Here are 100 books that Just William fans have personally recommended if you like
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I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I very nearly stopped reading this book–even though it’s so short as it starts off unbelievably abstract. I didn’t know what was going on, and the descriptions only added to the confusion. But I’m so glad I kept going.
The main character does amnesia in the most charming way, and discovering his past and the strange world he seems both lost in and totally at home in was absolutely enchanting. This has stuck with me ever since, like the most vivid fever dream.
Winner of the 2021 Women's Prize for Fiction A SUNDAY TIMES & NEW YORK TIMES BESTSELLER
The spectacular new novel from the bestselling author of JONATHAN STRANGE & MR NORRELL, 'one of our greatest living authors' NEW YORK MAGAZINE __________________________________ Piranesi lives in the House. Perhaps he always has.
In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend,…
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
As a lifelong lover and reader of science fiction, I’m always impressed when I come across a modern book and series that feels fresh or novel to me. That’s precisely what I got from The Murderbot Diaries at a time when I really needed it, which has made it one of my go-to sci-fi recommendations in recent years, particularly as someone who appreciates a bit of tasteful humor and snark in my futuristic adventures through space.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
When I was younger, I stayed overnight in a haunted house, or at least a house that felt haunted. I was in a big, creepy room by myself, and sleep was impossible. Instead, I sat up through the night, feeling very alone. During that long wait for dawn, this book was there for me.
It’s a satire that’s now more famous than many of the grim rural novels that inspired it; more important to me then, it’s the very funny story of Flora Poste, a modern young woman who goes to stay at a remote country farm with her relatives, the dramatic Starkadders, ruled over by Aunt Ada Doom, who once saw something nasty in the woodshed. Flora’s story is a glorious triumph of common sense over an ominous atmosphere.
When the sukebind was in bud, the orphaned Flora Poste, expensively, athletically and lengthily educated, descended on her relatives at Cold Comfort Farm, which she rightly imagines will be awful in an interesting way. She takes it on herself to bring order into chaos.
My novel, Right Back Where We Started From, is about greed. I wanted to see what it would look like if women in history pursued their goals with the same relentless intensity as the men who came to the California Gold Rush. I love reading about social climbing because ambition is so baked into the fabric of the United States, and is such a big part of our lives. The books on this list are unafraid to show you the ugly, unpleasant side of ambition—and the exciting, captivating side as well.
This novel is hilarious. When I first read it, I was jealous that I hadn't written it—which is a silly feeling to have about a book that came out in the 1920s, I admit. It's a diary written by a blonde showgirl named Lorelei Lee, who uses her feminine wiles to get wealth from the gentlemen callers who want to "educate" her. Loralei isn't very smart—the diary is riddled with misspellings and confused assumptions—but she has a kind of innocence and practicality that keeps you rooting for her throughout. With her friend Dorothy, a brunette, she arranges it so that everything always works out in her favor, which usually includes lots and lots of diamond jewelry.
Gentlemen Prefer Blondes: The Intimate Diary of a Professional Lady (1925) is a novel by Anita Loos. Adapted from a series of stories written for Harper's Bazaar, Gentlemen Prefer Blondes was an astounding success for Loos, who had mired for over a decade as a screenwriter in Hollywood and New York. An immediate bestseller, the novel earned praise from leading writers and critics of its time, and has been adapted several times for theater and film. Recognized as a defining text of the Jazz Age, Gentlemen Prefer Blondes is an absolute classic dubbed "the great American novel" by Edith Wharton.…
As a 15-year-old, Peter started his first business remodeling houses. He hired help older than him so they could drive him to the job sites. Peter used this first business to help finance his college education. After graduating from the University of Kansas, Peter started his career working in the Space Shuttle Mission Control Center at NASA's Johnson Space Center in the Houston, TX metro, and in the evenings, Peter received his M.B.A. from the University of Houston. It was through his initial career experiences, that Peter discovered he wanted to help businesses become the best that they could be in pursuit of their vision.
