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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
In this novella, Curran taps into that sense of what’s below our feet as another world.
A world from a past so distant from ours that we’ve forgotten what lurks there. The reader follows Boyd down into the depths and understands his reasons for taking the job in the bowels of the mine, even as things take turn after turn for the worse.
Curran knows exactly when to paint the horror vividly and when to hold back, or lean into the unsettling and the uncanny.
With a kid on the way, Boyd needed the job bad. But the idea of going underground at the Hobart Mine, down into the dark labyrinth of tunnels to get at the raw ore, left him with a brooding sense of unease. Maybe it was the fact that his father had died down in the mines or maybe it was something much worse. Digging a new drift down in Level #8, the lowest level of the mine, an immense shaft opens up. Boyd and a few others volunteer to explore it. Some 400 feet down, they find a passage that…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
This book leans heavily into old English folklore, has terrifying creatures and believable characters.
Above and beyond all that, though, is the atmosphere the author creates in the rabbit warren of the Chislehurst Caves. It’s no secret that Budd is a veteran visitor to this terrifying complex of tunnels and caverns, and it really shows in this book. Even the “quiet” moments in Enter the Darkness had me shuddering.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
At university, I studied Classical Studies, which leans heavily into archaeology. As I went on more site visits, I became much more aware of the worlds and lives which exist below our feet. Later, when working as a teacher in Poland, I had the chance to visit one of Europe’s deepest active coal mines. The experience surprised me in so many ways, not least the oppressive heat and the darkness—something you feel you can almost touch. From that moment onward—especially as a horror writer—I’ve found myself wondering about the nightmares lurking below our world, as well as above, and beyond.
Like with Tim Curran’s The Underdewlling, above, Eyes in the Dust leans into the cosmic with its approach to what’s below our feet.
A giant borehole has been dug in an unnamed, developing world country revealing an inexplicable anomaly. Our story, though, focuses on a single individual’s perspective. Cortland—the archetypal faceless manager—comes face to face with the nihilistic reality of what lurks miles beneath the soil, and the horror is almost too much to bear.
a DUNHAMS MANOR PRESS EXCLUSIVE from the author of THE SPECTACLE OF THE VOID. The world has moved on and left Cortland behind. His career as an academic has fizzled out, his fiancé is dead, and he remains haunted by the notion that it’s his fault. When a consulting firm contacts him with the opportunity of a lifetime—two months off the grid studying slime molds at the bottom of an ancient impact crater—he has no choice but to accept. He soon learns, however, that the crater holds dark secrets, that death itself is not an exit, but rather a welcoming…
From the moment I started reading those ‘create your own story’ books as a child, I’ve loved a story with a different ending, or at least the possibility of a different ending because I like to be taken by surprise. Having spent years as a magazine journalist interviewing people about their lives, I knew I wanted to write stories about people, because people are fascinating and surprising. My fascination with people and time travel also probably explains why my debut novel, Before You Go, had both of those elements in them – and when I find a book that bends convention a little – or a lot – I’ll shout about it from the rooftops!
Remember those stories you used to read a kid, where you could choose which way the story went next, and choose your own ending?
I was never the kid who could just make a decision and see where the story went – I always had to read all the different options to see what might have happened.
That's why this book appealed, because you get to see how both choices worked out. And then it surprises you all over again
'A writer the world should be reading right now.' Independent
Who would you be, if you hadn't turned out to be the person you are now?
Dawn is a death doula, and spends her life helping people make the final transition peacefully.
But when the plane she's on plummets, she finds herself thinking not of the perfect life she has, but the life she was forced to abandon fifteen years ago - when she left behind a career in Egyptology, and a man she loved.
Against the odds, she survives, and the airline offers her a ticket to wherever she…
I studied the ancient world in college, but Egypt really got my attention when I covered the CT scanning of King Tutankhamun in the Valley of the Kings on January 5, 2005, for National Geographic magazine, where I was a staff writer for many years. Ancient Egypt has become one of my great passions, especially the royal successions of the 18th dynasty and the saga of King Tut. I’m currently president of the Washington, D.C., chapter of the American Research Center in Egypt, and I host a lecture about ancient Egypt every month for that group. I’m also studying hieroglyphs—and appreciating how the landscape comes alive now that I can read the signs.
I have just discovered this book and read it cover-to-cover in a flash. It’s full of all the details of who Howard Carter was, how he got to Egypt in the first place, how he found King Tut’s tomb, and how he maneuvered through such a politically charged aftermath. Tons of meticulous research went into this tale. I could not put it down once I started in.
This book presents the incredible story of the discovery of those 'wonderful things', and the splendour of the most memorial of all royal legends. Told with style and distinction, it includes previously unseen watercolours by Carter; the story of the relationship between Carter and his patrol, 5th Earl of Carnarvon and his daughter Lady Evelyn; new Foreword by Henrietta McCall of the British Museum; new Appendix devoted to the remarkable Almina Countess of Carnarvon, illegitimate daughter of Baron Alfred Rothschild, whose wedding dowry largely financed the search for the tomb and its excavation.
I am a novelist and travel writer specializing in Egyptology. My research has taken me to Egypt many times, and I write both fiction and nonfiction related to my studies. Like all Egyptologists, I understood from a young age that ‘They that drink of the Nile always return.’ When not hopping across continents, I can be found in Wisconsin, enjoying something I call porch time.
