Here are 100 books that A Dictionary of English Folklore fans have personally recommended if you like
A Dictionary of English Folklore.
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Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
When we first moved to our farm, we discovered witches’ marks carved into the walls of our granary. Hundreds of years old, these ancient scribblings are absolutely everywhere–churches, grand homes, cottages, and farm buildings. These are not mindless doodles, however, but prayers for a good harvest or desperate protections against harm.
Matthew Champion’s well-researched book is a highly readable summary of this secretive and surprisingly common practice.
For centuries carved writings and artworks in churches lay largely unnoticed. So archaeologist Matthew Champion started a nationwide survey to gather the best examples. In this book he shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Drawing on examples from surviving medieval churches in England, the author gives a voice to the secret graffiti artists: from the lord of the manor and the parish priest to the people who built the church itself.
Here are strange medieval beasts, knights battling unseen dragons, ships…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
As an archaeology undergraduate at Oxford University, I was always drawn to the murkier side of human history.
There, I came across the subject of bog bodies, unfortunate people who were sacrificed and thrown into peat bogs across northern Europe thousands of years ago. Plenty has been written about the topic, but Miranda Aldhouse-Green’s sharp-eyed offering pulls together the latest research and scientific breakthroughs.
It is time for a new book about bog bodies: the number of known bodies is growing. Lindow Man, the famous 'Pete Marsh' discovered in Cheshire in the 1980s, has been joined by new finds from Ireland and elsewhere. Who were these unfortunate people, and why were they killed? Archaeologists, armed with the latest analytical techniques, are today investigating these cold cases to reveal much about our distant past. Forensic science allows us to deduce the age, physical condition, status, cause and time of death of these ancient victims, helping to answer the fundamental questions that they pose: were these…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
Since hunter-gatherer times, our relationship with animals has been full of contradictions. We relied on them not only as a source of food and traction but also worshipped and deified creatures through the millennia.
This feisty and, at times, refreshingly irreverent book pulls together everything we know about the cultural history of human-animal relationships, from pampered pets to sacrificial offerings.
Zooarchaeology, the study of ancient animals, is a frequently side-lined subject in archaeology. This 'important and provocative' volume, now available in paperback, provides a crucial reversal of this bizarre situation - 'bizarre' because the archaeological record is composed largely of debris from human-animal relationships (be they in the form of animal bones, individual artifacts or entire landscapes) and many disciplines, including anthropology, sociology, and geography, recognise human-animal interactions as a key source of information for understanding cultural ideology.
By integrating knowledge from archaeological remains with evidence from texts, iconography, social anthropology and cultural geography, Beastly Questions: Animal Answers to Archaeological…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
In 2018, I visited one of the most unusual exhibitions I’d ever been to. Hosted by the Ashmolean Museum in Oxford, ‘Spellbound’ examined how magical thinking has been practiced over the centuries.
From mummified cats to lovers’ rings, the displays were dazzling. Every time I open the accompanying book, with its remarkable photographs and illustrations, I’m transported back to this extraordinary, baffling world.
Do you believe in magic? Even if you don't, you probably 'think magically' sometimes. We touch wood to stop bad things happening, or take a lucky object to a job interview or exam in an irrational attempt to influence the outcome. Spellbound: Magic, Ritual & Witchcraft was the first exhibition to examine how magical thinking has been practised over the centuries. With exquisitely engraved rings to bind a lover, enchanted animal hearts pierced with nails, mummified cats concealed in walls and many other intriguing objects, the exhibition catalogue shows that the use of magic is driven by our strongest emotions:…
I’m a lifelong nature-lover, and for me, the old folk tales are deeply tied to this: the history of our attempts to give meaning to the beautiful and the unsafe. I spent a lot of time in the West Country as a child, and that shaped my imagination: the tangible magic of a landscape with chalk bones and golden snails and birds that exploded from the hedgerows before you. When I came to write my own folktales, that was the magic I wanted. And that’s what I love in books: the way they can make you feel like you’re standing on the soil of someone else’s inner world.
Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.
"Intelligent and imaginative...even the magic convinces." -Mary Renault, author of The King Must Die
On The Path Toward Greatness, Every Hero Makes a Choice
Legends sing of Sir Gawain, one of the most respected warriors of King Arthur's reign and one of the greatest champions of all time. But this is not that story. This is the story of Gwalchmai, middle son of the beautiful, infinitely evil sorceress Morgawse, and gifted student of her dark magical arts. A story of an uncertain man, doubting his ability to follow his elder brother's warrior prowess and seeking to find his own identity…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
This is one of my favorite picture books. To me, the main character is life itself. A mischievous, greedy, daring, vulnerable, colorful aliveness. The strong colors and the bold shapes of the illustrations demonstrate the raw intensity of life. And the theme of Grandmother loving Pig-Boy unconditionally is one mothers would resonate with. Such a treat!
