Here are 100 books that Great River of the Abyss fans have personally recommended if you like
Great River of the Abyss.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.
The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.
Humanity has colonized the planets - interstellar travel is still beyond our reach, but the solar system has become a dense network of colonies. But there are tensions - the mineral-rich outer planets resent their dependence on Earth and Mars and the political and military clout they wield over the Belt and beyond. Now, when Captain Jim Holden's ice miner stumbles across a derelict, abandoned ship, he uncovers a secret that threatens to throw the entire system into war. Attacked by a stealth ship belonging to the Mars fleet, Holden must find a way to uncover the motives behind the…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
It became obvious to me early in this book that Nophek Gloss was written by someone who works with their hands. Not only in how the action was choreographed but also in how the world was described.
This brings a real world feel to the writing as we join Caiden helping his father with the menial tasks that keep a farming community running. Soon after, his whole world is destroyed. But as Caiden escapes and throws in with a ragtag bunch of aliens and a ship with a conscience, we can appreciate his point of view as someone who has seen so little of the universe but is suddenly exposed to multitudes of new and unusual things as he adventures into the unknown.
This book is for sci-fi fans who enjoy great worldbuilding, interesting aliens, and action throughout.
'AN EXCEPTIONAL DEBUT . . . READS LIKE A BECKY CHAMBERS NOVEL CROSSED WITH FIREFLY' Michael Mammay, author of Planetside
'A SUCKER PUNCH TO THE SENSES . . . A KILLER STORY WITH REAL HEART AND SOUL' Alastair Reynolds
In this dark, dangerous, roller coaster of a debut, a young man sets out on a single-minded quest for revenge across a breathtaking multiverse filled with aliens, mind-bending tech, and ships beyond his wildest imagining. Essa Hansen's is a bold new voice for the next generation of science fiction readers.
Caiden's planet is destroyed. His family gone. And, his only hope…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
This book comes with all the fun and banter that you expect from Scalzi. Jamie, the main character, is from our Earth but gets a job on a parallel Earth where nuclear-powered Kaiju are the order of the day.
The fantastical and far-fetched plot is a lot of fun, but there is a much deeper point to this book, calling out late-stage capitalism and tech-bro culture. This book is a wild adventure and a condemnation of the morally corrupt individuals who have so much power in our own world.
The Kaiju Preservation Society is John Scalzi's first standalone adventure since the conclusion of his New York Times bestselling Interdependency trilogy.
When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization.” Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on.
What Tom doesn't tell Jamie is that the animals his team cares for are not here…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
This book resonates with Golden Age sci-fi vibes. Set in the wonderfully described frontier that is the Mars colony, Ballingrad captures the difficulty and hardship experienced by people who venture to the edge of civilisation in hopes of a better life and reminds us that it is these hardworking people that build the foundations for everything that comes after.
Annabelle is a young girl who embarks on a journey seeking justice after bandits steal the last recording of her mother's voice. On her quest she falls in with a gang of ne’er-do-wells while all communication and transport from Earth mysteriously ceases.
If you enjoy space westerns and the bygone era of classic sci-fi, this book is for you.
Ray Bradbury meets The Martian in this chilling page-turning tale of Mars' first colony, fallen to madness after all contact with Earth ceased, perfect for fans of Jeff VanderMeer.
Anabelle Crisp is fourteen when the Silence arrives, severing all communication between Earth and her new home on Mars. One evening, while she and her father are closing their diner in the colony of New Galveston, they are robbed at gunpoint.
Among the stolen items is a recording of her absent mother's voice. Driven by righteous fury and desperation to lift her father's broken spirits, Anabelle sets out to confront the…
Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
Keith Waterhouse is a forgotten writer nowadays, which is a shame. His dreamy character, Billy Liar, is a brilliant creation and one for all ages–the original young man stifled by family, boredom, and expectations who wants to break free from it all and live out the life he’s already living for himself in his head.
I read this book when I was a teenager, probably because my Dad often called me and my brother ‘Billy Liar,’ such as when I told him I wanted to be a jockey. I was too heavy for that profession, even then (plus, I’d never sat on a horse and still haven’t). Still, that’s the joy and absurdity of this book; it takes the notion of following your dreams to a new and dangerous level.
Personally, I’m always fascinated with dreamers like Billy. But there are times when his life choices make you groan.
