Here are 100 books that Florida fans have personally recommended if you like
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After reading The Enormous Egg as a child, I’ve been devoted to stories where the strange, the uncanny, and the magical are all elements of the worlds characters must negotiate. I’m most drawn to fiction containing seemingly unreal elements because, in my experience, that is reality. Those moments when the past suddenly feels present, or when you glimpse something at the edge of your vision that feels significant, but you can’t quite catch it. Moments when anything is possible. No surprise that I write fiction that explores those moments of uncertainty and leaves the reader unmoored, thinking about the people and their experiences long after they’ve left the book.
I’m always impressed by how Karen Russell pulls the reader into her stories with no warning about what we’re getting into. No easing into strange situations. She places her characters in what we publicly claim can’t be real but privately know to be true.
To make a fabulist story work, images must cling to the reader’s mind like golden treacle. Each one either grounding us in the familiar or firmly establishing the unfamiliar as quotidian. Russel is a master at this. Her stories flow so easily, and her characters’ unforgettable voices hit the reader in the first paragraph.
Charting loss, love, and the difficult art of growing up, these stories unfurl with wicked humour and insight. Two young boys make midnight trips to a boat graveyard in search of their dead sister, who set sail in the exoskeleton of a giant crab; a boy whose dreams foretell implacable tragedies is sent to 'Sleepaway Camp for Disordered Dreamers' (Cabin 1, Narcoleptics; Cabin 2, Insomniacs; Cabin 3, Somnambulists. . . ); a Minotaur leads his family on the trail out West, and finally, in the collection's poignant and hilarious title story, fifteen girls raised by wolves are painstakingly re-civilised by…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
McCracken was a librarian at my local library before she was a New York Times bestseller, so I’ve always eagerly read her books, beginning with The Giant’s House. I love Thunderstruckbecause it’s typical McCracken – unique, funny, tragic, and smart. In spite of the fact that accidents and death are ubiquitous, that wounds don’t magically heal, and that grief haunts many of the stories, this is not a maudlin book. McCracken can make you laugh out loud. Irony, wry humor, and joy live right next to cruel tragedy throughout the book. Best of all, compassion and tenderness abound.
WINNER OF THE STORY PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY NEWSDAY
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • San Francisco Chronicle • O: The Oprah Magazine • The Miami Herald • Publishers Weekly • Kirkus Reviews
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From the author of the beloved novel The Giant’s House—finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through…
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
In my very favorite story in this book full of favorites, “Pilgrims,” young children cope with adult reality in a Lord of the Flies-like atmosphere where a tragic accident is offset by the innocent gift of a lost tooth, a talisman meant to create magic in a world that can seem devoid of it. How to Breatheforefronts girls and teens struggling with guilt, peer pressure, identity, envy, sickness, death. Sounds grim, but the writing, the world Orringer creates, is as beautiful and moving as it is dark. Her characters are the kind you can live inside, remember being, feel for. I think about them a lot, still, and I read the book more than a decade ago.
A New York Times notable book and winner of The Northern California Book Award for Best Short Fiction, these nine brave, wise, and spellbinding stories make up this debut. In "When She is Old and I Am Famous" a young woman confronts the inscrutable power of her cousin's beauty. In "Note to Sixth-Grade Self" a band of popular girls exert their social power over an awkward outcast. In "Isabel Fish" fourteen-year-old Maddy learns to scuba dive in order to mend her family after a terrible accident. Alive with the victories, humiliations, and tragedies of youth, How to Breathe Underwaterilluminates this…
I’m an author of spy and treasure-hunting books! As a Christian, I’m always looking for mysteries and adventures of all kinds that leave my heart pounding, but the story itself contains high morals and justice. I love a dash of mystery, a cup of comedy, a sprinkle of romance, and a dollop of drama. These are some of my favorite picks. They’re all incredibly different too, so if you like variety, this is the list to be visiting. The order was automatically randomized—they’re all fantastic! The authors all have true hearts of gold, so definitely go out and support their amazing work today! God bless!
This book mixes realistic elements with fantasy. These YA characters are incredibly intriguing and there's always a sense of mysteriousness as you read it. This book teaches about friendship and investigating the unknown. It felt truly magical, as the main character, Allie Jo Jackson, and her friend, explore a mystical event that happened at The Meriwether Hotel.
At The Meriwether, Florida's famous antebellum hotel off of Hope Springs, nothing is quite as it seems. Secret staircases give way to servants' quarters and Prohibition-era speakeasies make for the perfect hide-and-seek spot. Allie Jo Jackson knows every nook and cranny of The Meriwether-she's lived there her whole life-and nothing surprises her, until the first time she spots the enigmatic and beautiful Tara emerging from the springs. Tara's shimmery skin, long flowing hair, and strange penchant for late moonlight swims disguise a mysterious secret-and once Allie Jo and her friend Chase discover Tara's secret, nothing will ever be the same.…
I’ve written books for kids of all ages, and always there were birds. Sparrows singing on windowsills, cardinals arrowing across yards, cormorants diving into Lake Erie, pigeons poking beneath park benches. Those things with feathers make my own heart sing! Slowly it dawned on me that I wanted to write a book where birds didn’t just flit across the pages but nested at the story’s heart. I had to do a lot of bird research for Perfect. What I learned about the precious, fragile bonds among all Earth’s creatures became one of the book’s themes: big and small, bound by gravity or able to defy it, we are all deeply connected.
Because…I adore multiple points of view. Here we get Marin, a foster child seeking clues to her past through the I Ching; a beleaguered but loveable social worker; a woman longing for a child; an orphaned owl out of his element in the city; and the Earth herself.
