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Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
People sometimes look surprised when I say I start my historical research with children’s books, but when those books are works of art like this one, you’ll quickly see why. Stephen Biesty’s ability to take the most complex of buildings and draw their most intricate workings and construction elements is legendary. Explore the Forum, Temple, Baths, Colosseum, and Circus Maximus in wonderful detail and learn about Ancient Rome at a single glance… or many hours poring over every page. Might be out of print – buy a secondhand copy quickly before they all get snapped up!
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"The ancient city of Rome is the perfect subject for Stephen Biesty's illustrations - beautifully constructed, technologically advanced, and teeming with life. Titus's "Roman Holiday" takes in the Temple, the Forum and the Baths, the Colosseum and chariot racing at the Circus Maximus, all illustrated in stunning, painstaking detail". "There are cross-sections, cut-aways and explosions, authoritative annotations, lists and explanations. Biesty captures the epic scale of the city - the capacity crowd at the Colosseum, for example - and there is some wonderful attention to detail in the architecture and the engineering. But he also succeeds in capturing the humanity…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
This is one of the best books on life in the ancient Roman world – about life for the 99% rather than kings, queens and aristocrats.
In it, Robert Knapp seeks to rescue the invisible majority of ‘ordinary people’, their activities, beliefs, and dreams, from relative obscurity. The book draws on a huge range of sources and every page reveals something interesting. Women form a large proportion of the Roman invisible, and Knapp explores the lives of all kinds of subaltern women, free and enslaved.
Sometimes, as with prostitutes or the poor, the stories are grim – but they are as valid as any discussion of a Cleopatra or a Livia. I really liked Knapp’s idea of historians making invisible people visible again and it really chimed with my work on ancient women.
Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of…
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Oddly there aren’t actually that many books dedicated solely to chariot racing, but this one makes up for that. Huge amount of detail about everything from wheels to horses, but also a real sense of the passion the Romans had for this sport and just how terrifyingly dangerous it was to be a charioteer… almost makes being a gladiator look like a nice safe desk job! I loved the feel of the race day and all the parts that made it a spectacular event – from the vast crowd to the pre-race parades and the many different roles taking part on the day. Gripping read.
A massive crowd of people, cloaked in the colors of their beloved athletes, slowly fill a 150,000-seat arena to cheer on their favorite teams. Athletes enter the stadium amid great pomp and circumstance as opposing fans hurl insults at one another and place bets on the day's outcome. Although this familiar scene might describe a contemporary football game, it also portrays a day at the chariot races in ancient Rome, where racers were the sports stars of the ancient world. Following close on the heels of his successful book on gladiators, Fik Meijer reveals all there is to know about…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
Having spent thirty years working as a chef, I was always going to have working-class heroes in my stories. When someone said this is uncommon in science fiction, I didn’t believe them. But then I couldn’t think of any. I started searching through my bookshelves, and still, I couldn’t find enough to fill this list. I asked on socials and eventually found five books.
It would seem natural that in a science fiction world of adventure and exploration, the professionals would be at the forefront. But I am pretty sure that the toilet cleaners on the Death Star would still have a story or two to tell.
Travis is an apprentice engineer of trans-quantum chambers, stations that transport people to cities all over the universe. On a risky maintenance assignment, something goes wrong, trapping Travis on a distant planet with limited resources as he tries to solve the mystery of what killed all the humans on this world.
The world-building here is a lot of fun to imagine. Combine that with Wilson's descriptive prowess, and you have an immersive adventure to the stars that appeals to the sci-fi nerd that I am.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A highly opinionated, and thus sometimes frustrating, analysis of the pre-Civil War minstrel show, and how it impacted both oppressed African-Americans and the working-class whites who made the shows so popular. This was the first major book to advance the idea that the minstrel show was not only an exploitation of black culture (the “theft”), but also appreciated that culture and began its integration into the American musical mainstream (the “love”), which would prove to have profound implications in decades to come. An influential book that has been frequently cited in subsequent works.
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading…
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
American suburbs are all tidy middle-class places like where I grew up, right? Wrong.
Do-it-yourself housing and shantytowns were never confined to the developing world. The fringes of Toronto and Cleveland and Los Angeles could look a lot like the fringes of Sao Paolo or Istanbul in the first half of the twentieth century.
My Blue Heaven is a revelation about DIY community building on the south side of Los Angeles at the same time high-end developers were creating Pasadena and Beverly Hills.
In the 1920s, thousands of white migrants settled in the Los Angeles suburb of South Gate. Six miles from down-town and adjacent to Watts, South Gate and its neighboring communities served as L.A.'s Detroit, an industrial belt for mass production of cars, tires, steel, and other durable goods. Blue-collar workers built the suburb literally from the ground up, using sweat equity rather than cash to construct their own homes. As Becky M. Nicolaides shows in My Blue Heaven, this ethic of self-reliance and homeownership formed the core of South Gate's identity. With post-World War II economic prosperity, the community's emphasis…
Though I was born in the U.S., I didn’t wind up living here full-time till I was almost 10. The result? I have always been curious about what it means to be an American. In one way or another, the books on my list explore that question. More than that, all (well, nearly all) insist that black history is inextricably intertwined with American history and that American culture is a mulatto culture, a fusion of black and white. After years of making my living as a journalist, editor, and book reviewer, I left newspapers to write fiction and non-fiction, exploring these and other questions.
I still remember reading James Alan McPherson’s book for the first time. I was a senior in high school, one of a handful of black students in what had been an all-white private school. I closed the book, thinking, “Finally. Somebody understands.”
Like me, McPherson had gone from an all-black school, college in his case, to a majority-white school, in his case, Harvard Law. He began to write fiction there. It was the mid-1960s, but instead of hewing to familiar tropes of the time, black student unrest, black self-segregation, and black victimhood, McPherson cast an unflinching eye on blacks and whites interacting for the first time as equals.
He also depicted blacks in their own world lovingly but without sentimentality. I knew these people. McPherson taught me to see and appreciate them afresh.
The classic debut collection from Pulitzer Prize winner James Alan McPherson
Hue and Cry is the remarkably mature and agile debut story collection from James Alan McPherson, one of America’s most venerated and most original writers. McPherson’s characters -- gritty, authentic, and pristinely rendered -- give voice to unheard struggles along the dividing lines of race and poverty in subtle, fluid prose that bears no trace of sentimentality, agenda, or apology.
First published in 1968, this collection includes the Atlantic Prize-winning story “Gold Coast” (selected by John Updike for the collection Best American Short Stories of the Century). Now with…
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