Here are 68 books that Fearless fans have personally recommended if you like
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Dinty W. Moore is the author of the writing guides The Story Cure,Crafting the Personal Essay, and The Mindful Writer, among many other books. He has published essays and stories in Harper’s, The New York Times Magazine, The Southern Review, Creative Nonfiction, and elsewhere, and has taught master classes and workshops on memoir and essay writing across the United States as well as in Ireland, Scotland, Spain, Switzerland, Canada, and Mexico.
A friendly and accessible guide for anyone wanting to tell their own life story, Fearless Confessions looks at several craft issues in writing – plot, style, voice, point-of-view, metaphor, language – as well as marketing, and ethics. Silverman’s exceptional book offers also provides insight from her own writing journey, useful writing exercises, a helpful discussion of nonfiction sub-genres, and a valuable “Reading List of Contemporary Creative Nonfiction.” A welcoming and supportive text packed with nuggets of pure wisdom.
This title shows how to craft compelling art out of personal experience. Everyone has a story to tell. ""Fearless Confessions"" is a guidebook for people who want to take possession of their lives by putting their experiences down on paper - or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers. The rise of interest in memoir recognizes the power of the genre to…
I went through a particularly hard time several years ago and to get through it I was forced to dig deep into what I’d learned about compassion and self-compassion over three decades of meditating. Because I’m a meditation teacher, I wanted to share with my students everything I learned about being kind and supportive toward myself as I went through the toughest challenges I’d ever faced so that they could benefit as well. That’s why I wrote This Difficult Thing of Being Human. Self-compassion has become the core of everything I’ve taught since then, and one of the wonderful things about it is that once you’ve shown yourself compassion, you automatically find yourself treating others with compassion too.
One of my favorite sayings (by G.K. Chesterton) is, “If a thing’s worth doing, it’s worth doing badly.” With these well-chosen words, Chesterton converted me to “imperfectionism.” It’s not that as imperfectionists we should aim to do things badly, but that we should aim to do necessary things and accept that we’re going to make mistakes on the way. Guise’s writing isn’t always elegant. However, he puts the case strongly that perfectionism is not something to humble-brag about, and is a “disorder of the mind.” More importantly, though, he offers detailed, practical, easy-to-implement steps for developing an imperfectionist mindset where we “lose our crippling fear of not doing [things] well.”
From an early age, kids are taught to color inside the lines, and any color that strays outside the lines is considered to be a mistake that must be avoided. Perfectionism is a naturally limiting mindset. Imperfectionism, however, frees us to live outside the lines, where possibilities are infinite, mistakes are allowed, and self-judgment is minimal.The old way to approach perfectionism was to inspire people to “let go” of their need for perfection and hope they could do it. The new way is to show people how simple but highly strategic "mini actions” can empower them to gradually and effortlessly…
It would be fair to say that the deconstruction has firmly taken hold of the Western genre in movies. But while an appreciation of Sergio Leone is omnipresent to the point of cliché for cinema buffs, in literature, Louis L’Amor, Zane Grey, and William W. Johnstone reign supreme. Cormac McCarthy’s apocalyptic Western horrors being the exception that makes the rule.
But Western books have their own subversion, and I wanted to spotlight those. The men’s adventure, the pulp fiction, the outright smut. These are the books that inspired my own novel, A Man Called Bone, and I hope it does right by its muses.
You’re largely in the same boat with Longarm as you are with Slocum. The main differences is that Longarm’s name isn’t as good a euphemism (his name isn’t even really Longarm, it’s Custis Long) and that he’s a U.S. Marshall, not an outlaw like Slocum. Sort of like James Bond in the Wild West… wait, that’s James West of Wild Wild West… sort of like James West without the steampunk gadgets. Longarm goes from town to town, bringing bad men to justice and taking bad girls to bed.
Although this series has the dubious distinction of provoking an “I can do better than that” reaction in me. In Longarm on the Border—installment 2, as there are actually two books by that title in this four-hundred-strong and only recently ended series—the main character finds himself in a threesome. Maybe it’s that these are the adult westerns not being published…
Double-barreled action—the first two Longarms in one volume!
LONGARM
Longarm has a new mission. Ride to Crooked Lance. Pick up Cotton Younger, killer cousin of Jesse James, from the town jail. Bring him to trial. It should be easy. Except for one thing: Deputy Kincaid has already tried it. And Deputy Kincaid is nowhere to be found. Nobody at Crooked Lance wants Longarm to do his job—not the beautiful widow woman, or the Federal Agent, or the James gang—but Longarm never gives up when he has work to do. Even if it kills him…
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
This is the book that convinced me to dive into romantic suspense after writing only contemporary romance for many years. I’d always been tempted to branch into this genre, but I wanted to delve more into psychological suspense and character development, ala Hitchcock. Yet most of what I saw on the market took the constant-action thriller approach to storytelling, often at the expense of character development. Then I read this book. The characters were complex, the plot was compelling but left breathing space in between the action for character development, and the romance was a slow burn. So I took the plunge into suspense—and have never looked back.
A federal judge has been murdered. There is only one witness, and an assassin wants her dead. U.S. Marshall Marcus O'Malley thought he knew the risks of the assignment . . . but he was wrong.
