Here are 100 books that The Underdwelling fans have personally recommended if you like
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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
As someone who has explored the tombs of Egypt in real life, this story dug its claws right into me.
As well as all the claustrophobia, the darkness, and the sense there’s no way out, Moreland confronts you with ancient gods and monsters so terrifying you’ll be testing the walls for a secret passage out of there every step of the way.
"The suspense of the story, aided by sly hints from the author, and the atmosphere of a dark, claustrophobic tomb work together to create a scary story. The characters' fear invites the reader into the world to experience the fright themselves."
- Booklist Starred Review
Deep inside the tomb exists a hidden world of wonder and terror.
In 1935, British archaeologists vanished inside an Egyptian cave. A year later, one man returned covered in mysterious scars.
Egyptologist Imogen Riley desperately wants to know what happened to the ill-fated expedition led by her grandfather. On a quest for answers, she joins…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
This book leans heavily into old English folklore, has terrifying creatures and believable characters.
Above and beyond all that, though, is the atmosphere the author creates in the rabbit warren of the Chislehurst Caves. It’s no secret that Budd is a veteran visitor to this terrifying complex of tunnels and caverns, and it really shows in this book. Even the “quiet” moments in Enter the Darkness had me shuddering.
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
Like with Tim Curran’s The Underdewlling, above, Eyes in the Dust leans into the cosmic with its approach to what’s below our feet.
A giant borehole has been dug in an unnamed, developing world country revealing an inexplicable anomaly. Our story, though, focuses on a single individual’s perspective. Cortland—the archetypal faceless manager—comes face to face with the nihilistic reality of what lurks miles beneath the soil, and the horror is almost too much to bear.
a DUNHAMS MANOR PRESS EXCLUSIVE from the author of THE SPECTACLE OF THE VOID. The world has moved on and left Cortland behind. His career as an academic has fizzled out, his fiancé is dead, and he remains haunted by the notion that it’s his fault. When a consulting firm contacts him with the opportunity of a lifetime—two months off the grid studying slime molds at the bottom of an ancient impact crater—he has no choice but to accept. He soon learns, however, that the crater holds dark secrets, that death itself is not an exit, but rather a welcoming…
I’m an accidental historian, one that stumbled over a love of history in spite of myself. In school, history was all just dates and places—not the kind of thing to inspire a kid that loved stories about people, not dusty old battles. But then a funny thing happened on the way to an English degree. A few history electives suddenly seemed way more appealing than another round of Austen, and led me to a BA History with Distinction. The first half of the twentieth century is a favorite period, but I say bring on the Renaissance and Viking ships too!
In The Inheritors, William Golding brings to life a creature from the distant past: Lok, a hairy, barely verbal hominid whose small band is the last of their kind. New words and thoughts confuse him, flashes of logic slip out of his grasp, and he discovers the existence of mysterious Others; invaders with the formidable technology of bow and arrow. But The Inheritorsis much morethan an exciting adventure. The story stays with me because Lok is a mirror of us—of the human urge to try, to fail, to push on despite the odds. We have no idea what the next thousand years will hold. Neither did Lok. But just like him, we can’t help moving forward.
Hunt, trek, and feast among Neanderthals in this stunning novel by the radical Nobel Laureate and author of Lord of the Flies, introduced by Ben Okri.
This was a different voice; not the voice of the people. It was the voice of other.
When spring comes, the people leave their winter cave, foraging for honey, grubs, and the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes, and share pictures in their minds. But strange things are happening: inexplicable scents and sounds. Imaginable beasts are half-glimpsed in the forest;…
A dual citizen of Australia and the US, Christina Thompson has traveled extensively in the Pacific, including through most of the archipelagoes in Polynesia. She is the author of two books about Polynesia: a memoir of her marriage to a Māori man called Come on Shore and We Will Kill and Eat You All and a history of the ancient voyagers of the Pacific called Sea People. She edits the literary journal Harvard Review andteaches in the writing program at Harvard University Extension.
I like to think of Patrick Kirch as “Mr. Pacific Archaeology”—no one has written more, or more winningly, about Polynesian prehistory—and On the Road of the Winds is his introduction to the field. First published in 2002 and reissued in an updated edition in 2017, this elegant, eminently readable survey not only covers the history of archaeology in Polynesia, Melanesia, and Micronesia but explains how the archaeological findings of the past half-century relate to discoveries in biology, linguistics, cultural anthropology, botany, and countless other fields.