Billy Fisher feels trapped by his working-class parents, his unfulfilling job as an undertaker’s clerk, and his life in a dull, provincial town. His only refuge is in his daydreams, where he is the leader of the country of Ambrosia. Unfortunately, Billy’s wild imagination leads him to tell lies constantly: to his parents, his employer, and his three girlfriends. On one tragi-comic Saturday, as Billy plots his escape to a life of adventure and excitement in London, all his lies finally catch up with him, with hilarious and disastrous results. A smash bestseller and one of the great comic novels…
I'm an English writer now living in the wilds of Tasmania, Australia. My love of books began at school. I devoured the classics and couldn’t wait to audition for the lead in the next school play. Both my father and brother were in the military and I saw firsthand their love and duty for country, and family often with great cost to their mental health and wellbeing. I write stories about heroes like them and the women who win their hearts. Love takes courage.
This collection of short stories has a special place in my heart.
Stories written about people living in the early sixties in working-class London. The colloquial language rings true in my ears, and the stories belong in that special place held dear by my teenage self. Laugh or cry, I pick the book up when I am at most in need of, no place like home, comfort.
Ken Loach made a film based on the book and followed it up with another one of her books. Poor Cow. Dog-eared and well-worn, the books remain on my shelf.
'Her art is ignited by voice, as you hear it, is unquestionable' ALI SMITH, GUARDIAN
'Distinctive, pared-down style' DAVID EVANS, INDEPENDENT
'Unflinching look at the lives of working-class women' DAILY MAIL
Nell Dunn's scenes of London life, as it was lived in the early Sixties in the industrial slums of Battersea, have few parallels in contemporary writing. The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy.
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I read this book the summer before I returned to university to complete my B.A. Thompson’s book convinced me that one of my first loves, the study of history, was where I wanted to be.
It is a ground-breaking study of people overlooked, ignored, and condescended to by historians, whose lives were changed by early forms of industrialization in late 18th and early 19th-century England. Thompson treats these people as active agents in shaping their worlds socially, economically, and politically, and he takes their role in “making class” and political activism seriously.
It is also beautifully written, and the depth of his research sets a high standard for subsequent generations of historians.
Fifty years since first publication, E. P. Thompson's revolutionary account of working-class culture and ideals is published in Penguin Modern Classics, with a new introduction by historian Michael Kenny
This classic and imaginative account of working-class society in its formative years, 1780 to 1832, revolutionized our understanding of English social history. E. P. Thompson shows how the working class took part in its own making and re-creates the whole-life experience of people who suffered loss of status and freedom, who underwent degradation, and who yet created a cultured and political consciousness of great vitality.
I was intrigued to write this creative nonfiction book because it is a true story. It’s Mobile’s oldest and most famous legend. After extensive research, I discovered Boyington had two unqualified jurors, and all was based on circumstantial evidence. Still, he was hanged at age nineteen. A group of Mobilians formed the Boyington Oak Society, and we’ve applied for a posthumous pardon. My play is produced annually at Oakleigh Historic Museum. It has also been optioned for a movie, and the script is written.
Rick Bragg’s obsession with a grandfather he ever knew was fascinating. This was a man who lived during the Great Depression. He didn’t wear clothes with holes in them because that was popular, he did it because those were the only clothes he owned. It unveiled the ability of an ordinary man to do extraordinary things, an impressive accomplishment.
NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South.
This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate…
I grew up in a strong Scots–speaking environment just before the advent of television, so very much a Scottish village rather than the global village. Speaking several foreign languages and being able to study Scots language and literature at Edinburgh University gave me confidence and the realisation of how special Scots was, and how closely it is tied to the identity of the people and the land. The book is local, national, and international in outlook and is written from the heart and soul, with a strong influence of the Democratic Intellect thrown in to balance the passion. You can also hear me reading the book on Audible.
Another fine novel by a great writer who, like me, hailed from Ayrshire. I quote from it in my book. I became aware of William McIlvanney when I attended Kilmarnock Academy between 1967 and 1969 and his first novel Remedy is None was passed around the students in their final year at the school, before heading for University. Having a living, breathing novelist living in the town was really something, and it made us all think that perhaps we could become writers too! All of his books are excellent but Docherty touched me personally because it describes a mining community, similar to the town I grew up in, Galston. It also explores the linguistic tension between Scots and English which is the experience of most people growing up in the Lowlands of Scotland.
'His face made a fist at the world. The twined remnant of umbilicus projected vulnerably. Hands, feet and prick. He had come equipped for the job.'
Newborn Conn Docherty, raw as a fresh wound, lies between his parents in their tenement room, with no birthright but a life's labour in the pits of his small town. But the world is changing, and, lying next to him, Conn's father Tam has decided that his son's life will be different from his own.
Gritty, dark and tender, McIlvanney's Docherty is a modern classic.
