Here are 100 books that Lawn Boy fans have personally recommended if you like
Lawn Boy.
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I am a fourth-generation Asian New Zealander who always felt ‘other’ growing up. When I was little, I hated being asked ‘where are you from?’ because I wanted to be seen as ‘just’ a New Zealander. This frustration shaped a lot of my race and identity journey, and I started reading books about other people’s personal experiences because it made me feel seen. These books also helped me recognize the richness and humanity behind my family’s story. I hope this beautiful list of books will resonate with your experiences or give you insight into a new corner of the world.
Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.
Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award
Shortlisted for the 2019 Center for Fiction First Novel Prize
Winner of the 2019 New England Book Award for Fiction!
Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.
"A lyrical work of self-discovery that's shockingly intimate and insistently…
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I love this novel because it is beautifully written and dips into darkness without losing the depth of the human spirit.
The story follows Russian lesbians, Gutke and Chava along with the women they love. It is a story of women’s struggle to survive a hard scrabble daily life, a revolution in the pale, and a Russian pogrom before immigrating to New York City. These are intelligent, aware women who dare to defy the norm at their own peril.
They still live in my heart because of their love and kindness, courage, and resilience to embrace hope in the face of hardship and tragedy.
Winner of the Lambda Literary Award: "A page-turner that brings to life turn-of-the-century New York's Lower East Side." -Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York's Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the…
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I love that this book takes a hard look at the perils, reality, and consequences of embracing truth.
It doesn’t sugar-coat the different attitudes and reactions of family members when Annie, with 3 adult children and 27 years of marriage, falls in love with Vivica. The aftermath of the seismic family upheaval reveals dark secrets about legacy, abuse, racial discrimination, revenge, class, and forgiveness.
For me reading this book was cutting edge because it was published not long after same-sex marriage was first made legal in the U.S., in Connecticut.
A bonus is that despite the family’s legacy of trauma the story ends on a note of love and hope.
From New York Times bestselling author Wally Lamb, a disquieting and ultimately uplifting novel about a marriage, a family, and human resilience in the face of tragedy.
As Annie Oh's wedding day approaches, she finds herself at the mercy of hopes and fears about the momentous change ahead. She has just emerged from a twenty-five year marriage to Orion Oh, which produced three children, but is about to marry a woman named Viveca, a successful art dealer, who specializes in outsider art.
Trying to reach her ex-husband, she keeps assuring everyone that he is fine. Except she has no idea…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I chose this book for its honest look at the fragility of love when the push and pull of church doctrine clashes in a family with twins.
One twin at 17 knows she is lesbian, and the other is a member of BOCK (Brides of Christ’s Kingdom). The story weaves lessons about the effects of homophobia and heartbreak with loss and love, forgiveness and acceptance in a small bible-belt town in Minnesota. It’s a serious subject told with wit, humor, and honesty.
A baby born helps to heal family rifts, but it’s the pull of loss and the power of love from everyone that brings a homophobic mother to acceptance that allows a young woman to follow her heart.
Lorraine Tyler is the only queer person in Bend, Minnesota. Or at least that’s what it feels like when the local church preaches so sternly against homosexuality. Which is why she’s fighting so hard to win the McGerber scholarship—her ticket out of Bend—even though her biggest competition is her twin sister, Becky. And even though she’s got no real hope—not with the scholarship’s morality clause and that one time she kissed the preacher’s daughter.
Everything changes when a new girl comes to town. Charity is mysterious, passionate, and—to Lorraine’s delighted surprise—queer too. Now Lorraine may have a chance at freedom…
I grew up in Brooklyn, NY, and am the middle daughter of three. My sisters and I were close in age, and, of course, our home was girl-centered. The three of us attended the same all-girls Catholic high school, though we each had our own friends. Because of my childhood, I love books that explore how women make friends and keep them, how we let them go, and why. The genesis of friendships interests me, whether childhood, high school, college or motherhood. I love to read books by women where girlfriendships are not an afterthought or window dressing but central to the characters’ inner lives and the story being told.
