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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
As someone who has explored the tombs of Egypt in real life, this story dug its claws right into me.
As well as all the claustrophobia, the darkness, and the sense there’s no way out, Moreland confronts you with ancient gods and monsters so terrifying you’ll be testing the walls for a secret passage out of there every step of the way.
"The suspense of the story, aided by sly hints from the author, and the atmosphere of a dark, claustrophobic tomb work together to create a scary story. The characters' fear invites the reader into the world to experience the fright themselves."
- Booklist Starred Review
Deep inside the tomb exists a hidden world of wonder and terror.
In 1935, British archaeologists vanished inside an Egyptian cave. A year later, one man returned covered in mysterious scars.
Egyptologist Imogen Riley desperately wants to know what happened to the ill-fated expedition led by her grandfather. On a quest for answers, she joins…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
In this novella, Curran taps into that sense of what’s below our feet as another world.
A world from a past so distant from ours that we’ve forgotten what lurks there. The reader follows Boyd down into the depths and understands his reasons for taking the job in the bowels of the mine, even as things take turn after turn for the worse.
Curran knows exactly when to paint the horror vividly and when to hold back, or lean into the unsettling and the uncanny.
With a kid on the way, Boyd needed the job bad. But the idea of going underground at the Hobart Mine, down into the dark labyrinth of tunnels to get at the raw ore, left him with a brooding sense of unease. Maybe it was the fact that his father had died down in the mines or maybe it was something much worse. Digging a new drift down in Level #8, the lowest level of the mine, an immense shaft opens up. Boyd and a few others volunteer to explore it. Some 400 feet down, they find a passage that…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
Like with Tim Curran’s The Underdewlling, above, Eyes in the Dust leans into the cosmic with its approach to what’s below our feet.
A giant borehole has been dug in an unnamed, developing world country revealing an inexplicable anomaly. Our story, though, focuses on a single individual’s perspective. Cortland—the archetypal faceless manager—comes face to face with the nihilistic reality of what lurks miles beneath the soil, and the horror is almost too much to bear.
a DUNHAMS MANOR PRESS EXCLUSIVE from the author of THE SPECTACLE OF THE VOID. The world has moved on and left Cortland behind. His career as an academic has fizzled out, his fiancé is dead, and he remains haunted by the notion that it’s his fault. When a consulting firm contacts him with the opportunity of a lifetime—two months off the grid studying slime molds at the bottom of an ancient impact crater—he has no choice but to accept. He soon learns, however, that the crater holds dark secrets, that death itself is not an exit, but rather a welcoming…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
These short stories lure you in to a world of fantastical distortions and mythical resonances, which make you look differently at women’s lives.
A young girl with an eating disorder turns into an eel; a group of female friends go hunting for male conquests whom they kill and eat to satisfy their appetites. In a world of anarchic desires and obtuse relationships, strange and inexplicable metamorphoses take place. Violence bridges the gap between human and animal, between desire and carnal action.
In candid language not for the faint-hearted, this book probes the potentially dark recesses of the female psyche against a timeless backdrop of rural folklore and magical possibility.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
For a rational, well-educated woman, I’m also occasionally superstitious. This gripping compilation of folk beliefs and rural ritual–from two stalwarts of folklore academia–is a book I return to again and again.
Almost every aspect of rural life has a superstition attached. From churning butter to childbirth, I pour over these weird and wonderful subjects and am reminded of just how pervasive and persuasive folk beliefs still are.
Are there any legends about cats? Is Cinderella an English story? What is a Mumming Play? The subject of folklore covers an extremely wide field, with connections to virtually every aspect of life. It ranges from the bizarre to the seemingly mundane. Similarly, folklore is as much a feature of the modern technological age as the ancient world, of every part of the country, both urban and rural, and of every age group and occupation. Containing 1,250 entries, from dragons to Mother Goose, May Day to Michaelmas, this reference work is an absorbing and entertaining guide to English folklore. Aimed…
I grew up in the 1980s when there wasn’t consideration for representation or diversity in literature or media. If I wanted to read about a Girl of Color, inevitably, she was a slave. If I wanted to watch a TV show featuring women (of any color), they were inevitably rescued in the climactic moment by a man. As such, I grew into a reader who loves kickbutt girls of all stripes. Give me a chance to cheer on a female who’s looking for her happy ending and not about to let the world dictate how she finds that happiness (and with whom), and boy, you got me!
