-winning journalist and historian Andrew Nagorski was born in Scotland to Polish parents, moved to the United States as an infant, and has rarely stopped moving since. During a long career at Newsweek, he served as the magazine's bureau chief in Hong Kong, Moscow, Rome, Bonn, Warsaw, and Berlin. In 1982, he gained international notoriety when the Kremlin, angered by his enterprising reporting, expelled him from the Soviet Union. Nagorski is the author of seven books, including The Nazi Huntersand Hitlerland.
Lee was the popular, well-connected military attaché in the U.S. Embassy in London. A staunch supporter of U.S. aid for Britain, he played an important role in preparing for America’s entry into the war. During the Blitz, he castigated American correspondents who described London as “devastated” by the German bombing campaign. “London is not devastated, and if you want one soldier’s opinion, it will not be devastated,” he told them. His diary reflects his determination to counter the defeatist predictions of Joseph Kennedy, who had served as U.S. ambassador in London until 1940.
I started reading about the 1920s after I read Among the Bohemiansby Virginia Nicholson in 2008. I kept reading about the 1920s, particularly 1920s Paris, through my Masters and then my Doctorate in war fiction. I would read about interwar Europe, or America, or Britain, when I needed to work on my doctorate but was too tired to read about trenches or trauma, and it became an obsession. Then it became the subject of two novels, which involved more and more particular research. I love the period's brittle gaiety, its dirty glamour, a time of cultural and political revolution as people fought for a better world.
This book should not be out of print. It is beautifully written – economical, witty yet discreet, and joyful. Bowen was a young woman from Adelaide, in South Australia, who set off to London to be an artist and landed there during the Great War. She had a long affair and daughter with writer Ford Madox Ford, painted and partied in Paris, moved her daughter back to England in time to watch German bombers fly overhead during the Blitz. This book became another guide for how to live the creative life, the bohemian life, a life full of honesty and art. Like Hemingway’s memoir, it’s full of anecdotes of other writers and artists that were her friends for a time. It reflects on what it means to be an artist, a woman artist, an artist and mother, ideas that still hold true as they are about the inner life of…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This book made me think differently about air war, arguably the defining element of 20th and 21st-century conflicts. Grayzel traces its evolution and experience for Britain from the first bombing raids of the First World War to the start of the blitz in the Second. Unlike most other studies, which focus on military strategy and state policy, she interweaves the stories and experiences of the civilians who were to be the targets of this new technology. The book reminds us (if we needed reminding) of the shock of air raids, and the way that these impacted every aspect of life.
Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war…
I lived in London for eighteen years and acquired an abiding affection for my nation’s capital. I wanted to write a sequel to Bluebirds and jumped at the chance of giving Bryan Hale an adventure where he could walk the streets that I knew and loved. The scars caused on the fair face of London by sticks of Nazi bombs landing in ragged lines across the streets and terraces may still be discerned from the incongruity of the buildings that have since risen to fill the gaps. London heals and thrives. Ultimately, I believe every English writer harbours an ambition to write a London novel. I did, and I did.
Today, it is almost impossible to imagine aircraft roaming freely over British cities, disgorging bombs onto the streets below. So, it’s vital for us to have access to the personal, unvarnished stories and contemporary accounts from those that actually lived through this particular horror. In The Secret History of the Blitz Levine pulls no punches as he documents the behaviour of ordinary people faced with extreme experiences. Some reacted with fortitude, uniting in neighbourhood solidarity and extending charity to strangers. Others exploited the chaos, breaking legal and moral codes for their own personal enrichment. To this day, the British psyche collectively benefits from the social concept of a Blitz Spirit. But we should remember it was always a two-sided coin.
The Blitz of 1940-41 is one of the most iconic periods in modern British history - and one of the most misunderstood. The 'Blitz spirit' is celebrated by some, whereas others dismiss it as a myth. Joshua Levine's thrilling biography rejects the tired arguments and reveals the human truth: the Blitz was a time of extremes of experience and behaviour. People werepulling together and helping strangers, but they were also breaking rules and exploiting each other. Life during wartime, the author reveals, was complex and messy and real.
From the first page readers will discover a different story to the…