Introducing the O'Malleys, an inspirational group of seven, all abandoned or orphaned as teens, who have made the choice to become a loyal and committed family. They have chosen their own surname, O'Malley, and have stood by each other through moments of joy and heartache. Their stories are told in CBA best-selling, inspirational romantic suspense novels that rock your heart and restore strength and…
I’ve always been fascinated by the sea. I grew up near the gentle waters of England’s Kent coast, then went to St Andrews University, surrounded by the treacherous North Sea. Finally, I discovered the Devon shores, which inspired Agatha Christie. In island thrillers like hers, the power of the sea becomes overwhelming. It holds suspects at bay, becomes a murder weapon, and constrains both innocent and guilty until justice is done. For me, this is the ‘locked room’ mystery in its purest form: an isolated location and a limited number of suspects–causing unlimited amounts of tension. I hope you love these stories as much as I do.
I found this book sinister and compelling, playing as it does with ideas of madness and sanity, innocence, and guilt.
It is full of layers and constantly made me second-guess my theories on where the plot was heading. I also liked the fact that the author said he was inspired by the works of the Brontë sisters, whom I studied at university.
I could feel echoes of their work in the claustrophobia and chaos of this book.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
Every time I write a romance novel, I find myself returning to the same themes: seeing people for who they are beneath the surface, respecting others despite differences, and choosing to love those who might seem a little odd. Whether they’re angels, mermaids, or plain old humans, my characters lead lives where, despite marginalization and alienation, love and a sense of belonging are possible. My Christmas novella, Mistletoe Mishap, was a Lambda Literary Award finalist.
In this emotional tour de force, a judge falls in love with the federal marshal who protects him during a terrorism-related trial. He’s kind, caring, and ethical; he’s intelligent, hardworking, and competent; and he knows all too well that in many people’s eyes, none of that matters. That betrayal feels painfully familiar; his spectacular vindication, cathartic.
A federal judge running from the truth. A U.S. marshal running from his past. A trial that can plunge the world into war.
Federal Judge Tom Brewer is finally putting the pieces of his life back together. In the closet for twenty-five long years, he's climbing out slowly, and, with the hope of finding a special relationship with the stunning Mike Lucciano, U.S. Marshal assigned to his D.C. courthouse. He wants to be out and proud, but he can't erase his own past, and the lessons he learned long ago.
But a devastating terrorist attack in the heart of DC,…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I wanted to write an action crime book, and it turned into a vigilante book. With military skills (West Pointer/Infantry & Aviation Officer) and lots of cop friends, I was able to draw on real experiences. I also read about 80 novels a year and write crime thriller novels. I’ve won more than a few awards and keep studying my craft. It makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about vigilantes, I try to keep it real.
I love the war dog, Cody. He has PTSD that makes his rear leg shake, but he is otherwise brilliant with a big personality. He’s not the main character, but he steals the show. Jake (the main character) takes Cody everywhere.
What happens?
Electronic murder, regular murder, Mob wars, kidnapping, police brutality, deadly drones, terrorists, and tons of action. And then there’s the Italian mob, the Russian mob, the FBI, the U.S. Marshalls Service, the Secret Service, the CIA, and the San Francisco PD and the stories about the hero, Jake, a former CIA assassin pulled back into service. Plus, the ladies are everywhere, good girls, bad girls, and victims.
When Jake Wolfe and his adopted war dog are asked to do a K-9 search for a missing person, they uncover a shocking conspiracy, are targeted for death, and must fight for their lives against a gang of cold-blooded killers.
The threat begins when wealthy socialite Lauren Stephens awakens to find her husband, Gene, has vanished from their mansion during the night, leaving his luxury car behind. Cody searches the estate and the dog uncovers a frightening secret that shocks a trusting wife to the core. Gene has enemies, and now they want something from Lauren. Her world is about…
As soon as I found out about Zephyrettes, I knew I had to write about these real-life train hostesses who rode the rails on the old California Zephyr, which existed from 1949 to 1970. The only woman on a train crew, someone who keeps an eye on passengers and situations, anticipating and solving problems—who would be better placed to solve a mystery on a train? Jill is my traveling Miss Marple. I’m a former newspaper reporter, Navy journalist, and have been writing for decades, first the Jeri Howard series, then the Jill McLeod series, and lately a book featuring geriatric care manager Kay Dexter, The Sacrificial Daughter.
A crowded troop train is heading across a desolate stretch of tracks through the Rocky Mountains. It’s the dead of winter 1873 and you can almost feel the chill seeping into the railcars. The troops are headed to Fort Humboldt to relieve the cholera-stricken garrison. In addition to the troops, the train’s passengers include a powerful governor, the daughter of the fort’s commander, and a US marshal escorting an outlaw prisoner. But people and their stories aren’t what they seem. A passenger is murdered. Time is running out and a lot of people are going to wind up dead before the end of the story. A masterful thriller by MacLean.
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
Within these pages lie the latest gems of research that expands our knowledge of Wyatt Earp’s life events and character. Each of these contributions by a variety of authors is considered a revelation in the field of Earpiana. Readers cannot know the whole story of Earp without these long-lost chapters of Western history.
Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. He was a product of his time, often walking both sides of the street, sometimes on the side of law and order and sometimes as the law-breaker. Some see him as the "Lion of Tombstone," a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman.
Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild…
