Here are 100 books that Pig-Boy fans have personally recommended if you like
Pig-Boy.
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Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
I would highly recommend any of Daisy Hirst’s books. To me Daisy Hirst’s books have both the ease and the force of natural phenomenon. They are like a gust of wind, rain, or sunshine. Immaculate expressions of the child’s experience. A seamless flow through the ordinary beauty of the surroundings, the thoughts and the emotions of the child. They represent the joy of creativity and play alongside the feelings of confusion, loneliness or guilt. Simply put, they are brilliant!
Brother and sister monsters fall out and make up in spectacular style in this warm, witty story.
From the creator of The Girl with the Parrot on Her Head comes a truly authentic and original story about sibling rivalry. Natalie the monster mostly loves her little brother Alphonse being there - they name the pigeons, bounce things off the bunk beds, have stories in the chair and make lots of fun stuff together. But, when Natalie catches Alphonse eating her most favourite book, well ... that is not OK! Daisy's expressive, bold screen-print illustration and unique picture book voice will…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
Guri and Gura’s books shine with the energy of childlike wonder and vitality. Children would delight in Guri and Gura’s adventures. For the parents these books present an opportunity to tap into a possibly dormant, yet present sense of wonderment, magic, and the joy of eating, running, nature, friendship and discovery.
When the mice Guri and Gura go on a breakfast picnic they meet Bunny Buna, who can make his arms any length and who builds a boat out of clouds to take them for a ride.
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
It seems to me that the kind of imaginative senseless play (beyond good/bad, right/wrong), feels similar to the way a small kid would tell stories. A wonderful fantastic tale with joyful illustrations. Plus children and adults find very, very, very big things fascinating. Enjoy this masterpiece! (As well as Taro Miura’s other books.)
A king, a queen and one very big princess... A witty, wonderful and warm-hearted prequel to The Tiny King by acclaimed picture book maker, Taro Miura.
Once upon a time ... a king and queen discover, among their flowers, the teensiest, tiniest princess. Such a charming, sweet little thing! They are instantly taken with her - she becomes the daughter they never had, the child they had always dreamed of. The Queen immediately sets about finding her a perfect-sized bed and only a tiny ring box will do. But, in no time at all, the princess grows too big for…
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
Two siblings with very different personalities. The fun of following these two characters grows with every scene. A very skillful, beautiful depiction of the richness of life and creative collaboration. A funny and endearing book.
We have seen a few great odd couples in picture books already, but filled with possibility as the world is, there's always room for one more pair, especially if they are as charming and unforgettable as these pigs, born from the brushes and prolific imagination of Kerascoet. Kerascoet lives and works in Paris in the worlds of cartooning and illustration. Best known for illustrating the book Miss Don't Touch Me written by Hubert, as well as a couple of the Lewis Trondheim Dungeon books, their most recent book Beautiful Darkness broke out on the US scene in 2014, winning them…
Becoming immersed in oral cultures was a massive wake-up call for me! Taught to privilege the written over the spoken word, as most literate people are, it took me years of living in the Pacific Islands, travelling regularly to their remoter parts, to appreciate that people who could neither read nor write could retain huge amounts of information in their heads – and explain it effortlessly. We undervalue orality because we are literate, but that is an irrational prejudice. And as I have discovered from encounters with oral traditions throughout Australia and the Pacific, India, and northwest Europe, not only are oral traditions extensive but may be thousands of years old.
First published in 1940, Hawaiian Mythology is an astonishingly comprehensive compilation of native Hawaiian stories and beliefs that, had it not been for the systematic – even dogged – efforts of people like Martha Beckwith may have never survived to today. This is a book to dip into, especially if you find yourself in Polynesia. The stories are factual, often unembellished, which allows you a glimpse into the soul of Pacific peoples. This book also explores the connections between (remote) Hawaii and other island groups in the western Pacific whence its people came, bearing oral memories that seeded the geography of Hawaii and directed the nature of its human occupation, probably hundreds of years before Europeans even knew the Pacific Ocean existed.
Ku and Hina―man and woman―were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born.
The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano.
