Here are 100 books that Girlhood fans have personally recommended if you like
Girlhood.
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At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.
This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I've penned 11 novels and numerous essays, and if there's one thread that ties them all together, it's rawness. I gravitate towards reading books and watching films where writers peel back the layers of their lives, exposing past wounds and delving into what they've learned from them. As an entrepreneur with a master's degree in marketing, I’ve found that this kind of vulnerability is not only compelling but essential in any form of storytelling. Whether I’m crafting a narrative for a new startup or reflecting on my own experiences for a novel, it’s this unfiltered honesty that resonates deeply with audiences.
Yuknavitch's prose is less a narrative and more a visceral experience. Reading it is like being caught in a riptide—disorienting, intense, and ultimately exhilarating. Her exploration of grief, sexuality, and survival doesn’t just skim the surface; it dives deep into the murky waters of human existence.
The raw honesty of her writing is both brutal and beautiful, making you feel like you’ve been handed the author’s very soul—scuffed, scarred, and utterly captivating.
From the debris of her troubled early life, Lidia Yuknavitch weaves an astonishing tale of survival. A kind of memoir that is also a paean to the pursuit of beauty, self-expression, desire - for men and women - and the exhilaration of swimming, The Chronology of Water lays a life bare.
It is a life that navigates, and transcends, abuse, addiction, self-destruction and the crushing loss of a stillborn child. It is the life of a misfit, one that forges a fierce and untrodden path to creativity and comes together in the shape of love.
I grew up in the shadow of my mother’s untreated and very damaging mental illness, and despite how much I loved her, I struggled with having few ways to articulate or even understand how it shaped our lives. I went on to study biology and writing, and I now often weave psychology and neuroscience into my literary essays and memoir. I write to fill the gaps between my own experiences and the ways I have seen mental illness represented—or more often, misrepresented—in our culture. I write to explore mental health as it exists in real families and communities, and to tell nuanced, loving stories that fight against stigma.
This lyrical, book-length essay is a meditation not so much on a diagnosis as on one of its most visible expressions—tears. Exploring depression through the lens of the phenomenon of crying, The Crying Book is loaded with facts both esoteric and banal. Yet it is also deeply personalized by author Heather Christle’s reflections on her own struggles with depressive episodes, as well as on the deaths of other poets to suicide, and the allure and danger of romanticizing such acts. Christle’s loose, fragmentary approach gives her the freedom to wander far and wide as she considers the art and act of crying, allowing depression to surface as an experience that is at once individual and deeply embedded in its cultural and historical contexts.
"A poignant and piercing examination of the phenomenon of tears—exhaustive, yes, but also open-ended. . . A deeply felt, and genuinely touching, book." —Esmé Weijun Wang, author of The Collected Schizophrenias
"Spellbinding and propulsive—the map of a luminous mind in conversation with books, songs, friends, scientific theories, literary histories, her own jagged joy, and despair. Heather Christle is a visionary writer." —Leni Zumas, author of Red Clocks
Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and…
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I love the rawness of Samantha Irby’s writing—she says it like it is. When I read her essays, I’m peeking in on her uncensored thoughts about the mundane, which are unrefined, real, and hysterical to me. Like many of us, I enjoy reading/hearing someone not trying to “polish a turd.”
While reading her book, my mind equally thinks: "I CANNOT believe she just wrote that” and “Tell me MORE.”
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I’ve been reading almost exclusively memoirs and personal essays for over a decade. The women who generously wrote about their bodies—the bowels, the breasts, the bad sex—lit up the path for me when I was drowning in my own body shame and body confusion. Every year I read at least 50 memoirs, and the ones on this list are the ones I revisit over and over. I also study writing with Lidia Yuknavitch at Corporeal Writing, where I first heard six years ago that “the body has a point of view.” I love this as a writer and a reader. So much of women’s bodies and experiences has been hidden away or unstoried, but those days are coming to a close, and these writers are leading the way.
Dederer’s book explores her sudden, mid-life yearning for carnal pleasure and compares them to her promiscuous youth. We see her sleeping with enough people in college to earn a recommendation on a park bench (“for a good time call Clare Dederer"), and also as a married mother and artist who longs for something more, but she’s not sure what it is. Punctuated with hilarious entries from her childhood journal, this book delivers on every level.