I love books that keep me guessing and leave me unsettled about character motivation and story truth, and Into the Sublime gets the gold on all of those requirements and more! Amelie, a member of a thrill-seeking group, heads out with three other girls—H, Gia, and Devon—to find a lake called “The Sublime,” that’s said to reveal your deepest fears. Much like the underground cave system the girls find themselves in, Into the Sublime takes readers on a twisting tale full of tension and changing alliances, and an ever-tightening noose of dread and unease. What happened in those caves? Why did four girls go in but only three come out—and whose blood is Amelie covered in? This is the kind of book you stay up late to finish...then spend the next few days sleeping with the lights on. Lovers of psychological suspense and horror won't be disappointed.
"Gripping and breathless, Into the Sublime is equal parts terrifying, claustrophobic, psychological, and cunning." ―Wendy Heard, author of She's Too Pretty to Burn and Dead End Girls
A new YA psychological thriller from Kate A. Boorman, author of What We Buried, about four teenage girls who descend into a dangerous underground cave system in search of a lake of local legend, said to reveal your deepest fears.
When the cops arrive, only a few things are clear: - Four girls entered a dangerous cave. - Three of them came out alive. - Two of them were rushed to the hospital.…
As a writer of thrillers whose debut novel was considered Noir, I’ve always been fascinated by tales of characters that are not always the most likeable. Noir fiction is characterized by cynicism, fatalism, and moral ambiguity. Similar to its successful films, I love when you feel for an anti-hero. That despite their questionable motives, the author or director manages to make you root for them in the end.
Another Jim Thompson classic, The Grifters is about a trio of con artists trying to move up from being small-time crooks. They add love and a mother/son relationship into the mix which only makes things worse. The film directed by Stephen Frears is a master-class in acting from Anjelica Huston, Annette Bening, and John Cusak. The scene at the end couldn’t be more shocking as a way to wrap up a noir film. Money is paramount in the world of the grifters, everything else secondary. What could be more noir than that?
Roy Dillon is young, good-looking and devastatingly charming. He's also a completely amoral con man. Lily, his mother, works for the mob. Moira Langtry, Roy's mistress, is always looking for the main chance, and so is Carol Roberg, the nurse brought in to look after Roy when a bad choice of mark means he has an unfortunate encounter with a baseball bat and a bad case of internal bleeding. Together they make up a perverse quadrangle of love and greed in a coruscating novel of corruption.
I have been an avid reader from an early age and painting has been my life's work since attending art school from the age of sixteen. Having painted the largest mural in a private house in the 20th century, over a period of fourteen years since 1968, it has been a great privilege to live as part of the families in so many diverse and beautiful houses in Britain, Europe, The Middle East, and The Americas. Many of the interesting people that I have met along the way have greatly enriched my being and I am particularly intrigued by the way that chance encounter shapes one's life. Serendipity is all!
The best tale and totally mesmerizing story of the confidence-man Felix Krull, who developed the art of subterfuge and deception to a phenomenal degree.
Escaping from a childhood of poverty he eventually rose to mingle with the highest echelons of European society. Helped by being young and good-looking Krull was irresistible to women, of which he was not slow to take advantage.
This chameleon-like quality enabled him to adapt to countless situations and to pursue his career as a highly gifted swindler impervious to the conduct and morals of normal humankind.
When, eventually, the Marquis de Venosta makes him a proposal he cannot refuse - his world changes.
Recounts the enchanted career of the con man extraordinaire Felix Krull--a man unhampered by the moral precepts that govern the conduct of ordinary people.
For much of my career as a sociologist and professor of social welfare, I’ve focused my research and teaching on the issue of economic and social inequality in America. Why should the United States have both great wealth and yet at the same time extreme poverty and inequities? This question has motivated much of my scholarly and popular writing over the years. For me, this represents the fault line of America. We profess the importance that all are created equal, and yet our actions undermine such a belief. Why should this be the case, and how can we change the reality to reflect the ideal?
One of the most enduring stereotypes about poverty and welfare, has been that of the welfare queen – someone living the good life on welfare and grossly abusing the system.
Ronald Reagan used the example of Linda Taylor in the 1970s to epitomize and capitalize on this myth in order to score political points. Josh Levin tracked down the actual story of Linda Taylor. As is so often the case, the truth is much stranger than fiction.
A riveting biography of the individual who was at ground zero of the welfare queen myth.
*** WINNER OF THE NATIONAL CRITICS CIRCLE AWARD FOR BIOGRAPHY *** *** LONGLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY ***
'The Queen is an invaluable work of non-fiction' - David Grann, Sunday Times and New York Times bestselling author of Killers of the Flower Moon
This is the gripping true tale of a villain who changed American history.
In the 1970s, Linda Taylor became a fur-wearing, Cadillac-driving symbol of the undeserving poor - the original 'welfare queen'. In the press she was the ultimate template for this insidious stereotype; Ronald Reagan himself cited her criminal behaviour in his…
