As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
If Machado’s debut story collection didn’t itself begin the niche of “genre-crossing books viscerally portraying the experience of living in a female body through the weirdest and most wonderful story premises,” it certainly kicked off a renaissance.
Her Body and Other Parties was a foundational text for my own growth as a young writer, and is a book I recommend to others and return to again and again.
One story, “The Husband Stitch” rewrites an urban legend to question whose perspectives we choose to believe and why, while another infuses the form of Law and Order: SVUepisodes with ghostly, gutting, new storylines. Machado’s writing is searing and powerful all the way through.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
Every story in this collection is packed with haunting beauty.
The opening story, “Ava Wrestles the Alligator,” became the jumping-off point for Russell’s later novel, Swamplandia!,but it shines all the same as a gem of a stand-alone piece.
In every creative writing class I teach, I try to work it onto the syllabus; it’s not only gorgeously written, but a prime example of how magical realism can be skillfully used to create an unreliable narrator, and how that narration opens up a universe of mysterious possibility for the reader.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
The eerie forces in Folk’s debut story collection aren’t so much mystical as they are technological.
Each story in this book could be its own episode of Black Mirror, and readers come away understanding how the messiest human impulses are eternal, no matter the advances we make as a society.
Folk’s characters are people trying (and often failing) to find love, meaning, and purpose while their lives are marked by encounters with artificial intelligence and imminent apocalypse.
'Extraordinary . . . Folk is a dazzling talent' Karen Joy Fowler
'Wonderfully weird' Daily Mail
A woman uses dating apps to find a partner, despite the threat posed by 'blots', artificial men more interested in stealing data than dating. A sculptor, trapped in a skyscraper restaurant when a violent coup erupts below, creates a perfect model of the town as it is destroyed. A curtain of void obliterates the world at a steady pace, leaving one woman to decide with whom she wants to spend eternity.
Haunting and darkly inventive, the stories in Out There deftly combine science fiction…
Fenis another book I picked up early in my writing career, and has made me a lifelong Daisy Johnson fan.
This is a collection of linked stories set in one small English town, where a harem of vampires lure their prey with dating apps, a narrator tries to save her sister from her anorexia transforming her into an eel, and a fox’s consciousness bleeds together with that of its hunters.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?…
I read an excerpt ofSarahland’s titular story online, and immediately knew I needed this book; I’ve never clicked an “order” button so fast, and when it arrived in my mailbox, it exceeded expectations.
The most obvious element that connects these stories are girls and women named Sarah (or Sara, or Sari), and each Sarah is struggling through an intense hunger and desperation to understand herself in relation to others and her strange, strange world.
These stories are delightfully queer, and bend gender as well as genre.
In SARAHLAND, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure-and a new set of problems-by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction…
An interlinked collection of short stories exploring the primal nature of women’s grief—offering insight into the profound experience of loss and the absurd ways in which we seek control in an unruly world.
In each story, grieving women embrace their wildest impulses as they attempt to master their lives; suffering messy breaks, whispering secrets to the ghosts tangled in the knots of their hair, eating raw meat to commune with their inner wolves, and building deadly MLM schemes along the Gulf Coast. Set across oft-overlooked towns in the American South, varying from the genre-bending and speculative to the blazingly real, A Manual for How to Love Usspotlights women who are living on the brink and clinging to its precipitous edge.
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
