Here are 100 books that Sarahland fans have personally recommended if you like
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After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
The eerie forces in Folk’s debut story collection aren’t so much mystical as they are technological.
Each story in this book could be its own episode of Black Mirror, and readers come away understanding how the messiest human impulses are eternal, no matter the advances we make as a society.
Folk’s characters are people trying (and often failing) to find love, meaning, and purpose while their lives are marked by encounters with artificial intelligence and imminent apocalypse.
'Extraordinary . . . Folk is a dazzling talent' Karen Joy Fowler
'Wonderfully weird' Daily Mail
A woman uses dating apps to find a partner, despite the threat posed by 'blots', artificial men more interested in stealing data than dating. A sculptor, trapped in a skyscraper restaurant when a violent coup erupts below, creates a perfect model of the town as it is destroyed. A curtain of void obliterates the world at a steady pace, leaving one woman to decide with whom she wants to spend eternity.
Haunting and darkly inventive, the stories in Out There deftly combine science fiction…
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
Fenis another book I picked up early in my writing career, and has made me a lifelong Daisy Johnson fan.
This is a collection of linked stories set in one small English town, where a harem of vampires lure their prey with dating apps, a narrator tries to save her sister from her anorexia transforming her into an eel, and a fox’s consciousness bleeds together with that of its hunters.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?…
I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Light From Uncommon Stars is, at its sci-fi core, a story about being human and all of the messiness that comes from that state of being.
Even the aliens share a sweet humanness – a desire to find home, to find love, to find family. Plus, you can never go wrong with a donut-shop setting. This book is queer and gender-expansive, with all the beauty and trauma that comes with each.
I wouldn’t call this book cozy – and it’s worth noting that not all of the queer characters are “good queers”, but it isn’t gritty or dark – it is what it is, and isn’t that the most beautifully human thing it could be?
Good Omens meets The Long Way to a Small, Angry Planet in Ryka Aoki's Light From Uncommon Stars, a defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
I’m a queer writer whose latest novel explores destiny’s role in love, and what it means for love to triumph. I’m completely addicted to reading queer romances, and my favourite dynamics are always couples whose love beats the odds. I am a queer Australian writer of fantasy, as well as a video game designer. I live in Sydney with my partner and our two furry children.
I found this book through TikTok after a surge of booktokers started to recommend it.
I was instantly intrigued by the premise: presumed dead at Waterloo, a soldier decides to live as herself—trans woman Viola loses her wealth, her title, and her childhood friend Gracewood. But years later, fate draws them together again, and they must contend with their desires and their past together.
This book! I cried, I laughed, I had so many emotions reading this tale. Against all odds, they find each other, they communicate through the unique challenge of attraction after years and Viola’s new womanhood.
There are some incredibly hot scenes which feel all the more tantalizing for the novel’s historical setting. I’ve lent this book to several friends just hoping they experience the same joy I did.
A lush, sweeping queer historical romance from the USA Today bestselling author of Husband Material—perfect for fans of Netflix’s Bridgerton, Evie Dunmore, and Lisa Kleypas! When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.
Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
This remarkable novel, patterned lightly after James Joyce’s Ulysses, is the tale of Carlotta Mercedes, a Black and Hispanic transgender woman who returns to her Brooklyn neighborhood after serving decades in prison because she was in the wrong place at the wrong time.
Unfolding almost in real time over the 2015 July 4 weekend, the book has a chaotic, madcap energy and toggles seamlessly throughout between a traditional third-person narrative and the hilarious, heartbreaking first-person monologue inside Carlotta’s brilliant, bonkers head.
Reading this novel is like getting on a nonstop rollercoaster with a narrator who will crack you up and make you root for her right up to the ecstatic final page.
In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected,…
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
This book impressed me because it doesn't shy away from its subject matter. The author tells about her journey and the struggles that pile up when she seeks professional help to transition but meets instead with a therapist who quickly becomes overwhelmed as they unpack trauma and dissociative identity disorder. With a whopping 904 pages, it's intense, but never gets dense. Entry is low-threshold and the quirky characters drew me in in no time. So much so that even when I didn't know who to believe, I was ready to believe anyone. This book perfectly illustrates the problems around gatekeeping of transgender healthcare and its complex intersections with mental health.
A boldly drawn, unforgettable memoir about trauma and the barriers to gender affirming health care. In the winter of 2004, a shy woman named Emma sits in Toby s office. She wants to share this wonderful new book she s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
Alongside my professional role as Emeritus professor and former head of postgraduate medical and dental education for NHS London and the South East region, I’ve been engaged with LGBTI human rights for thirty years, working with legal teams and advising a range of government departments and stakeholders. I wrote The Hidden Case of Ewan Forbes to remind us all that until the late 1960s, trans people self-identified, received affirmative medical care, corrected their birth certificates, and lived in full equality. At a time when discussion of trans lives is almost submerged by entrenched ideological dogma, the historical and scientific facts of trans experience feel particularly important. I hope you enjoy my selection on this theme.
Every list should have a classic, and Whipping Girl is a classic in spades. Written for a mainstream audience in 2007, but still vibrantly relevant to today’s trans lives, it brought the terms ‘cissexual’ and ‘cisgender’ into the mainstream, and introduced crucial concepts, such as ‘cissexual privilege’ and ‘trans misogyny’. Julia does brilliantly the difficult balancing act required to make complex ideas easily accessible to a general readership and covers a wide spectrum of debate. It’s a tour de force, and a favourite of mine when thinking or teaching about LGBT social justice.
In the updated second edition of Whipping Girl, Julia Serano, a transsexual woman whose supremely intelligent writing reflects her diverse background as a lesbian transgender activist and professional biologist, shares her powerful experiences and observations,both pre- and post-transition,to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole. Serano's well-honed arguments stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. In this provocative manifesto, she exposes how deep-rooted the cultural belief is that femininity is…
