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Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
People sometimes look surprised when I say I start my historical research with children’s books, but when those books are works of art like this one, you’ll quickly see why. Stephen Biesty’s ability to take the most complex of buildings and draw their most intricate workings and construction elements is legendary. Explore the Forum, Temple, Baths, Colosseum, and Circus Maximus in wonderful detail and learn about Ancient Rome at a single glance… or many hours poring over every page. Might be out of print – buy a secondhand copy quickly before they all get snapped up!
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"The ancient city of Rome is the perfect subject for Stephen Biesty's illustrations - beautifully constructed, technologically advanced, and teeming with life. Titus's "Roman Holiday" takes in the Temple, the Forum and the Baths, the Colosseum and chariot racing at the Circus Maximus, all illustrated in stunning, painstaking detail". "There are cross-sections, cut-aways and explosions, authoritative annotations, lists and explanations. Biesty captures the epic scale of the city - the capacity crowd at the Colosseum, for example - and there is some wonderful attention to detail in the architecture and the engineering. But he also succeeds in capturing the humanity…
I wrote Women in the Ancient Mediterranean World: From the Palaeolithic to the Byzantines when my partner and I found out that we were having a daughter. I finished it just as daughter number two appeared! I wanted to write something they could connect with easily as young women to share my lifelong passion for Mediterranean history. I grew up inspired by my local landscape of castles and ruins, trips to Greece, Michael Wood documentaries, and lots of books. I studied ancient history and archaeology at Newcastle University and later got my PhD from Durham University. I’ve written on various aspects of the ancient world in journals, magazines, websites, and my previous books.
This is one of the best books on life in the ancient Roman world – about life for the 99% rather than kings, queens and aristocrats.
In it, Robert Knapp seeks to rescue the invisible majority of ‘ordinary people’, their activities, beliefs, and dreams, from relative obscurity. The book draws on a huge range of sources and every page reveals something interesting. Women form a large proportion of the Roman invisible, and Knapp explores the lives of all kinds of subaltern women, free and enslaved.
Sometimes, as with prostitutes or the poor, the stories are grim – but they are as valid as any discussion of a Cleopatra or a Livia. I really liked Knapp’s idea of historians making invisible people visible again and it really chimed with my work on ancient women.
Robert Knapp brings invisible inhabitants of Rome and its vast empire to life. He seeks out the ordinary men, housewives, prostitutes, freedmen, slaves, soldiers, and gladiators, who formed the fabric of everyday life in the ancient Roman world, and the outlaws and pirates who lay beyond it. He finds their own words preserved in literature, letters, inscriptions and graffiti and their traces in the nooks and crannies of the histories, treatises, plays and poetry created by members of the elite. He tracks down and pieces together these and other tell-tale bits of evidence cast off by the visible mass of…
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Oddly there aren’t actually that many books dedicated solely to chariot racing, but this one makes up for that. Huge amount of detail about everything from wheels to horses, but also a real sense of the passion the Romans had for this sport and just how terrifyingly dangerous it was to be a charioteer… almost makes being a gladiator look like a nice safe desk job! I loved the feel of the race day and all the parts that made it a spectacular event – from the vast crowd to the pre-race parades and the many different roles taking part on the day. Gripping read.
A massive crowd of people, cloaked in the colors of their beloved athletes, slowly fill a 150,000-seat arena to cheer on their favorite teams. Athletes enter the stadium amid great pomp and circumstance as opposing fans hurl insults at one another and place bets on the day's outcome. Although this familiar scene might describe a contemporary football game, it also portrays a day at the chariot races in ancient Rome, where racers were the sports stars of the ancient world. Following close on the heels of his successful book on gladiators, Fik Meijer reveals all there is to know about…
I’ve always loved reading about women who lived in earlier eras, whether that was through nonfiction or historical fiction. Books gave me access to worlds beyond my own and I loved thinking about what I would do in a particular situation, whether I would have made the same choices as the women I was reading about. I suppose it’s no surprise that I have a Ph.D. in history and teach European history. I love sharing my passion for the past and I hope you love the books I recommended as much as I do!
Ok, so I’m cheating a little bit here. A lot of people have heard of the women Rubenhold writes about because they’re famous for being Jack the Ripper’s victims.
And for many of the women, what they did was not particularly scandalous, since Rubenhold goes a long way to show that not all of them were streetwalkers. But this book is such a beautiful and heartbreaking read. It’s a meticulous and gripping reconstruction of the lives of women we thought we knew but don’t. She brings nineteenth-century London alive in a way that few authors have – when I read the book, I felt like I was there.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.