Ancient Hawaiians lived by the animistic philosophy…
From my work as a playwright and breakbeat poet, Artistic Director of Seattle Children’s Theatre, and full-time co-parent, I've dedicated my career to crafting engaging narratives that resonate across generations. With over sixty original plays to my name, I've honed a unique approach that intertwines hip-hop rhythms with rich storytelling. My debut picture book is a testament to this approach—inviting children and parents to discover the boundless creativity that can be found in everyday spaces. It’s my hope that this book inspires families to explore their homes with fresh eyes and open hearts, turning reading into an adventure of imagination.
Yuyi Morales brings great drama that is both funny and a bit chilling.
Senor Calavera arrives unexpectedly at Grandma Beetle's door, intent on taking her away immediately. However, Grandma Beetle isn't quite ready to leave; she has a long list of tasks to complete, each wonderfully woven into a lesson on counting in both English and Spanish. And the visuals are rendered through a culturally rich lens, filled with vibrant colors and engaging characters.
I admire how Morales uses folklore to bring rich cultural traditions to the forefront of children's literature.
The morning of Grandma Beetle's birthday, Senor Galavera arrives at her door, ready to take her onto the next life. 'Just a minute,' Grandma Beetle tells him. She still has one house to sweep, two pots of tea to boil, three pounds of corn to make into tortillas-and that's just the start! Using both Spanish and English words to tally the party preparations, Grandma Beetle cleverly delays her trip and spends her birthday with a table full of grandchildren- and her surprise guest. This spirited tribute to the rich traditions of Mexican culture is the perfect introduction to counting in…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
In addition to providing an engaging and well-researched introduction to Krampus (the darkest winter holiday creature of them all), The Krampus and the Old, Dark Christmas is a wonderful exploration of a wide spectrum of delightfully sinister facets of European Christmas tradition. For centuries, grim entities have emerged from the Christmastime shadows to offer a counterbalance to the lightness and joy of the holiday season. Ridenour connects Krampus to this tradition by taking the reader on a thrilling journey to an old world seething with witches, ghosts, demons, and child-eating ghouls. This book provided invaluable context and detail as I crafted the monster-filled, festive and shadowy setting of my own book.
With the appearance of the demonic Christmas character Krampus in contemporary Hollywood movies, television shows, advertisements, and greeting cards, medieval folklore has now been revisited in American culture. Krampus-related events and parades occur both in North America and Europe, and they are an ever-growing phenomenon.
Though the Krampus figure has once again become iconic, not much can be found about its history and meaning, thus calling for a book like Al Ridenour's The Krampus: Roots and Rebirth of the Folkloric Devil. With Krampus's wild, graphic history, Feral House has hired the awarded designer Sean Tejaratchi to take on Ridenour's book…
I am a writer and educator, originally from the British Isles. Perhaps because of this, I am more than usually aware of the distraction and speed of contemporary American life. As a long-time meditator, and the author of World Enough & Time: On Creativity and Slowing Down, I am encouraged and inspired by any book that draws attention to our “hurry sickness” and offers practices or suggestions to help us to slow down.
Jay Griffiths is a gorgeous writer, sparky and original. When I was working on my book, a friend gave me this book, and I gobbled it down. It was definitely the perfect companion along the way: funny, tender, quirky, passionately informed. The back cover features praise by both Fritjof Capra and Gary Snyder. “Amusing and erudite, fascinating and spirited,” says theTimes Literary Supplement. “Bravo!”
A brilliant and poetic exploration of the way that we experience time in our everyday lives.
Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In A Sideways Look at Time, Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before.
With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious…
I've been interested in feminine figures since I was a small, Catholic child presented with the Virgin Mary! Further down the road in graduate school and in my teaching career as an English Professor at a small Liberal Arts college, I began to research comparative mythology and the study of archetypes with a particular emphasis on the female divine. Now, after publishing three books and several articles on the goddesses, I'm happy to help others in their journey of discovery. I believe a good way to approach that study today is to focus on how our contemporary women writers portray goddesses in their works of fiction and non-fiction.
Marija Gimbutas’ The Living Goddessesis a great place to start your study of goddesses.
Gimbutas is a major researcher in the field of goddess studies, and her book is quoted more than often. Instead of reading other scholars’ work that quotes Gimbutas, why not read the original study of Paleolithic and Neolithice archetypes and their descendents in several Bronze and Iron Age cultures.
Additionally, Gimbutas postulates how those archetypes have evolved in contemporary culture. Matrilineal social structure as mirrored in religion and myth is the basis of Gimbutas’ gift to women today.
The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original--and originally shocking--interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years. This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part…
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