I’ve been writing for publication since I was a student, crudely the writing has been a way of medicating the fact I’m incurably curious about a range of things and I’ve also suffered from an over-production of ideas my whole life. Wrestling this under control into writing and live speaking where the subjects must fit within a title, word limit, or running time for a talk has been helpful, beyond which the whole writing career has been a trade off between things I’ve chosen to do because they matter a lot to me, and the occasional accepting of an offer I thought too good to refuse.
A clear and well-argued account of how the planet became obsessed with stories of alien encounters and what they might mean to us.
An essential read for anyone curious about the subject largely because it considers the whole planet, not just the truly UFO-obsessed United States. It frequently presents the best and most challenging UFO cases with a clarity that gets to the heart of each claim, and never forgets that one thing driving the enduring popularity of the subject is that – whatever the truth behind each claim – we’re dealing with incredible claims that make for great stories.
A history of the various manifestations and shifting meaning of the Twentieth Century's single great contribution to mythology: the UFO.
Neither a credulous work of conspiracy theory nor a sceptical debunking of belief in 'flying saucers', How UFOs Conquered the World explores the origins of UFOs in the build-up to the First World War and how reports of them have changed in tandem with world events, science and culture. The book will also explore the overlaps between UFO belief and religion and superstition.
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This book is an enchanting, heartbreaking tale about three sisters in the ancient kingdom of Dumnonia, trapped in a web of a broken family, treachery, and lies.
I loved this book because the author took an ancient folk ballad, “The Twa Sisters,” and turned it into a beautiful story. I was pulled in by the dreamy, poetic tone of the book, the underlying sadness and sense of loss, and the atmosphere of a disappearing world.
In a magical ancient Britain, bards sing a story of treachery, love and death. This is that story. For fans of Madeline Miller's Circe, Lucy Holland's Sistersong retells the folk ballad 'The Twa Sisters.'
'A beautiful reimagining of an old British folklore ballad, Sistersong weaves a captivating spell of myth and magic' - Jennifer Saint, author of Ariadne
King Cador's children inherit a land abandoned by the Romans, torn by warring tribes. Riva can cure others, but can't heal her own scars. Keyne battles to be seen as the king's son, although born a daughter. And Sinne dreams of love,…
I have been fascinated by ancient sacred sites since I first visited the ancient Rollright Stones on the Oxfordshire/Warwickshire border decades ago. I am interested in how the study of folklore and local traditions can be used in conjunction with archaeology to trace the origins and purposes of ancient monuments. I am an author and researcher who has had seven books published on the subjects of ancient civilizations, prehistoric monuments, and supernatural folklore. Born in Birmingham, England, I am a qualified archaeologist with a BA in European Archaeology from the University of Nottingham, and an MPhil in Greek Archaeology from Birmingham University.
For me, the widely varying folklore and myths of England covered in this book help to reveal the rich, unique history that the country possesses. One worry I have is that such traditions are already disappearing from the fields and squares of the land, and indeed the minds of the people. This is due in no small part to the homogenisation of individual cultures by the mainstream mass media, something which unfortunately shows no signs of abating.
Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past. 'A fascinating county-by county guidebook to the headless horsemen, bottomless pools, immured adulteresses and talking animals that make up the hidden landscape of the country.' - "London Review of Books". 'Evokes an England terrified by screaming skulls, tantalized by hidden treasure, spooked by…
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Cornish Folk Tales takes the reader on a journey into the heart of Cornish Storytelling.
I have listened to Mike O’Connor many times and he is a master storyteller. I love the Cornish Droll telling tradition; droll tellers went from place to place telling tales for a bed and a bite to eat. The narrators of Cornish Folk Tales, blind droll teller Anthony James and his guide young Jamie are a perfect combination.
Mike O’Connor, through Anthony tells the tales with anecdotes, music, history, and Cornish language. This book taught me how to approach folklore retelling in an accessible way.
Reading I felt myself beside the firesides of Cornwall, listening to tales of dragons, mermaids, giants, and saints; puzzling over riddles, and learning about Cornish traditions and music
The ancient land of Cornwall is steeped in mysterious tradition, proud heritage and age-old folklore. Before books were widely available, wandering 'droll tellers' used to spread Cornish insight and humour to all parts of the Duchy - exchanging their tales for food and shelter. Anthony James was one such droll teller, and this collection follows him as he makes his way around Cornwall one glorious summer. Richly illustrated with hand-drawn images and woodcuts, Cornish Folk Tales will appeal to anyone captivated by this beautiful land and its resident kindly giants, mischievous piskeys, seductive mermaids, bold knights and barnacle-encrusted sea captains.