The might of Ancient Egypt, even in the form of one little Shabti, should never be questioned. This book charmed me on so many levels. The haunted artifact in the museum's collection is a force to be reckoned with and provides more than enough intrigue to carry the adventure forward. The two protagonists, Dashiel and Hermann, are flawed, past their prime, and used to living on the fringes of society. I fell in love with both of them, as I did with the larger cast of characters–flim flam or otherwise.
The emotional story is very sweet, which suits the characters perfectly and which is still with me. The setting (greater Chicagoland in the 1930s) is expertly recreated down to the regional and period dialect, which is always delightful. I would absolutely relish a sequel, and this hardcover will never leave my shelf.
It's 1934. Former medium Dashiel Quicke travels the country debunking spiritualism and false mediums while struggling to stay ahead of his ex-business partner and lover who wants him back at any cost. During a demonstration at a college campus, Dashiel meets Hermann Goschalk, an Egyptologist who's convinced that he has a genuine haunted artifact on his hands. Certain there is a rational explanation for whatever is going on with Hermann's relics, Dashiel would rather skip town, but soon finds himself falling for Hermann. He agrees to take a look after all and learns that something…
This topic is very close to my heart, as a lot of my readers know me as “the landscape guy.” My two award-winning mystery thrillers (and the serial killer thriller I'm currently writing) feature chillingly explosive landscapes (the Sierra Nevada Mountains, the Gates of the Arctic, and the Rocky Mountains). Readers and reviewers have mentioned time and again how I utilize landscape as a character in its own right, and I have very much been influenced by other authors who do the same. There is so much opportunity in these remote and high-altitude landscapes to propel the dread and isolation for these types of stories.
This one’s a little bit of a cheat because the Grand Canyon isn’t technically a mountainous landscape—unless you’re looking at it from the bottom. But as far as landscapes go, you can’t do much better. The Anomaly follows an I’ll-do-it-myself archaeologist who discovers an ancient cave that seems to have a mind of its own. More than anything, this book is just downright freakin’ fun. It’s evident that Rutger knows this landscape better than most, and he utilizes both history and conspiracy theories to his advantage. This one’s a true mystery where the setting is a character in itself.
An utterly gripping thriller perfect for fans of Dan Brown, Michael Crichton and Stephen King. The Anomaly will leave you breathless until the final page has been turned . . .
THEY SOUGHT THE TRUTH. THEY FOUND A NIGHTMARE
A team of explorers seek ancient treasures, hidden in a secret cave.
At first it seems they will return empty handed. Then their luck turns.
But the team's elation is short-lived as they become trapped there in the dark, with little possibility of escape.
Having studied ancient Egypt her entire life, Professor Joann Fletcher is based in the Department of Archaeology at the University of York. As a founding member of the university’s Mummy Research Group, she is also Lead Ambassador for the Egypt Exploration Society and an advisor to museums around the UK. Her numerous publications include The Search for Nefertiti, Cleopatra the Great, and The Story of Egypt, academic papers, and regular contributions to the BBC's History magazine. She also makes frequent appearances on radio and television. Although it’s incredibly difficult to pick just 5 books that best encapsulate ‘Ancient Egypt’ in its broadest sense, it’s important to start with those which are as informative and accurate as possible when many can be quite the opposite!
This book covers the great Egyptological discoveries made up to the end of the C.20th. Perfectly combining Nick Reeves’ authoritative text with lavish illustrations, it manages to create a real sense of adventure while showing how Egyptology developed as a subject, explaining why we know what we know about ancient Egypt – and what we don’t!
This is the story of Ancient Egypt as it was revealed to the world - a succession of discoveries and treasures. The book provides a trip through the golden ages of archeaology in Egypt, from the discovery of the Rosetta Stone in 1799 to the Golden Mummies in 1999. The discoveries are presented through archival images and extracts from notebooks, diaries and published accounts of excavators. Some finds are world famous, such as Nefertari's tomb and King Khufu's royal boats, others are less well known and they include the Ferlini treasure with its cache of gold and the jewels of…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
I grew up in the 1980s when there wasn’t consideration for representation or diversity in literature or media. If I wanted to read about a Girl of Color, inevitably, she was a slave. If I wanted to watch a TV show featuring women (of any color), they were inevitably rescued in the climactic moment by a man. As such, I grew into a reader who loves kickbutt girls of all stripes. Give me a chance to cheer on a female who’s looking for her happy ending and not about to let the world dictate how she finds that happiness (and with whom), and boy, you got me!
I love books that keep me guessing and leave me unsettled about character motivation and story truth, and Into the Sublime gets the gold on all of those requirements and more! Amelie, a member of a thrill-seeking group, heads out with three other girls—H, Gia, and Devon—to find a lake called “The Sublime,” that’s said to reveal your deepest fears. Much like the underground cave system the girls find themselves in, Into the Sublime takes readers on a twisting tale full of tension and changing alliances, and an ever-tightening noose of dread and unease. What happened in those caves? Why did four girls go in but only three come out—and whose blood is Amelie covered in? This is the kind of book you stay up late to finish...then spend the next few days sleeping with the lights on. Lovers of psychological suspense and horror won't be disappointed.
"Gripping and breathless, Into the Sublime is equal parts terrifying, claustrophobic, psychological, and cunning." ―Wendy Heard, author of She's Too Pretty to Burn and Dead End Girls
A new YA psychological thriller from Kate A. Boorman, author of What We Buried, about four teenage girls who descend into a dangerous underground cave system in search of a lake of local legend, said to reveal your deepest fears.
When the cops arrive, only a few things are clear: - Four girls entered a dangerous cave. - Three of them came out alive. - Two of them were rushed to the hospital.…