Here are 100 books that Out There fans have personally recommended if you like
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After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
Fenis another book I picked up early in my writing career, and has made me a lifelong Daisy Johnson fan.
This is a collection of linked stories set in one small English town, where a harem of vampires lure their prey with dating apps, a narrator tries to save her sister from her anorexia transforming her into an eel, and a fox’s consciousness bleeds together with that of its hunters.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?…
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
I read an excerpt ofSarahland’s titular story online, and immediately knew I needed this book; I’ve never clicked an “order” button so fast, and when it arrived in my mailbox, it exceeded expectations.
The most obvious element that connects these stories are girls and women named Sarah (or Sara, or Sari), and each Sarah is struggling through an intense hunger and desperation to understand herself in relation to others and her strange, strange world.
These stories are delightfully queer, and bend gender as well as genre.
In SARAHLAND, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure-and a new set of problems-by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction…
There is no place that I find more truth from women than in the books we write, especially memoirs. Starting with my mother, and continuing through my education at Harvard and Wharton, and workplaces including Johnson & Johnson and The Washington Post, women have always fascinated me. Women’s roles are changing rapidly, but not rapidly enough in many ways. From discovering our beauty and sexuality as adolescents to becoming mothers, to navigating the corporate or entrepreneurial climb, to aging while female…it’s all much richer and far more manageable when we tell the truth to each other rather than hiding behind a mask of perfectionism, false chumminess, or cattiness.
Cathi Hanauer and I were editors together at Seventeen Magazine in New York City in our 20s. She tried, unsuccessfully, to convince me not to leave the magazine to marry an abusive man. I obviously regretted not listening to her – but I did get great material to write my memoir. I read The Bitch in the House one snowy Christmas Day lying in front of the fireplace as my three young children played with their presents around me. I recognized myself in the essays about the experience of being female in America, and the book inspired me to corral 26 moms in my own essay collection. I’m forever grateful to Cathi for assembling a group of badass truthtellers with great stories to tell.
Virginia Woolf introduced us to the “Angel in the House”, now prepare to meet... The Bitch In the House.
This e-book includes an exclusive excerpt from The Bitch is Back: Older, Wiser, and Getting Happier, a second collection of essays from nine of the contributors featured in The Bitch in the House and from sixteen captivating new voices.
Women today have more choices than at any time in history, yet many smart, ambitious, contemporary women are finding themselves angry, dissatisfied, stressed out. Why are they dissatisfied? And what do they really want? These questions form the premise of this passionate,…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
The Weight of a Pianois about Clara, a young woman desperate to find her own path—freedom, identity, and connection—but it is also the story of an actual piano, as if the piano were a character, and how that piano has shaped the lives of its owners. Clara is haunted by a past she doesn’t understand, and by an unexpected hand injury that changes the course of her life. There are no easy answers in Cander’s book, and an ending you won’t see coming. Truly an original novel that will linger in your heart and mind for a long time.
For fans of Ann Patchett's Bel Canto, Annie Proulx's Accordion Crimes, Amanda Coplin's The Orchardist
A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.
In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia…
I am a licensed marriage and family therapist and have been helping addicts thrive in recovery since 2009. My first book, The Mindfulness Workbook for Addiction, has sold over 70,000 copies and been published in several countries. Books can offer inspiration, comfort, support, and relief during recovery. In my writing, as in my work with clients, I hope to offer a path to greater fulfillment and joy after addiction.
I can’t overstate how much I learned from this book. I used to avoid anger at all costs. I was suffering from “nice lady syndrome.” Now I have come to see anger as a terrific little alarm system, letting me know a boundary of mine has been crossed. Like all emotions, as well as being temporary and tolerable it is a guide. I can listen to it and learn from it. I recommend The Dance of Anger to clients who experience discomfort with anger in general, marital problems, stressful in-law situations… the list goes on. If anger has been a trigger for your addiction, or you wonder how to deal with anger in recovery, this book is for you.
A fresh new jacket design brings this classic self-help guide up to date for a contemporary readership. One of the forerunners to today's pop psych market along with Women Who Love Too Much, this multimillion bestseller shows us how anger affects women's relationships and explains how to turn this often destructive force into a constructive one.
For many women, anger is a destructive force that perpetuates all the harmful dynamics of their most intimate relationships.
This classic, inspirational book from internationally respected feminist psychologist Harriet Lerner explores the ways in which anger can lead into a destructive 'dance' within women's…
Back in 1977 the experiences and concerns of police families were invisible. Police officers were regarded as super-humans, unaffected by their day-to-day exposure to tragedy, cruelty, and stress. In my counseling job, I heard very different stories from their spouses. Ever since, it has been my mission to support police families and find ways to keep the job from damaging family life. It has taken more than two decades, but I am pleased and proud to say police families are no longer invisible. The books I picked are proof that the family behind the badge matters as much as the person wearing it.
It is not easy to write a self-help book without sounding pompous or unrealistic. This is why The Dance of Intimacy became a model for my own self-help books.
Lerner’s writing is straightforward, personal, and practical. She is, as am I, an unabashed feminist who understands that strengthening and/or healing relationships require the participation of both partners. First published in 2009 I have recommended this wise book to hundreds of clients.
In The Dance of Intimacy, the bestselling author of The Dance of Anger outlines the steps to take so that good relationships can be strengthened and difficult ones can be healed. Taking a careful look at those relationships where intimacy is most challenged--by distance, intensity, or pain--she teaches us about the specific changes we can make to achieve a more solid sense of self and a more intimate connectedness with others. Combining clear advice with vivid case examples, Dr. Lerner offers us the most solid, helpful book on intimate relationships that both women and men may ever encounter.
In 2013, my father–an amazing man who was the picture of health–died suddenly and unexpectedly while at the gym. At the time, I was miserable and unfulfilled. My father’s passing sent me down a path of deep self-exploration, where I realized that life is simply too short and unpredictable to settle for less than what you truly want. As I endeavored to change my life, I became a certified life coach, relationship coach, and happiness trainer, initially to help myself, but soon discovered a passion for helping others. I've been lucky to have incredible mentors like Dr. Robert Glover. My unconventional brand of self-help has been featured in numerous publications.
While No More Mr. Nice Guy may have saved my life, this book has repeatedly saved my ass.
In the book, Dr. Smith uses his years of clinical experience (and his distinct sense of humor) to offer men a plan to attract the right women and confidently move on from the wrong women. This was a plan that I desperately needed.
This book forced me to examine my unhealthy relationship patterns. It showed me how to meet amazing women and avoid emotionally unstable women. It taught me how to identify red flags, see women more clearly, and have healthier partnerships.
For men, love is a high-stakes gamble. The right woman can be the best part of a man's life, and the wrong one can lead to personal and financial ruin. In today's climate, no man should venture into romance without a reliable risk-management strategy.
The Tactical Guide to Women delivers a solid plan for allowing the right women into your life, and keeping the wrong ones at a safe distance. You'll discover how to:
Identify good women of low drama and high character
Reduce your vulnerability to women who seem perfect for you--but aren't
Spot the early warning signs of…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
I’ve singled out the story “Up and Comers,” the tale of an indie band whose members have superpowers (but only when they’re drunk) because of its bisexual narrator, but every story in this collection has similar merits: a delightfully odd premise, a grim honesty about how bad life can get, and an unrelenting humor about how ridiculous life always is in spite of the grimness.
Maybe everything is meaningless and absurd, but I’m still here, and so are you, so let’s have a good laugh at ourselves while we can!
Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg delivers a fabulously off-beat collection of short stories about love—the best and worst thing in the universe.
Featuring:
• A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding.
• A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact.
• A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified.
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