100 books like Children of Earth and Sky

This is the first book in the breathtaking House of Niccolò series that takes readers across Europe from Flanders to Tuscany, then to Scotland, Cyprus, and Constantinople, among other places, in the mid-fifteenth century. It is the story of a humble but gifted Bruges dye-works apprentice named Claes who turns himself into the wealthy, well-respected, often feared Niccolò, who wreaks havoc on his enemies. Dunnett’s hist-fic is for serious fans of the genre: kings, duchesses, and courtiers, financial machinations with the Medici, international intrigue, and the very best sort of timeless narrative. Not an easy read, but unforgettable, and so worthwhile. Dunnett inspired me to write action-packed but quality historical fiction based on serious research. 

Lace-making and swordsmanship, and a deadly personal feud; swashbuckling hist-fic with a well-researched core about cultural conflict in 17th century Spain. The story opens in London, in 1609, then moves to Seville, where a young woman tries to reclaim her inheritance from a man devoted solely to fencing and himself. I married into a traditional Spanish family; I know Seville. Deborah Swift captures the summer heat and dust, and the pervading sensation that violence is just one stone's throw away in a page-turning novel that made me think more deeply about Moorish Andalucía, what happened in the past here – and is still happening. Quality fiction.

Book 1 in Gill’s Troubadour series opens in Provence, in 1150. A young runaway wakes in a ditch protected by a huge white dog. The girl becomes the celebrated lutist Estela at the court of Alienor of Aquitaine. Her tutor, then lover, is the Queen’s finest troubadour, Dragonetz los Pros. Using Jewish money and Moorish expertise, Dragonetz builds a paper mill, bringing him into desperate conflict with the Christian Church. This is a compelling story woven into real events: the writing is captivating, the history fascinating. Jean Gill is one of those authors who can ‘take you there’. I was watching what was happening and fearing for the safety of the protagonists to the last page. History, action, and a not-too-treacly romance. A great read all round.

I’m not a great Wilbur Smith fan, but I read this story because it involves trade with India in the age of sail and the monsoon, and it has stayed with me. There is a sweeping plot taking an 18th Century Englishman on a perilous voyage around the Cape of Good Hope to the Indian Ocean, memorable characters, victims of greed and perpetrators of evil, and some brilliantly described action scenes. If you want some edge-of-your-seat armchair travel, this novel will take you on a real adventure to far-away places.

For academic perspectives on bisexuality, this book is a great resource. Because many books on bisexuality are centred in or around North America this is a welcome addition. It is the first to bring together academic research on bisexual people from around Europe. It also won the Bisexual Book Award for Best Non-Fiction Book of 2020 (if you’re looking for more bi books the annual Bi book awards by the Bi Writers Association is always a good place to search!). 

The book includes research from different disciplines, showcasing the many ways that scholars have approached bi+ issues. It provides fascinating insights that are a great stepping stone for venturing deeper into the topic. 

Textbooks can be expensive, and many academic articles are locked behind pay-walls, so the authors made sure that there’s an open access version of the textbook (click the direct link below).

Trans sci-fi? Yes, please. This delightful collection of short stories—which I have read twice now—consistently wows with its relatable queer and trans body-suffering, body-shifting protagonists. It is not so much a book about queer futures as it is a futurist rendering of the past twenty years, including climate disaster, endless wars, gentrification, digital subcultures, and a bit of high school nostalgia. A trans gay boy enters a portal in the woods; a young menstruating person pulls a screwdriver from their vagina; job opportunities on the moon entice anti-capitalist, ennui-filled teenagers. If Muñoz imagined queerness as a utopian space-time rupture, Jarboe reminds us that our queer dystopia is inescapably here. We wrestle now in our flesh in this fucked-up world. 

I’m not a fan of conflict (Who is?!), so I found this book incredibly helpful. I really liked the way the authors broke things down into simple buckets. For example, rather than thinking, ‘Why did that innocent little, tiny comment wind me up so much? I must be a muppet!’ It helped me to see the principles at play and, therefore, what I could do to keep thriving.  

I use many of the techniques described here on a daily basis. They have helped me to stay true to what is important whilst maintaining rapport, to seek out valuable feedback without getting bent out of shape, and to deliver difficult messages more compassionately and effectively. 

At last, a book about a kid whose anger is just as big as the anger of many kids I know, and whose transition into parent-requested foster care isn’t easy—but gets easier. Jason and his family are in trouble, and this straightforward novel opens a door that readers don’t often walk through, unless we’re opening that door in real life. This novel reflects real-life situations in a direct and caring story about what happens next. 

What a breathtaking scope Tokarczuk gives us! This Polish novelist was new to me when I first picked this book up, but even though she won a Nobel Prize, I think she will be new to most U.S. readers.

This book begins as a meditation on travel and human movement, moving episodically through different fictional and historical plots, investigating sexualities, artificial humans, geographies, and the human compulsion not to sit still. But this just scratches the surface, as she has a kind of Garcia Márquez touch for identifying stories where bodies (both real and fake) exert their magic, even as the stories she tells are purportedly historical.

Did an 18th-century noblewoman during wartime smuggle a jar that contained Chopin’s heart in her undergarments? Tokarczuk answers: Is this so unbelievable? 

While more literary than horror, the concept of a man with no memories being pursued by a shark made of words has plenty of creepiness to it! Here, the author uses different typographical sizes and structures to create pictures, and these tie into the themes of the book. It’s a straightforward read with a unique edge that helps make language more visual, and that makes it thoroughly compelling.