Here are 100 books that Working IX to V fans have personally recommended if you like
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Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
People sometimes look surprised when I say I start my historical research with children’s books, but when those books are works of art like this one, you’ll quickly see why. Stephen Biesty’s ability to take the most complex of buildings and draw their most intricate workings and construction elements is legendary. Explore the Forum, Temple, Baths, Colosseum, and Circus Maximus in wonderful detail and learn about Ancient Rome at a single glance… or many hours poring over every page. Might be out of print – buy a secondhand copy quickly before they all get snapped up!
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"The ancient city of Rome is the perfect subject for Stephen Biesty's illustrations - beautifully constructed, technologically advanced, and teeming with life. Titus's "Roman Holiday" takes in the Temple, the Forum and the Baths, the Colosseum and chariot racing at the Circus Maximus, all illustrated in stunning, painstaking detail". "There are cross-sections, cut-aways and explosions, authoritative annotations, lists and explanations. Biesty captures the epic scale of the city - the capacity crowd at the Colosseum, for example - and there is some wonderful attention to detail in the architecture and the engineering. But he also succeeds in capturing the humanity…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
This is one of the best books on life in the ancient Roman world – about life for the 99% rather than kings, queens and aristocrats.
In it, Robert Knapp seeks to rescue the invisible majority of ‘ordinary people’, their activities, beliefs, and dreams, from relative obscurity. The book draws on a huge range of sources and every page reveals something interesting. Women form a large proportion of the Roman invisible, and Knapp explores the lives of all kinds of subaltern women, free and enslaved.
Sometimes, as with prostitutes or the poor, the stories are grim – but they are as valid as any discussion of a Cleopatra or a Livia. I really liked Knapp’s idea of historians making invisible people visible again and it really chimed with my work on ancient women.
Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of…
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Oddly there aren’t actually that many books dedicated solely to chariot racing, but this one makes up for that. Huge amount of detail about everything from wheels to horses, but also a real sense of the passion the Romans had for this sport and just how terrifyingly dangerous it was to be a charioteer… almost makes being a gladiator look like a nice safe desk job! I loved the feel of the race day and all the parts that made it a spectacular event – from the vast crowd to the pre-race parades and the many different roles taking part on the day. Gripping read.
A massive crowd of people, cloaked in the colors of their beloved athletes, slowly fill a 150,000-seat arena to cheer on their favorite teams. Athletes enter the stadium amid great pomp and circumstance as opposing fans hurl insults at one another and place bets on the day's outcome. Although this familiar scene might describe a contemporary football game, it also portrays a day at the chariot races in ancient Rome, where racers were the sports stars of the ancient world. Following close on the heels of his successful book on gladiators, Fik Meijer reveals all there is to know about…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
This book wrecked me; it’s such a deep dive into the lives of the woman brutally murdered by Jack the Ripper. Rubenhold reconstructs their lives with great empathy, bringing them to the forefront of the story. The five were real women who felt love, pain, and hope—not faceless victims of sensationalized murder.
These women are often portrayed as “five prostitutes” in pop culture, but Rubenhold shows that there is no evidence of sex work for most of the women. This book pulls back the curtain on the tension, violence, poverty, and heartbreak in Victorian London. This book brought me to absolute tears.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
Early observations of power and privilege came from growing up around my Pulitzer Prize-winning father, Richard Eberhart, and his circle of iconic literary friends. During my long career advising top executives, I came to understand the dynamics of male power and privilege and its fit with individual personality. In their corner suites, I listened to CEOs interpret their pasts and envision their futures while the best of them uncovered their real fears and vulnerabilities. As these (mostly) men confronted their own mythologies and legacies, I, too, got to examine mine—recognizing that the best way to change our companies and our lives is to change ourselves.
This book held my hands to a high bar while accumulating, through good storytelling, the truths of a company, both clear and nuanced, as I searched for them in the early George A. Hormel & Company.
Arsenault’s book upends many beliefs we hold about “good companies” that provide stable, long-term jobs to hundreds of employees, like this prominent and popular paper mill in Mexico, Maine, where Arsenault’s family worked through multiple generations. The long-term economic safety and security that employees had felt for years is upended by their numerous life-threatening, sometimes intractable, cancers.
I loved this book for its investigative environmental journalism, its exposure of truths the powerful did not want to be exposed, and its influence on my own research.
In Mill Town "[Kerri] Arsenault pays loving homage to her family's tight-knit Maine town even as she examines the cancers that have stricken so many residents."-The New York Times Book Review
"Mill Town is a powerful, blistering, devastating book. Kerri Arsenault is both a graceful writer and a grieving daughter in search of answers and ultimately, justice. In telling the story of the town where generations of her family have lived and died, she raises important and timely questions." -Dani Shapiro, author of Inheritance
Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100…
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
American suburbs are all tidy middle-class places like where I grew up, right? Wrong.
Do-it-yourself housing and shantytowns were never confined to the developing world. The fringes of Toronto and Cleveland and Los Angeles could look a lot like the fringes of Sao Paolo or Istanbul in the first half of the twentieth century.
My Blue Heaven is a revelation about DIY community building on the south side of Los Angeles at the same time high-end developers were creating Pasadena and Beverly Hills.
In the 1920s, thousands of white migrants settled in the Los Angeles suburb of South Gate. Six miles from down-town and adjacent to Watts, South Gate and its neighboring communities served as L.A.'s Detroit, an industrial belt for mass production of cars, tires, steel, and other durable goods. Blue-collar workers built the suburb literally from the ground up, using sweat equity rather than cash to construct their own homes. As Becky M. Nicolaides shows in My Blue Heaven, this ethic of self-reliance and homeownership formed the core of South Gate's identity. With post-World War II economic prosperity, the community's emphasis…
I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.
I devoured this book on the recommendation of my friend Otis Gibbs, a songwriter with a particular interest in the great tradition of songs of, by, and for the working class. “Educate – Agitate – Organize,” reads the Joe Hill mural painted on the side of a rare books store in Salt Lake City, where the Wobbly songwriter was sentenced to death by firing squad in 1915. In The Man Who Never Died (2011), journalist William M. Adler contextualizes the vital importance of songs like Hill’s to the union movement, and he uncovers new details about the activist’s controversial conviction.
In 1914, Joe Hill, the prolific songwriter for the Industrial Workers of the World (also known as the Wobblies), was convicted of murder in Utah and sentenced to death by firing squad, igniting international controversy. In the first major biography of the radical historical icon, William M. Adler explores an extraordinary life and presents persuasive evidence of Hill's innocence. Hill would become organized labor's most venerated martyr, and a hero to folk singers such as Woody Guthrie and Bob Dylan. His story shines a beacon on the early-twentieth-century American experience and exposes the roots of issues critical to the twenty-first…
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
This book simply changed the way I do business as a historian and a reader. I love the groundbreaking use of diaries, census records, worker’s memoirs, and library registers to sketch a detailed picture of real books read by real people—not just the official academic record of fine editions with countless mentions of that nameless creature, the “nineteenth-century reader.”
It inspired me to pursue the stories behind the names and comments scratched into abandoned books that find their way onto eBay and the dusty shelves of second-hand bookstores.
Now in its second edition, this landmark book provides an intellectual history of the British working classes from the preindustrial era to the twentieth century. Drawing on workers' memoirs, social surveys, library registers, and more, Jonathan Rose discovers which books people read, how they educated themselves, and what they knew. A new preface uncovers the author's journey into labor history, and its rewarding link to intellectual history.