The Pacific Ocean covers one-third of the earth's surface and encompasses many thousands of islands, which are home to numerous human societies and cultures. Among these indigenous Oceanic cultures are the intrepid Polynesian double-hulled canoe navigators, the atoll dwellers of Micronesia, the statue carvers of remote Easter Island, and the famed traders of Melanesia. Decades of archaeological excavations, combined with allied research in historical linguistics, biological anthropology, and comparative ethnography, have revealed much new information about the long-term history of these Pacific Island societies and cultures. On the Road of the Winds synthesizes the grand sweep of human history in…
T.K. Thorne became a police officer during the first decade of women policing in Birmingham, Alabama, retiring as a captain. Her background as a woman in a macho man’s world helped inform the writing of award-winning historical novels about completely unknown women in two of the world’s oldest and most famous stories—the tale of Noah’s flood and the burning of Sodom (Noah’s Wife and Angels at the Gate). An experienced speaker, T.K. shares the fascinating background research into the culture of those early civilizations, as well as the scientific discoveries behind the flood in the Mideast and first-hand information gained from her personal trips to the area.
Ayla’s amazing story of survival in ancient times no doubt influenced me in writing my own book, although I didn’t realize it until I was deep into telling my own story.
Both Ayla and Na’amah were, in a way we find difficult to grasp today, intimately connected to nature. Their very survival turned on that deep understanding. Both women were considered “different,” a feeling that resonated with me.
I was particularly drawn to the premise that explored how two distinct, but related tribes of humans could have evolved with different innate characteristics and capacities (one relying more on instincts and the other on problem solving).
Not to mention how fascinating that Auel imagined a course of evolution that modern anthropology is only recently vindicating!
This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves the Clan of the Cave Bear.
A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by…
When I was little, I knew I would work with books in some way, and I did, for many years working for one of the major children’s book publishers. But it wasn’t rewarding in the way I had hoped. Some kids know they want to be a teacher when they grow up. I definitely did not, yet I became one. I love finding ways to make learning fun. In my teaching days I found ways to get the most reluctant students to find something they could enjoy about learning. And now as an author, I find myself doing the same, and as a parent, seeking out books like the ones I recommend here that teach without teaching.
The first thing I love about this book is the very unusual use of 2nd person: “You live in a cave with your parents.” The child in this story loves exploring and using his imagination. Everyone else is busy with the job of surviving. The child sees shapes in the clouds and wonders why no one else can see what he sees. One night, without thinking, he takes a stick and draws on the cave walls. Now everyone can see what he sees, and it is the first-ever drawing. Everyone is amazed by it, thinks it is magic, and it is! The ability to use our imaginations to create art is magic, and it is what the author has done in this book, inspired by the real first drawing.
In 1994, the Cave of Chauvet-Pont-d'Arc was discovered, filled with the oldest known drawings in existence at that time, made 30,000 years ago. In that same cave, prehistoric footprints were discovered: those of an 8-year-old child and a wolf. From these astonishing facts, THE FIRST DRAWING was born.
In this beautiful picture book, Caldecott Medal-winning author/illustrator Mordicai Gerstein imagines one possible way drawing was invented. The young boy that stars in this story has such a vivid imagination that he sees images everywhere - clouds, stones and smoke look like animals to him. His parents, however, don't share his enthusiasm…
I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.
This important volume traces a picture of European prehistory, from the earliest agricultural communities of the Neolithic period to the Roman world. Stuart Piggott, who was a great English scholar of the twentieth century, guides us here to understand the ancient roots of facts and situations that have gradually evolved up to the history we know well.
‘Ancient Europe’ is a readable and copiously illustrated account of man’s material, social, and cultural growth, from the sixth millennium B.C. until the incorporation of much of barbarian Europe within the Roman Empire. Professor Piggott brings together for the first time the scattered archeological evidence for this entire period and presents an up-to-date and comprehensive synthesis of the main lines of the European prehistory. Distinguished by authority and clarity of presentation, the book traces the beginnings of animal domestication and plan cultivation in ancient Western Asia, studies the transmission of these skills (by population movements and assimilation) to the European…
I was first a biologist, working with endangered species. Then I switched and spent fifteen years making nature documentaries with people like Greta Thunberg and David Attenborough. Then a humpback whale breached onto me when I was kayaking, this led to a life-changing adventure culminating in my becoming involved in efforts to use AI to translate the communications of whales! I wrote about this for my first book. My great passion was always reading and in becoming a writer I get to go deeper and more playfully into my favorite parts of filmmaking – following heroic and fascinating people on their adventures, reading hundreds of complicated scientific papers, and finding ways to connect these.
This was one of those books that as I got past the halfway point I became sad as I realised I was heading towards the ending.
Set in prehistory, this book follows a young apprentice shaman making his way in a small hunter-gatherer band. I've never read a book that does such a good job of helping me live in my mind outside of our modern civilsation and with something approaching the view of the rest of the living world that our ancestors may have had.
'Vivid and beautiful . . . Astonishing' - Guardian
'A thrilling journey through an age of ice and stone - one of Kim Stanley Robinson's best!' - Greg Bear
An award-winning and bestselling SF writer, Kim Stanley Robinson is widely acknowledged as one of the most exciting and visionary writers in the field. His latest novel, 2312, imagined how we would be living 300 years from now.
Now, with his new novel, he turns from our future to our past - to the Palaeolithic era, and an extraordinary moment in humanity's development. An emotionally powerful and richly detailed portrayal of…
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