90 books like Every Man a Menace

I read Tinker Tailor Soldier Spy for the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spy is told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era. 

I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of which Present Tense is the first. I hope you enjoy it, and also the other books I’ve recommended here.

Thomas Perry is a 74 year old writer who is working on his 30th novel. His books have won a number of honors and awards, including the Edgar from the Mystery Writers of America for The Butcher's Boy, the Gumshoe for Pursuit, the Barry for The Informant, and again for Eddie's Boy. Metzger's Dog was voted by NPR's listeners one of "100 Killer Thrillers--Best Thrillers Ever." He has always believed that a writer's most important job is learning to be a better writer.

For people who know something about a technical field, there is nothing that can ruin a book or movie faster than inaccuracies about that field. I’ve worked as an armored car driver, police officer, and private investigator in and around Detroit, and have been writing for outdoor magazines for close to twenty years, so not only do I know a lot about the featured subjects/characters of most thrillers, I care about how accurately they’re portrayed, and have brought that passion to my writing. I’ve written five thrillers set in Detroit, many of them featuring a private investigator, and when writing Bestiarii and its sequels did extensive research on dinosaurs.

I have been researching and writing about the history of psychedelics for two decades. I am a professor of History and Canada Research Chair in the History of Health and Social Justice at the University of Saskatchewan. I became utterly inspired by the many different psychedelic projects that fascinated researchers across disciplines, regions, and world views. These psychoactive substances have been fodder for deep studies of consciousness, dying, mysticism, rituals, birthing practices, drug policy, Indigenous rites, mental illness, nursing, how to measure and give meaning to experience… the list goes on. To study psychedelics is to surrender yourself to endless curiosity about why things are the way they seem to be. The books on this list are just the tip of the iceberg in a diverse conversation that is erupting on this topic. 

Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.

Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.

From the time I could hold a crayon, I was drawing. I often don’t know how I truly feel about something until I make art about it. Led by imagination and curiosity, I'm a seasoned traveler in liminal spaces and love guiding people between the mystical and the mundane. With 20-plus years of experience as an Artist and Creative Director, I've discovered that solutions to any problem can be found through triumphs in imagination and a willingness to view the situation from a different perspective. By peeking into my own shadow, darkness, and hidden places, I've gained a profound reverence for the human soul and deeper compassion for what it is to be alive.

Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.

UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.