I devoured this book on the recommendation of my friend Otis Gibbs, a songwriter with a particular interest in the great tradition of songs of, by, and for the working class. “Educate – Agitate – Organize,” reads the Joe Hill mural painted on the side of a rare books store in Salt Lake City, where the Wobbly songwriter was sentenced to death by firing squad in 1915. In The Man Who Never Died (2011), journalist William M. Adler contextualizes the vital importance of songs like Hill’s to the union movement, and he uncovers new details about the activist’s controversial conviction.
In 1914, Joe Hill, the prolific songwriter for the Industrial Workers of the World (also known as the Wobblies), was convicted of murder in Utah and sentenced to death by firing squad, igniting international controversy. In the first major biography of the radical historical icon, William M. Adler explores an extraordinary life and presents persuasive evidence of Hill's innocence. Hill would become organized labor's most venerated martyr, and a hero to folk singers such as Woody Guthrie and Bob Dylan. His story shines a beacon on the early-twentieth-century American experience and exposes the roots of issues critical to the twenty-first…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
My idyllic childhood while following my father, a US Air Force JAG officer, around the country and around the world did not prepare me to understand and recognize an abusive relationship. I had never seen or experienced abuse until I married. After twenty years of emotional abuse, which eventually led to domestic violence, I was able to leave it behind. It is only with therapy that I came to understand the early warning signs, why I had ignored them and why I stayed so long. While preparing to write A Sparrow Falls, I read many personal accounts of domestic violence and child abuse and conducted an interview with a survivor of child sexual abuse.
Here is another book I added to my TBR list while researching my book—and another that sat there for years. But the similarities don’t end there. This is a coming-of-age story about clannish poor whites in the rural south. In both books the protagonist is a child growing up in a dysfunctional family. Again, I found a YouTube interview in which the author spoke of the love he has for his grandparents who were unconventional in their behavior.
It is my view that children from dysfunctional families often think their lives are normal.
THE INTERNATIONAL BESTSELLER
Coming November 2020 as a major motion picture from Netflix starring Amy Adams and Glenn Close
'The political book of the year' Sunday Times
'A frank, unsentimental, harrowing memoir ... A superb book' New York Post
'I bought this to try to better understand Trump's appeal ... but the memoir is so much more than that. A gripping, unputdownable page-turner' India Knight, Evening Standard
J. D. Vance grew up in the hills of Kentucky. His family and friends were the people most of the world calls rednecks, hillbillies or white trash.
I'm an English writer now living in the wilds of Tasmania, Australia. My love of books began at school. I devoured the classics and couldn’t wait to audition for the lead in the next school play. Both my father and brother were in the military and I saw firsthand their love and duty for country, and family often with great cost to their mental health and wellbeing. I write stories about heroes like them and the women who win their hearts. Love takes courage.
This collection of short stories has a special place in my heart.
Stories written about people living in the early sixties in working-class London. The colloquial language rings true in my ears, and the stories belong in that special place held dear by my teenage self. Laugh or cry, I pick the book up when I am at most in need of, no place like home, comfort.
Ken Loach made a film based on the book and followed it up with another one of her books. Poor Cow. Dog-eared and well-worn, the books remain on my shelf.
'Her art is ignited by voice, as you hear it, is unquestionable' ALI SMITH, GUARDIAN
'Distinctive, pared-down style' DAVID EVANS, INDEPENDENT
'Unflinching look at the lives of working-class women' DAILY MAIL
Nell Dunn's scenes of London life, as it was lived in the early Sixties in the industrial slums of Battersea, have few parallels in contemporary writing. The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy.
I am a former network television executive who is fascinated by the history of mass media and have authored or co-authored nine books and many articles on the subject. These include The Complete Directory to Primetime Network and Cable TV Shows, 1946-Present and Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. I’m particularly drawn to subjects that are underexplored, or which seem to be greatly misunderstood today. I quickly learned that you are not likely to earn a living from writing, so I decided to write about subjects I cared about, and hopefully add something to our knowledge of cultural history. I became more aware of what the professional minstrel show was really like while researching Lost Sounds, based on original accounts, recordings, and films.
A highly opinionated, and thus sometimes frustrating, analysis of the pre-Civil War minstrel show, and how it impacted both oppressed African-Americans and the working-class whites who made the shows so popular. This was the first major book to advance the idea that the minstrel show was not only an exploitation of black culture (the “theft”), but also appreciated that culture and began its integration into the American musical mainstream (the “love”), which would prove to have profound implications in decades to come. An influential book that has been frequently cited in subsequent works.
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading…
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