There is a spiritual dimension to elevating your income. If you are not aligned with that statement, this book is not for you. If you are aligned, Bijan will blow your mind! Alongside some really cool spiritual stories, Bijan lays out a 30-day challenge to transform your relationship with what is possible in your life. The lessons start out relatively easy but get increasingly harder. For example, on day 13 the assignment is to “Find a homeless person and give that person some money. When you do, notice your judgment. That judgment is about you.” Wow! I guarantee that if you diligently complete the 30 lessons in 30 days, something big will shift in your life and you will elevate your income! Enjoy!
By following these thirty simple, yet profound lessons, you can transform your own life and experience miracles! To be totally prosperous in every aspect of our lives we must first decide to make peace our ultimate goal--we do not have to get better jobs, second jobs, or even work more hours.
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
As a former foreign correspondent based in India, Beijing, and Washington I found myself wanting to press this book by former top UK diplomatic and national security advisor Peter Ricketts into the hands of every British politician I have ever met.
Having spent more than a decade overseas reporting on the UK’s struggle to stay relevant, I was struck on my return to the UK in 2015 at just how myopic and insular British politics had become.
Brexit was the most obvious expression of this. It has left the UK piggy-in-the-middle, between the US and the EU and this book sets out, alongside a wealth of personal anecdote and experience, how the UK needs to think strategically if it is to retain a place at the global top table.
'Thought-provoking and well worth reading' Times Literary Supplement
After decades of peace and prosperity, the international order put in place after World War II is rapidly coming to an end. Disastrous foreign wars, global recession, the meteoric rise of China and India and the COVID pandemic have undermined the power of the West's international institutions and unleashed the forces of nationalism and protectionism.
In this lucid and groundbreaking analysis, one of Britain's most experienced senior diplomats highlights the key dilemmas Britain faces, from trade to security, arguing that international co-operation and solidarity are the…
I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase. The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”
James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.
From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here. When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what…
Prew won't conform. He could have been the best boxer and the best bugler in his division, but he chooses the life of a straight soldier in Hawaii under the fierce tutelage of Sergeant Milt Warden. When he refuses to box for his company for mysterious reasons, he is given 'The Treatment', a relentless campaign of physical and mental abuse. Meanwhile, Warden wages his own campaign against authority by seducing the Captain's wife Karen - just because he can. Both men are bound to the Army, even though it may destroy them.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.
Fiction. Jewish Studies. Montaigne Medal Finalist. Winner of the G. S. Sharat Chandra Prize for Short Fiction, selected by Marge Piercy. HEIRLOOMS begins in the French seaside city of Saint-Malo, in 1939, and ends in the American Midwest in 1989. In these linked stories, the war reverberates through four generations of a Jewish family. Inspired by the author's family stories as well as extensive research, HEIRLOOMS explores assumptions about love, duty, memory and truth.
I grew up just north of Chicago, took courses at the University of Madrid (La Complutense), and graduated from Marquette University. I speak 5 languages and have written for such diverse reviews as The Journal of the American Revolution and Atlantic Coastal Kayaker. Nothing has possessed me like my father’s Navigation Case. Besides learning how this young college graduate helped pioneer the nascent aviation industry training in 11 different types of aircraft, I take pride in the astonishing role he played in American history. He was a combat pilot in the first-ever demonstration of air superiority over an enemy, leading to the greatest campaign victory in the history of the US Air Force.
This book gave me a basic understanding of the New Guinea war into which my father was sent. It gave me the framework with which I could piece together the timeline of my father’s service. It gave me an idea of the progress of the war and a context for all of his military orders, his stacks of correspondence, and all of his photos, long stored away in his Navigation Case.
In March 1942, General Douglas MacArthur faced an enemy who, in the space of a few months, captured Malaya, Burma, the Philippines, the Dutch East Indies, and, from their base at Raubaul in New Britain, threaten Australia. Upon his retreat to Australia, MacArthur hoped to find enough men and matérielfor a quick offensive against the Japanese. Instead, he had available to him only a small and shattered air force, inadequate naval support, and an army made up almost entirely of untried reservists.
Here is one of history’s most controversial commanders battling…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
