Here are 100 books that The Underdwelling fans have personally recommended if you like
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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
As someone who has explored the tombs of Egypt in real life, this story dug its claws right into me.
As well as all the claustrophobia, the darkness, and the sense there’s no way out, Moreland confronts you with ancient gods and monsters so terrifying you’ll be testing the walls for a secret passage out of there every step of the way.
"The suspense of the story, aided by sly hints from the author, and the atmosphere of a dark, claustrophobic tomb work together to create a scary story. The characters' fear invites the reader into the world to experience the fright themselves."
- Booklist Starred Review
Deep inside the tomb exists a hidden world of wonder and terror.
In 1935, British archaeologists vanished inside an Egyptian cave. A year later, one man returned covered in mysterious scars.
Egyptologist Imogen Riley desperately wants to know what happened to the ill-fated expedition led by her grandfather. On a quest for answers, she joins…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
This book leans heavily into old English folklore, has terrifying creatures and believable characters.
Above and beyond all that, though, is the atmosphere the author creates in the rabbit warren of the Chislehurst Caves. It’s no secret that Budd is a veteran visitor to this terrifying complex of tunnels and caverns, and it really shows in this book. Even the “quiet” moments in Enter the Darkness had me shuddering.
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
Like with Tim Curran’s The Underdewlling, above, Eyes in the Dust leans into the cosmic with its approach to what’s below our feet.
A giant borehole has been dug in an unnamed, developing world country revealing an inexplicable anomaly. Our story, though, focuses on a single individual’s perspective. Cortland—the archetypal faceless manager—comes face to face with the nihilistic reality of what lurks miles beneath the soil, and the horror is almost too much to bear.
a DUNHAMS MANOR PRESS EXCLUSIVE from the author of THE SPECTACLE OF THE VOID. The world has moved on and left Cortland behind. His career as an academic has fizzled out, his fiancé is dead, and he remains haunted by the notion that it’s his fault. When a consulting firm contacts him with the opportunity of a lifetime—two months off the grid studying slime molds at the bottom of an ancient impact crater—he has no choice but to accept. He soon learns, however, that the crater holds dark secrets, that death itself is not an exit, but rather a welcoming…
When I was little, I knew I would work with books in some way, and I did, for many years working for one of the major children’s book publishers. But it wasn’t rewarding in the way I had hoped. Some kids know they want to be a teacher when they grow up. I definitely did not, yet I became one. I love finding ways to make learning fun. In my teaching days I found ways to get the most reluctant students to find something they could enjoy about learning. And now as an author, I find myself doing the same, and as a parent, seeking out books like the ones I recommend here that teach without teaching.
The first thing I love about this book is the very unusual use of 2nd person: “You live in a cave with your parents.” The child in this story loves exploring and using his imagination. Everyone else is busy with the job of surviving. The child sees shapes in the clouds and wonders why no one else can see what he sees. One night, without thinking, he takes a stick and draws on the cave walls. Now everyone can see what he sees, and it is the first-ever drawing. Everyone is amazed by it, thinks it is magic, and it is! The ability to use our imaginations to create art is magic, and it is what the author has done in this book, inspired by the real first drawing.
In 1994, the Cave of Chauvet-Pont-d'Arc was discovered, filled with the oldest known drawings in existence at that time, made 30,000 years ago. In that same cave, prehistoric footprints were discovered: those of an 8-year-old child and a wolf. From these astonishing facts, THE FIRST DRAWING was born.
In this beautiful picture book, Caldecott Medal-winning author/illustrator Mordicai Gerstein imagines one possible way drawing was invented. The young boy that stars in this story has such a vivid imagination that he sees images everywhere - clouds, stones and smoke look like animals to him. His parents, however, don't share his enthusiasm…
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
From her earliest years, Sutcliff knew firsthand what it was to live with and surmount painful disability. She understood what it was to be ‘the other’—to be looking from the outside on those able to live ‘normal’ lives. It is not surprising then that many of her stories include main characters who powerfully prove you do not need to be able-bodied to triumph over life. Set in the British Bronze age, this novel is one of those stories. Dem wants to take his place as a warrior of his tribe but must kill a wolf single-handedly to claim his warrior’s scarlet cloak. How can kill his wolf when he was born with a withered arm? With great sensitivity, skill, and prose often close to poetry, Sutcliff brings the Bronze age and its people alive in this wonderfully told story.
Drem longs for the day he will win his Warrior Scarlet. But with a withered spear arm, how will he take part in the ritual Wolf Slaying which will prove his worth as a man of the tribe?
With over forty books to her credit, Rosemary Sutcliff is now universally considered one of the finest writers of historical novels for children. Winer of the Carnegie Medal and many other honours, Rosemary was awarded a CBE in 1992 for services to children's literature.
I am all the characters in this and every book I have written. I grew up in Rome, teach Roman art and architectural history, and am a practicing architect. My books are suffused with the things I love, from culture to cuisine, pace of life, love of consort, affection for children and animals, to the adventures I have been so fortunate to enjoy through my fifties. Reading has been a big part of my education. I have many interests and loves to share. These five book recommendations are but the tip of the iceberg. I became an author so I could write what remains unwritten and read the stories I wish to tell.
I love the main character, the strongest woman in literature, who, in late Paleolithic times, literally invents the modern world. She is strong but thinks herself weak. She is beautiful but thinks herself ugly. She circumvents and overcomes every instance of adversity thrown her way. I want to be her, and the book permits me to wear her shoes.
