100 books like Light From Uncommon Stars

With a cover like a Halloween fever dream, I expected a lot of otherworldly gothic creepiness, which this book delivered. What I didn’t expect was Gideon, an unforgettable character whose unapologetic frankness is like a shot of whisky in what could otherwise be an overwrought space opera. It’s a bit of stretch to call this historical fantasy, but I love that the world-building implies a complex backstory both for the characters and their world. Which sets up a wonderfully weird juxtaposition of ancient and modern.  Set in a feudal world, inhabited by undead necromancer lieges and their cavalier servants, I kept thinking, “Did Gideon just say that *&^$ to her master?” Yes, she did. And I was there for every word.

I can’t find a more deeply philosophical book, among all adult literature, to compare with the works of Madeleine L’Engle.

The protagonists of these stories may be children, but they live in a world of scientific supernature that blurs the lines between measurable, observable reality and mystic philosophy. Even before researching Madeleine L’Engle’s life, I could tell that she was a serious thinker.

Few books have had such a profound impact on the way I approach living in the “real” world of adults. Einstein would have loved this book.

I’m a big fan of genre-bending and trope manipulation, and I was completely blown away by this rare creation of a book. It’s a carefully crafted plot of time manipulation, blending science fiction, fantasy, espionage, and romance, told through letters between two rival agents in a style more akin to a war drama.

Those contrasting styles notably elevated the story for me, accenting the cybernetic future by experiencing the naturalistic one and enhancing the love story through the suspense of corporate espionage.

At no point did I feel as if either empire was the “good” or “bad” one, only that I wanted both of the protagonists to succeed, and that made my first read of this book nothing short of a page-turner.

The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.

Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.

This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.

This queer memoir takes us to New York City to explore the unfolding queer life of a child of Bengali immigrants in her difficult decision to divest from parents, colleagues, and friends’ expectations for her life. After taking up architecture as a career and attending Harvard to the delight of her parents, Anjali realizes that her real interest lies in creating graphic literature. This coincides with another journey away from the expected future marriage and family toward exploring and affirming her sexuality and attraction to women. In often spare and simple settings with clean lines that let readers fill in the gaps – for example, with picture frames containing blank canvasses rather than pictures – Anjali creates her own pictures, both as a graphic artist and in imagining her own life. 

Love lies at the heart of this fictionalized memoir. A full recipe from Anjali’s father’s repertoire, a culinary interest… show more.

I read an excerpt of Sarahland’s titular story online, and immediately knew I needed this book; I’ve never clicked an “order” button so fast, and when it arrived in my mailbox, it exceeded expectations.

The most obvious element that connects these stories are girls and women named Sarah (or Sara, or Sari), and each Sarah is struggling through an intense hunger and desperation to understand herself in relation to others and her strange, strange world.

These stories are delightfully queer, and bend gender as well as genre. 

I found this book through TikTok after a surge of booktokers started to recommend it.

I was instantly intrigued by the premise: presumed dead at Waterloo, a soldier decides to live as herself—trans woman Viola loses her wealth, her title, and her childhood friend Gracewood. But years later, fate draws them together again, and they must contend with their desires and their past together.

This book! I cried, I laughed, I had so many emotions reading this tale. Against all odds, they find each other, they communicate through the unique challenge of attraction after years and Viola’s new womanhood.

There are some incredibly hot scenes which feel all the more tantalizing for the novel’s historical setting. I’ve lent this book to several friends just hoping they experience the same joy I did. 

This book impressed me because it doesn't shy away from its subject matter. The author tells about her journey and the struggles that pile up when she seeks professional help to transition but meets instead with a therapist who quickly becomes overwhelmed as they unpack trauma and dissociative identity disorder. With a whopping 904 pages, it's intense, but never gets dense. Entry is low-threshold and the quirky characters drew me in in no time. So much so that even when I didn't know who to believe, I was ready to believe anyone. This book perfectly illustrates the problems around gatekeeping of transgender healthcare and its complex intersections with mental health.

Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.

The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.

But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.

This remarkable novel, patterned lightly after James Joyce’s Ulysses, is the tale of Carlotta Mercedes, a Black and Hispanic transgender woman who returns to her Brooklyn neighborhood after serving decades in prison because she was in the wrong place at the wrong time.

Unfolding almost in real time over the 2015 July 4 weekend, the book has a chaotic, madcap energy and toggles seamlessly throughout between a traditional third-person narrative and the hilarious, heartbreaking first-person monologue inside Carlotta’s brilliant, bonkers head.

Reading this novel is like getting on a nonstop rollercoaster with a narrator who will crack you up and make you root for her right up to the ecstatic final page.