I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.
To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain.
It is Columbia University, 1968. Ann Drayton and Georgette George meet as roommates on the first night. Ann is rich and radical; Georgette, the narrator of "The Last Of Her Kind", is leery and introverted, a child of the very poverty and strife her new friend finds so noble. The two are drawn together intensely by their differences; two years later, after a violent fight, they part ways. When, in 1976, Ann is convicted of killing a New York cop, Georgette comes back to their shared history in search of an explanation. She finds a riddle of a life, shaped…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This is the debut novel by Ely Percy, and tells the story of Kirsty Campbell, an ordinary Scottish girl as she navigates her way through high school in Renfrewshire.
An extremely relatable novel, it is told in short, buzzy chapters, and I love it for relating the best of what a Scottish working-class childhood can give you – resilience, humour, and the will to succeed. The book covers issues like teen pregnancy, drugs, and violence, but it does so without lecturing; rather, it celebrates what it means to be brought up in contemporary, working-class Scotland.
Duck Feet is a coming-of-age novel, set in the mid-noughties in Renfrew and Paisley, Scotland.
It follows the lives of 12-year-old Kirsty Campbell and her friends as they navigate life from first to sixth year at Renfrew Grammar school. This book is a celebration of youth in an ever-changing world. It uses humour to tackle hard-hitting subjects such as drugs, bullying, sexuality, and teenage pregnancy. But moreover, it is a relatable and accessible portrait of figuring out who you are, plunging into the currents of life, and most of all, finding hope.
Neuroscience PhD student Frankie Conner has finally gotten her life together—she’s determined to discover the cause of her depression and find a cure for herself and everyone like her. But the first day of her program, she meets a group of talking animals who have an urgent message they refuse…
I’m from North East England, an area of the UK under-represented in contemporary fiction. I love reading books from authors who grew up in the same area as me, and I enjoy stories that deal with issues relevant to our communities and capture the unique spirit of the people here. My writing is infused with social and political issues. I’m passionate about stories that explore the world around us and how it impacts people, and all these books do that in very different ways.
I love literary fiction and stunning prose, and this book is full of gorgeous sentences that shine off the page. It deals with class issues and finding your own place in the world.
I’m from a working-class, deprived town close to the one featured in this novel. I related to some of the character’s concerns and struggles, particularly regarding the lack of opportunity in North East England.
"Andrews’s writing is transportingly voluptuous, conjuring tastes and smells and sounds like her literary godmother, Edna O’Brien . . . What makes her novel sing is its universal themes: how a young woman tries to make sense of her world, and how she grows up." –Penelope Green, The New York Times Book Review
This “luminous” (The Observer) feminist coming-of-age novel captures in sensuous, blistering prose the richness and imperfection of the bond between a daughter and her mother
It begins with our bodies . . . Safe together in the violet dark…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
This book simply changed the way I do business as a historian and a reader. I love the groundbreaking use of diaries, census records, worker’s memoirs, and library registers to sketch a detailed picture of real books read by real people—not just the official academic record of fine editions with countless mentions of that nameless creature, the “nineteenth-century reader.”
It inspired me to pursue the stories behind the names and comments scratched into abandoned books that find their way onto eBay and the dusty shelves of second-hand bookstores.
Now in its second edition, this landmark book provides an intellectual history of the British working classes from the preindustrial era to the twentieth century. Drawing on workers' memoirs, social surveys, library registers, and more, Jonathan Rose discovers which books people read, how they educated themselves, and what they knew. A new preface uncovers the author's journey into labor history, and its rewarding link to intellectual history.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Sometimes, the analytical frame of a book completely changes one’s understanding of a phenomenon, and that was the case with this history of work song.
By showing that singing and music-making at work were silenced in the latter half of the 19th century by the noise of machines and the discipline of factory bosses, Korczynski et. al. provided me with a wholly new way to understand the function of music in an industrialized capitalist society: in terms of the segregation of labor and leisure.
Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical…