My favorite is Owl, who knows what it is to be abandoned and sees Marin as a hatchling he needs to protect. This is a short book with very brief chapters, but Crowder fills it with the wisdom of the ages (or is it the wisdom of owls?) I especially love how beautifully she handles friendship between generations and species.
A girl in foster care tries to find her birth mother before she loses her forever in this spare and beautifully told novel about last chances and new opportunities.
For a kid bouncing from foster home to foster home, The Book of Changes is the perfect companion. That’s why Marin carries three pennies and a pocket-sized I Ching with her everywhere she goes. Yet when everything in her life suddenly starts changing—when Marin lands in a foster home that feels like somewhere she could stay, maybe forever—the pennies don’t have any answers for her.
Like all of you reading this, I am an infinite multi-dimensional being of incredible beauty and light with my own unique connection to Source! The answer to the question ‘who am I?’ (for anyone) is not to be found in all the constructs of identity we get encouraged to build, covering our brightness with ego and opinion and beliefs and values and supposed fragility where we are not in fact fragile at all. My book subject choice for this list, though, is all about our first steps into that weird and wonderful world of ‘relationships,’ fuelled by exploding hormones, romantic dreams, social programming and, somewhere underneath (underneath the inadequacy), a perfect connection with other.
This disturbing and sensual tale of a teenage girl kidnapped and held by an obsessive young man was something I had to read in a day. The writing has a kind of D.H. Lawrence quality in that every part of the Outback landscape, every object and garment and exchange seems to vibrate with physicality and sexuality. The story is also gripping, a page-turner, and such a wonderful examination of where love and obsession meet, of Stockholm Syndrome and survival, and the jumble of feelings from the most animal to the most selfless that we all have to pick our way through.
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
The eerie forces in Folk’s debut story collection aren’t so much mystical as they are technological.
Each story in this book could be its own episode of Black Mirror, and readers come away understanding how the messiest human impulses are eternal, no matter the advances we make as a society.
Folk’s characters are people trying (and often failing) to find love, meaning, and purpose while their lives are marked by encounters with artificial intelligence and imminent apocalypse.
'Extraordinary . . . Folk is a dazzling talent' Karen Joy Fowler
'Wonderfully weird' Daily Mail
A woman uses dating apps to find a partner, despite the threat posed by 'blots', artificial men more interested in stealing data than dating. A sculptor, trapped in a skyscraper restaurant when a violent coup erupts below, creates a perfect model of the town as it is destroyed. A curtain of void obliterates the world at a steady pace, leaving one woman to decide with whom she wants to spend eternity.
Haunting and darkly inventive, the stories in Out There deftly combine science fiction…
I am a work in progress, on my way to becoming a conscious communicator and an even better human being. I believe that intentional communication and (the) quality of our relationships determines the quality of our lives, careers, and societies. I’ve spent decades guiding people and cultures to foster open communication, cultivate self-understanding, and deepen trust, from large Fortune 500 to small businesses. Building communication skills is a practice that leads to self-transformation and finding meaning, and happiness. Each of these books will help you to better understand yourself and others, and learn to communicate at the level of trust.
If you’ve been avoiding having a difficult conversation, this book is for you.
It provides a step-by-step guide for preparing to have difficult conversations and navigating the waters once you’re in them, both personally and professionally. You’ll learn to see your own defensive barriers to communicating well (defensiveness to silence) and how to apply strategies for overcoming these obstacles and creating a safe and productive environment.
It’s a valuable resource you’ll come back to again and again, because people are complex, and communication is the bridge to building trust.
The New York Times and Washington Post bestseller that changed the way millions communicate
"[Crucial Conversations] draws our attention to those defining moments that literally shape our lives, our relationships, and our world. . . . This book deserves to take its place as one of the key thought leadership contributions of our time." -from the Foreword by Stephen R. Covey, author of The 7 Habits of Highly Effective People
"The quality of your life comes out of the quality of your dialogues and conversations. Here's how to instantly uplift your crucial conversations." -Mark Victor Hansen, cocreator of the #1…
I'm a licensed marriage and family therapist, deeply committed to healing intergenerational trauma and fostering healthy relationships. My passion for this field stems from witnessing the transformational power of understanding and addressing the roots of personal and relational issues. Having navigated the complex dynamics of family systems both professionally and personally, I've seen firsthand how unearthing and healing old wounds can lead to profound growth and stronger bonds. This fuels my dedication to guiding others on their journeys toward self-discovery and improved mental health. The books I recommend are ones that have not only enriched my professional practice but have also offered me invaluable insights into the psychology of human connections.
It revolutionized the way I view apologies and relationships. This book opened my eyes to the power of a sincere apology and how it can mend even the deepest of rifts.
Lerner’s insights into why people struggle to apologize genuinely were enlightening, offering me clarity on past conflicts and how to approach them differently. It didn’t just make me reevaluate my actions but also brought a sense of healing and closure to lingering issues. The book helped me improve my relationships and understand the complex dynamics of apologies and forgiveness.
It's concise, impactful, and truly transformative.
Renowned psychologist and bestselling author of The Dance of Anger sheds new light on the two most important words in the English language, "I'm sorry," and offers a unique perspective on the challenge of healing broken relationships and restoring trust. Dr. Harriet Lerner has been studying apologies for more than two decades, namely, why some people won't give them. Now she offers compelling stories and solid theory that demonstrates the transformative power of making amends and what is required for healing when the damage we've inflicted (or received) is far from simple. Readers will learn how to craft a meaningful…