I have been highly influenced by Jean Auel’s storytelling, especially the graphic scenes of Ayla’s loss of innocence, growth into sexuality, and descriptions of lust, love, and completion.
This book is not erotica, yet the love scenes are the best I’ve ever read and are a roadmap to create tension and heat in my writing. With her influence, my audience laughs, cries, and cheers their way through my books.
This unforgettable odyssey into the distant past carries us back to the awesome mysteries of the exotic, primeval world of The Clan of the Cave Bear, and to Ayla, now grown into a beautiful and courageous young woman.
Cruelly cast out by the new leader of the ancient Clan that adopted her as a child, Ayla leaves those she loves behind and travels alone through a stark, open land filled with dangerous animals but few people, searching for the Others, tall and fair like herself. The short summer gives her little time to look, and when she finds a sheltered…
I’ve written seven books, all along the theme of adventure in one way or another, but my best-known work is that of my novels of the Ojibwe Indians. As a child, I grew up on a farm where my dad discovered scores of arrowheads and artifacts while plowing the fields. This was a deep revelation for me as to the extent of Indian culture and how little we know of its people. In my books, Windigo Moon and The Wolf and The Willow, I try to bring the world of the 1500s and its Native peoples to life.
No list of historical fiction depicting the Indians’ way of life would be complete without the inclusion of a book by the Gears, who’ve written many novels of Native life years before the arrival of European explorers.
I like this book because it’s a bit of a retelling of Hansel and Gretel set in the Haudenosaunee (Iroquois) culture. Two young children are among many captured by a witch and bound for an uncertain fate. The book delves into the widespread fear of witches in many Indian cultures and also offers a glimpse of life among the Haudenosaunee, who famously lived in large agricultural communities, dwelling in longhouses surrounded by palisades.
Six hundred years ago in what would become the northeastern United States and southeastern Canada, five Iroquois tribes were locked in bitter warfare. From the ashes of violence, a great Peacemaker was born…
Young Odion and his little sister, Tutelo, live in fear that one day Yellowtail Village will be attacked. When that day comes and Odion and Tutelo are marched away as slaves, their only hope is that their parents will rescue them.
Their mother, War Chief Koracoo, and their father, Deputy Gonda, think they are tracking an ordinary war party herding captive children to an enemy village. Koracoo…
I am an author, theologian, musician, historian, and college professor who has written more than twenty books about ancient and alternative history, religion in modern culture, and long-distance, meditative bicycling. My study of the past convinced me that modern life has, for far too many of us, grown one-dimensional. It lacks the magic and mystery that imbued the ancients with the deep and rich mythology which we inherited from them, but then allowed to grow dormant within our sheltered lives. Remembering their vision and experience is a key to restoring our own sense of self-worth and essence. Maybe we all need to meet a “Wizard in the Wood!”
Why was Stonehenge built? What was its function? Cornwell offers a new interpretation that is both eminently possible and completely believable. Transporting us back to a time long forgotten, he makes us believe. And that is no easy task! When I first gazed in person upon Stonehenge, my thoughts, like those of almost everyone else, were consumed with “Why” and “How.” But this book takes us further into the mystery by asking “Who?” What motivated the first builders, and those who followed after them for thousands of years? They were “just folks,” like us. But they must have been motivated by something that we, sad to say, are lacking.
Bernard Cornwell's brilliant novel, reissued for fans to find out the story behind the stones. This is the tale of three brothers and of their rivalry that created this great temple.
One summer's day, a dying stranger carrying great wealth in gold comes to the settlement of Ratharryn.
The three sons of Ratharryn's chief each perceive the great gift in a different way. The eldest, Lengar, the warrior, harnesses his murderous ambition to be a ruler and take great power for his tribe. Camaban becomes a great visionary and feared wise man, and it is his vision that will force…
I am a veterinarian who has worked extensively with African Wildlife in the heart of the African bush. I have also met African Sangoma’s, witch doctors. I have made a study of African mysticism and Ancestral communications and have participated in African mystic rituals, including the cleansing ritual called smudging or burning of herbs and utilizing the smoke for spiritual cleansing. In my books, I fuse my knowledge of African wildlife, African customs and rituals, and my innate ability to tell a good story and have brought forth the Jamie James series. They are quintessential African Adventures taking place in the heart of the African bush.
The Sunbird was Wilber Smith’s first book. It was one of the first books on Wild African Adventure that I read and has kindled in me a lifelong passion for Africa, African animals, and the love of wildlife. It was a reason that I became a veterinarian and that I wanted to work with African Wildlife. It is a mix of contemporary and historic African Fiction. It is memorable because it is a wonderful story that I would want to share around the fire in a camp somewhere in the heart of the African bush. I would want Wilbur Smith to tell me the story as we sit around the fire. It evokes all that is magical and wonderful about Africa, the continent I love and live on. The book taught me that the story is paramount. Not the skill of the author as a literary giant. I want to…
A photograph and a curse are the only clues Dr Ben Kazin has before he stumbles on the archaeological discovery. Beneath the red cliffs of Botswanaland a civilization has remained buried for millennia. But the magic of uncovering a lost culture is interrupted by the violence of terrorists, love, intrigue and the secrets of centuries.