A hilarious, confrontational and moving story of one woman's attempts to navigate her way through the challenges of mid-life, for lovers of HOW TO BE A WOMAN and I'M NOT WITH THE BAND. 'Claire Dederer is not only a brilliant author, but an honest and brave one' Elizabeth Gilbert, author of EAT, PRAY, LOVE
Claire Dederer's youth was wild, an endless cascade of beer and rock and acid and sex that left her benumbed and adrift. But then, after two decades of disciplined transformation, she'd become a successful writer, a faithful wife, and a mother - a real adult. That…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
In addition to my lived experience as someone who has struggled with mental health and addiction since adolescence, I'm passionate about social justice issues related to mental illness and substance use. In June 2021, I completed a post-graduate program in Mental Health & Addictions. Throughout my studies I was able to gain a deeper understanding of how my own struggles developed and what they have come to mean to me from both a personal and clinical perspective. Now, I endeavor to pursue future writing projects in various genres that illuminate mental health issues as a relevant and timely topic of interest. I also hope to work with disenfranchised populations while pursuing my creative writing.
The prose style in the memoir, Girl, Interrupted, is clean, concise, and unembellished. The spare writing leaves no room for self-pity, yet still tells a vivid story of mental unraveling and convalescence concurrently. Kaysen meets a cast of vulnerable characters during her nearly year-long commitment in a psychiatric hospital. They form unlikely friendships, and we get to know all of their various neuroses in a stifling environment that is at once a cage and a path to self-discovery and health.
I was reminded of my own two commitments to psychiatric hospitals, how strange and austere the world became in those weeks, how time became irrelevant with the breakfast, lunch and dinner announcements, medication time, nightly bed checks, and the ironic “fresh air breaks,” on the back steps of the ward where I and my own unlikely cast of characters smoked cigarettes and commiserated about our unique predicaments.
Futaro Uesugi is a second-year in high school, scraping to get by and pay off his family's debt. The only thing he can do is study, so when Futaro receives a part-time job offer to tutor the five daughters of a wealthy businessman, he can't pass it up. Little does he know, these five beautiful sisters are quintuplets, but the only thing they have in common is that they're all terrible at studying! At this rate, the sisters can't graduate, and Futaro must think of a plan that suits each of them - which feels hopeless when five-out-of-five of these…
I am an award-winning author of two five-star rated memoirs: “My Whorizontal Life: An Escort’s Tale” and “A Someday Courtesan,” and the creator/performer of the 90-minute solo show: “My Whorizontal Life: The Show!” I co-host the podcast My Index to Sex. and I am a Juilliard Drama Graduate and the former #1 escort in the country. Thinking about how I grew up in a safe, typical suburb in the middle of America made me wonder if the things that happened to me with men as a girl happened to many women as we came of age in the 70s.
We all know the incomparable poet, writer, and speaker she became, but before that was her coming-of-age story. Raw and painful yet written with Maya Angelou's lyrical and insightful eye, this too was a book I started and could not put down.
Drawn into her world as a girl feeling imprisoned inside herself for terrible reasons, she finds that self-love and kindness and the world of words, books, poetry, and writing unlock the cage she was in.
As a woman, as a girl, I would never know the cruel racism she experienced, but her journey into art and its ability to heal and set one free was something I felt kin to.
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.
I was raised in the Midwest by parents who told me I could have whatever kind of life I wanted. I took them at their word, never considering that my gender might come with limitations. It wasn’t until I had my first child and began investigating Paula’s case that the true complexity of womanhood began to dawn on me. I’ve since spent nine years reading and writing and thinking about the experience of being a woman in the modern world.
This novel might have been published a half-century ago, but the situation—wherein beauty is currency, women’s bodies with their bleeding and their smells are betrayers, and the institution of marriage is, well, an institution—feels more than relevant today. The book’s protagonist, Sasha Davis is a former prom-queen who is aware of all the possibility that exists outside of the confines of her loveless marriage. Liberated, she makes moves to extricate herself from the relationship, but what she can't shed is the very thing that holds her back: her own womanhood. The book’s tone, a sort of “Can you believe I have to put up with this?” is rife with humor even as it lays out the fury-making double standards women had to face then (and now).
The cult classic that defined a generation - first UK publication in 47 years
'An extraordinary novel ... women will like it and men should read it for the good of their immortal souls' Los Angeles Times
Sasha Davis has everything a girl in 1950s suburbia could want: beauty, intelligence and an all-star sports captain boyfriend. All she needs to succeed is to keep her skin clear and her intelligence hidden under her Prom Queen tiara.
But when she drops out of college to marry, Sasha soon realises her life has become a fearful countdown…
